Calendar

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

A regional juried exhibition featuring works on the themes of community, identity, and social justice, In Solidarity will be open in Gallery II of the Fine Arts Center on the WSU Pullman campus from August 11, 2023, through September 14, 2023. A closing reception will be held on the last day of the exhibition.

The Native Women’s Leadership Forum is an annual event full of workshops, breakout sessions, keynote speakers, and panels. The forum is designed with our mission in mind and encourages participants to make a positive impact in their community. Each year, the forum highlights a new theme, and with it new educational and training opportunities. Feedback tells us that attendees leave feeling empowered, recharged, and renewed. In conjunction with the forum, we host a special luncheon to celebrate our Enduring Spirit Award honorees, a Youth Academy, and other affiliated programs each year. Anyone interested in issues impacting Indian Country and uplifting Native women leaders is welcome to attend. The forum is open to the public, and registrants come from many gender identities, cultural backgrounds, and professional affiliations.
Native Action Network will host our 19th Annual Native Women’s Leadership Forum September 14-15 at The Westin Seattle. Our theme is Champions of Our Future.
The Leadership Forum opens with registration at 8:00 a.m. on September 14, 2023; Workshops begin at 9:00 a.m. and run through 4:00 p.m. There will be a welcome reception and Fashion Show featuring Supernaturals Modeling at 5:00 p.m. for registrants. We’re thrilled to welcome Co-Owners of Supernaturals Modelling, Patrick Shannon and Joleen Mitton! ♥️
Supernaturals Modelling is an Indigenous-owned modeling agency that uplifts and celebrates Indigenous talent and culture in the fashion industry. By providing opportunities for models from Indigenous communities across North America, they’re breaking down barriers and helping redefine how Indigenous peoples are seen in media.
Register today! Your registration includes: NAN swag, Supernaturals Modeling Fashion Show and Reception, two days of workshops, Youth Honoring Breakfast with keynote address provided by Kinsale Drake (Diné) from the NDN Girls Book Club; our Enduring Spirit Honoring luncheon with keynote address provided by Chef Braveheart (Oglala Lakota Nation); 2023 Enduring Spirit Honorees: Mary Wilber (Osoyoos), Jeri-Marie Bennett (Lummi, Suquamish, Duwamish), Binah McCloud (Puyallup), Teresa Iyall Williams (Coeur d’Alene). All attendees will receive Continuing Education Units for attendance.
Take a look at our agenda here.
Are you interested in sponsoring our event? There are many levels of sponsorship to choose from. Review our sponsorship form here.
Please note that our hotel room block is at capacity. Limited rooms at full rates are still available at the Westin Wednesday and Thursday nights. You are encouraged to secure your lodging plans as early as possible.

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

The signing of Executive Order 9066 by President Franklin Roosevelt and the resulting mass incarceration of Japanese American families living on the West Coast is among the single most traumatic events in the history of Asian America, but many history books present an incomplete view of the full story. The truth is that this event did not happen in a vacuum nor did the people who lived this event do so quietly.
The exhibit leads visitors through a historical narrative beginning with the experience of Japanese American incarcerees in the 1940s and the complicated feelings of shame, anger, fear, and varied faces of resistance from within the community. Through the following decades, the story illustrates the generational trauma and cultural aftershocks of incarceration, while highlighting the lingering sense of injustice and awakening to justice movements at home and abroad. Fast forward to 2001 and beyond, the exhibit draws parallels between the stigmatization of Japanese Americans and modern-day anti-Muslim, anti-Arab, anti-Indigenous, anti-Black, and anti-immigrant policies. Visitors leave with a final prompt to consider: In the pursuit of justice, how will you show solidarity for movements today and into the future?
Through art, first-person accounts, historical material, and artifacts, this exhibit connects Japanese American resistance movements during the WWII era to modern BIPOC justice movements and activism today.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Guillermo del Toro: Crafting Pinocchio is a celebration and exploration of the inventiveness, passion and artistic cooperation that goes into making a cinematic vision come to life. Now streaming on Netflix, the movie Guillermo del Toro’s Pinocchio was ten years in the making and conceived for international audiences of all ages. The film highlights the importance of nonconformity and the love and understanding passed between parents and children—and above all, showcases the incredible passion that del Toro, co-director Mark Gustafson, and their team bring to the art of stop-motion animation.

The Portland Art Museum’s presentation of Guillermo del Toro: Crafting Pinocchio will expand on the richness of the local stop-motion animation community by giving visitors a look inside the artists’ process. The exhibition and programs will give special attention to the talent and creative collaboration of the local cinematic animation artists at Shadow Machine—a renowned stop-motion animation studio based in Portland, Oregon.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Alaska World Arts is a meeting place for worldwide artists and audiences of all ages to share culture and ideas with Alaskans and the rest of the world through a variety of art forms reminding all of us of our capacity for love and generosity.
We offer live and virtual performances, workshops, classes, films, and discussions by artists from Alaska and around the world.
Thank you for being a part of our 2023 Alaska World Arts Festival.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

We are thrilled to announce the return of an in-person Celebration of the Arts Luncheon on Thursday, September 14, 2023 at the Sheraton Grand Seattle. This event will welcome arts patrons, civic and business leaders, and members of our thriving arts community in support of ArtsFund’s mission and core programs. We look forward to celebrating Washington State’s arts and cultural sector with you!

ASL interpretation will be available during the event. For questions about additional accessibility accommodations, please contact Kaitlin Hurley kaitlinhurley@artsfund.org or call 206-788-3045.

Thank you for your interest in the ArtsFund Luncheon. Registration is now closed. Please email Kaitlin Hurley at kaitlinhurley@artsfund.org to place your name on a waitlist.

Run of Show
10:45 A.M. Check in begins

11:30 A.M. Doors open; entertainment by arts partners begins

12:00 P.M. Program begins; keynote by Marc Bamuthi Joseph

1:15 P.M. Program concludes

Keynote Speaker
Marc is a Black man with bald head and a salt and pepper beard. He is smiling in a suit and tie, looking at the camera in front of a gray background.BAMUTHI (Marc Bamuthi Joseph) is a 2017 TED Global Fellow, an inaugural recipient of the Guggenheim Social Practice initiative, and an honoree of the United States Artists Rockefeller Fellowship. Bamuthi’s opera libretto, “We Shall Not Be Moved”, was named one of 2017’s “Best Classical Music Performances” by The New York Times. His evening length work created in collaboration with composer Daniel Bernard Roumain, “The Just and The Blind,” was commissioned by Carnegie Hall and premiered to a sold out house at Carnegie in March 2019. His upcoming opera “Watch Night” is inspired by the forgiveness exhibited by the congregation of Emanuel AME church in Charleston, and will premiere at The Perelman Center in New York in 2023.

While engaging in a deeply fulfilling and successful artistic career, Bamuthi also proudly serves as Vice President and Artistic Director of Social Impact at the John F. Kennedy Center for the Performing Arts in Washington, DC. He is in high demand for his creative approach to organizational design, brand development, and community mediation, and has been enlisted as a strategic partner or consultant for companies ranging from Coca Cola to Carnegie Hall. His TED talk on linking sport to freedom design among immigrant youth has been viewed more than 1 million times, and is a testament to his capacity to distill complex systems into accessible and poetic presentations. Bamuthi’s community development philosophy, called “The Creative Ecosystem”, has been implemented in dozens of cities across the United States and is the subject of several critical writings, including one of the seminal essays in “Cultural Transformations: Youth and Pedagogies of Possibility”, published by Harvard Education Press.

Bamuthi is the founding Program Director of the exemplary non-profit Youth Speaks, and is a co-founder of Life is Living, a national series of one-day festivals which activate under-resourced parks and affirm peaceful urban life. His essays have been published in Harvard Education Press; he has lectured at more than 200 colleges, and has carried adjunct professorships at Stanford and Lehigh, among others. A proud alumnus of Morehouse College, Bamuthi received an Honorary Doctorate of Fine Arts from the California College of Arts in the Spring of 2022.

Volunteer Opportunity
We are seeking a great group of volunteers to support the Luncheon with registration, information, directions, and more! Any questions may be directed to Genevieve Green, Engagement Coordinator at genevieve.green@artsfund.org or 206-203-2255.

Snotty Nose Rez Kids Hot Planet Tour Dates and Locations.

Attention Halloween lovers!! Need some Spooky art? Nepantla Cultural Arts Gallery is proud to present their 1st Halloween themed art show!

Exhibition runs September 2nd-24th.
Gallery Hours: Thu-Sun 12pm-6pm

We are happy to announce that the tickets for our Dinner & Gala are now live! Mark this date on your calendar! We hope you join us! Visit wenatcheecafe.org/dinner to get your tickets! Thank you to @pericos.lounge who is generously providing food for this event. This event will be held at Pybus Market in Wenatchee.

The Highline Heritage Museum invites you to discover everything about the history of tacos and the varieties of this delicious typical Mexican dish.

A free and family-friendly event, don’t miss out!

Presentation in English starts at 6 p.m.

Presentation in Spanish starts at 7 p.m.

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

Kick off the start of our academic year at The Hugo House Party! We’re serving up bevvies and beats along with an array of activities, plus a speech by Executive Director Diana Delgado, all in celebration of Hugo House’s programs, writing community, legacy, and future!

We’re opening our doors for everyone who loves books and writing—students, teaching artists, and community members will recognize each other and reconnect in the crowd; for those curious or new to our space and offerings, join us to learn all about the Hugo House experience. Expect good vibes and literary surprises!

Throughout the evening, our Salon will host live music featuring the talents of Lucia Flores-Wiseman, Drea Marilyn, and Willow & Wood.

We’re welcoming the return of our in-person open mic series, Works in Progress, with special guest emcee Melany Bell!

Plus, we’re installing literary activity stations throughout The House!

Hugo House teaching artists are encouraged to mix and mingle in the Instructors Lounge.
We’re bringing back a special encore screening of Hugo House Founder Frances McCue’s documentary, Where the House Was.
Spark your imagination with writing prompts provided by Hugo House instructors in our Writing Room!
We’re dusting off the magical mechanics of our old-fashioned typewriters with a room dedicated to micro poetry.
Plus, we’re raffling off goodies and prizes, hosting a crafting station that’s “totes adorbs,” and more!
NEW: Limited Edition Tote for New Members!

Become a Hugo House member between September 5-14 and receive a LIMITED EDITION Hugo House tote bag and a FREE TICKET to the Hugo House Party!*

Pick up your tote at the Hugo House Party where we’ll have a crafting station ready for you to decorate and personalize your bag and answer the question: What do you write at Hugo House?

*Tote bags MUST be picked up at The Hugo House Party, Thursday, September 14. Shipping not available.

**Promo available while supplies last.

Get your tickets NOW! Attendees who purchase an advanced ticket through our website will receive an exclusive discount coupon from our neighbors at Oma Bap.

Admission is offered on a sliding scale: $5, $10, $15, and $25*. Revenue from ticket sales directly supports Hugo House’s mission to provide space for all to read words, hear words, and make their own words better.

*Attendees who purchase a pre-sale ticket at $25 will receive one free drink ticket with admission.

The House bar will be open to serve alcoholic and non-alcoholic beverages.

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The Native Women’s Leadership Forum is an annual event full of workshops, breakout sessions, keynote speakers, and panels. The forum is designed with our mission in mind and encourages participants to make a positive impact in their community. Each year, the forum highlights a new theme, and with it new educational and training opportunities. Feedback tells us that attendees leave feeling empowered, recharged, and renewed. In conjunction with the forum, we host a special luncheon to celebrate our Enduring Spirit Award honorees, a Youth Academy, and other affiliated programs each year. Anyone interested in issues impacting Indian Country and uplifting Native women leaders is welcome to attend. The forum is open to the public, and registrants come from many gender identities, cultural backgrounds, and professional affiliations.
Native Action Network will host our 19th Annual Native Women’s Leadership Forum September 14-15 at The Westin Seattle. Our theme is Champions of Our Future.
The Leadership Forum opens with registration at 8:00 a.m. on September 14, 2023; Workshops begin at 9:00 a.m. and run through 4:00 p.m. There will be a welcome reception and Fashion Show featuring Supernaturals Modeling at 5:00 p.m. for registrants. We’re thrilled to welcome Co-Owners of Supernaturals Modelling, Patrick Shannon and Joleen Mitton! ♥️
Supernaturals Modelling is an Indigenous-owned modeling agency that uplifts and celebrates Indigenous talent and culture in the fashion industry. By providing opportunities for models from Indigenous communities across North America, they’re breaking down barriers and helping redefine how Indigenous peoples are seen in media.
Register today! Your registration includes: NAN swag, Supernaturals Modeling Fashion Show and Reception, two days of workshops, Youth Honoring Breakfast with keynote address provided by Kinsale Drake (Diné) from the NDN Girls Book Club; our Enduring Spirit Honoring luncheon with keynote address provided by Chef Braveheart (Oglala Lakota Nation); 2023 Enduring Spirit Honorees: Mary Wilber (Osoyoos), Jeri-Marie Bennett (Lummi, Suquamish, Duwamish), Binah McCloud (Puyallup), Teresa Iyall Williams (Coeur d’Alene). All attendees will receive Continuing Education Units for attendance.
Take a look at our agenda here.
Are you interested in sponsoring our event? There are many levels of sponsorship to choose from. Review our sponsorship form here.
Please note that our hotel room block is at capacity. Limited rooms at full rates are still available at the Westin Wednesday and Thursday nights. You are encouraged to secure your lodging plans as early as possible.

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

The signing of Executive Order 9066 by President Franklin Roosevelt and the resulting mass incarceration of Japanese American families living on the West Coast is among the single most traumatic events in the history of Asian America, but many history books present an incomplete view of the full story. The truth is that this event did not happen in a vacuum nor did the people who lived this event do so quietly.
The exhibit leads visitors through a historical narrative beginning with the experience of Japanese American incarcerees in the 1940s and the complicated feelings of shame, anger, fear, and varied faces of resistance from within the community. Through the following decades, the story illustrates the generational trauma and cultural aftershocks of incarceration, while highlighting the lingering sense of injustice and awakening to justice movements at home and abroad. Fast forward to 2001 and beyond, the exhibit draws parallels between the stigmatization of Japanese Americans and modern-day anti-Muslim, anti-Arab, anti-Indigenous, anti-Black, and anti-immigrant policies. Visitors leave with a final prompt to consider: In the pursuit of justice, how will you show solidarity for movements today and into the future?
Through art, first-person accounts, historical material, and artifacts, this exhibit connects Japanese American resistance movements during the WWII era to modern BIPOC justice movements and activism today.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Guillermo del Toro: Crafting Pinocchio is a celebration and exploration of the inventiveness, passion and artistic cooperation that goes into making a cinematic vision come to life. Now streaming on Netflix, the movie Guillermo del Toro’s Pinocchio was ten years in the making and conceived for international audiences of all ages. The film highlights the importance of nonconformity and the love and understanding passed between parents and children—and above all, showcases the incredible passion that del Toro, co-director Mark Gustafson, and their team bring to the art of stop-motion animation.

The Portland Art Museum’s presentation of Guillermo del Toro: Crafting Pinocchio will expand on the richness of the local stop-motion animation community by giving visitors a look inside the artists’ process. The exhibition and programs will give special attention to the talent and creative collaboration of the local cinematic animation artists at Shadow Machine—a renowned stop-motion animation studio based in Portland, Oregon.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Alaska World Arts is a meeting place for worldwide artists and audiences of all ages to share culture and ideas with Alaskans and the rest of the world through a variety of art forms reminding all of us of our capacity for love and generosity.
We offer live and virtual performances, workshops, classes, films, and discussions by artists from Alaska and around the world.
Thank you for being a part of our 2023 Alaska World Arts Festival.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Snotty Nose Rez Kids Hot Planet Tour Dates and Locations.

Attention Halloween lovers!! Need some Spooky art? Nepantla Cultural Arts Gallery is proud to present their 1st Halloween themed art show!

Exhibition runs September 2nd-24th.
Gallery Hours: Thu-Sun 12pm-6pm

Join Skagit Valley College and the MEXAM NW Festival at this community event. We will be celebrating the Independence Day of various Latin American countries (Mexico, Nicaragua, El Salvador, Honduras, Guatemala, Costa Rica, and Chile).

There will be food trucks, local product vendors, Mexican folk dance performances, mariachi music, live DJ, a resource and information fair, and community activities.

The official “El Grito” ceremony will be led by the Consul General of the Consulate of Mexico in Seattle, Héctor Iván Godoy Priske.

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

Arts & the City Presents: 🎬

The renowned Mexican soprano Maria Reyna will give two unique and intimate concerts at Anxestral Gallery, as part of the “Orgullosa Soy Raíz” tour in the United States.

@mariareynasopranomixe

María Reyna and maestro Joaquín Garzón make up the “Opera Mixe” project, creating and recreating not only the original Mixe music, but also enriching it with fusions and ensembles of classical music, impressionism, bolero and jazz.

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

We have 300 vendor spaces every weekend, and we accept ALL types of vendors 🤟🏽 we are currently seeking out sellers of:
•oddities and curiosities (taxidermy, preserved bugs, dolls, tarot, etc) 🪲
•indigenous arts n crafts 🪶
•woodwork crafts 🪚
•vintage items (clothing, decor, furniture, houseware) 📷
•plants 🪴
•food vendors who sell Asian, Ethiopian, Indian, vegan, Hawaiian, etc. 🍽️
Keep in mind, this isn’t ALL we’re looking for- it’s just at the top of our list! We are first come, first serve but if you’d like to learn more- just head on over to our website 🙂 and if you know anybody who’d be interested, share this with them- we’d greatly appreciate your help!

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

The signing of Executive Order 9066 by President Franklin Roosevelt and the resulting mass incarceration of Japanese American families living on the West Coast is among the single most traumatic events in the history of Asian America, but many history books present an incomplete view of the full story. The truth is that this event did not happen in a vacuum nor did the people who lived this event do so quietly.
The exhibit leads visitors through a historical narrative beginning with the experience of Japanese American incarcerees in the 1940s and the complicated feelings of shame, anger, fear, and varied faces of resistance from within the community. Through the following decades, the story illustrates the generational trauma and cultural aftershocks of incarceration, while highlighting the lingering sense of injustice and awakening to justice movements at home and abroad. Fast forward to 2001 and beyond, the exhibit draws parallels between the stigmatization of Japanese Americans and modern-day anti-Muslim, anti-Arab, anti-Indigenous, anti-Black, and anti-immigrant policies. Visitors leave with a final prompt to consider: In the pursuit of justice, how will you show solidarity for movements today and into the future?
Through art, first-person accounts, historical material, and artifacts, this exhibit connects Japanese American resistance movements during the WWII era to modern BIPOC justice movements and activism today.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Guillermo del Toro: Crafting Pinocchio is a celebration and exploration of the inventiveness, passion and artistic cooperation that goes into making a cinematic vision come to life. Now streaming on Netflix, the movie Guillermo del Toro’s Pinocchio was ten years in the making and conceived for international audiences of all ages. The film highlights the importance of nonconformity and the love and understanding passed between parents and children—and above all, showcases the incredible passion that del Toro, co-director Mark Gustafson, and their team bring to the art of stop-motion animation.

The Portland Art Museum’s presentation of Guillermo del Toro: Crafting Pinocchio will expand on the richness of the local stop-motion animation community by giving visitors a look inside the artists’ process. The exhibition and programs will give special attention to the talent and creative collaboration of the local cinematic animation artists at Shadow Machine—a renowned stop-motion animation studio based in Portland, Oregon.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Alaska World Arts is a meeting place for worldwide artists and audiences of all ages to share culture and ideas with Alaskans and the rest of the world through a variety of art forms reminding all of us of our capacity for love and generosity.
We offer live and virtual performances, workshops, classes, films, and discussions by artists from Alaska and around the world.
Thank you for being a part of our 2023 Alaska World Arts Festival.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Fiestas Patrias will feature with Folklore Dance, Live music, Games, Prizes, Live Radio broadcasts from 99.3 La Grande, Artists, specialty vendors, tons of food vendors, Classic & Lowrider cars and 6 beautiful immersive exhibits brought to you by the Hispanic Business Association of Ruston and they’re sponsors like Point Defiance Zoo and Aquarium, Cinemark, Kia, SilverCloud Hotels of Ruston, La Grande and more.
Come dressed to represent Bring the entire family and come early and plan to stay all day!! You don’t want to miss this

The parade will be filled with music, folk dance, floats, as well as different representations of our culture.

This year’s parade theme is “Celebrating the Colors of Our Culture” to honor the beauty in our various skin tones and celebrate the vibrant colors of our clothing, spices, and food. We will also be appreciating the incredible colors found in our rivers, oceans, forests, and the countless colors of the animals in our natural environment, all blended together as one rich Latin culture.

The Polish Festival in Portland, Oregon is the oldest Polish festival in the western United States. Since 1993, the festival has celebrated Polish culture, traditions, and achievements.
Each year, the Polish Festival features authentic Polish food, live music and dance performances, exhibits about Polish history and culture, activities for children, polka contests, local merchants, and a beer garden.

Snotty Nose Rez Kids Hot Planet Tour Dates and Locations.

Attention Halloween lovers!! Need some Spooky art? Nepantla Cultural Arts Gallery is proud to present their 1st Halloween themed art show!

Exhibition runs September 2nd-24th.
Gallery Hours: Thu-Sun 12pm-6pm

Are you ready to dance your style?! After 3 years away, NAYA’s 11th Annual Neerchokikoo Powwow is happening September 16th!
Join NAYA for Grand Entries at 1 p.m. and 6 p.m., with dancing, drumming, a fabulous Native Artisan Fair, and Fry Bread, and Specials that include a Women’s vs. Men’s Traditional Special that is open to all ages.

Join us for our 11th Anniversary Beacon Food Forest Harvest Fest!
September 16th from 1pm-5pm
Enjoy: Free Food, Cider Press featuring BFF apples, Kids Art, Craft Fair, Adopt a Tree & More!
A fun live music performance by Lonely Parrots of the Music on Regenerative Farms initiative: https://www.morf-initiative.org/
BFF is on the SW side of Jefferson Park in Seattle. Whether it will be your 1st visit to BFF or your 100th visit, we are glad you’re part of our community!

It’s back-to-school time! We’re kicking off a new year of Y-WE programs with our Open House next Saturday, 9/16! All young people, families, community partners, and friends are welcome to join us for this free event, so let your people know! 📢 Learn more about Y-WE and get to know the community with food and fun activities. No RSVP required – see you there!

Mark your calendars for the annual El Grito Community Festival, Sep 16, 2023, at Shute Park, from 2:00 PM to 7:00 PM.
Centro Cultural is honored to host this event, presented by the City of Hillsboro. This family-friendly event will feature mariachi, and ballet folklorico performances, Latin American gastronomy, artisanal vendors, a car show, community resources, and much more.

Cool down with API Chaya at thier Halo Halo Community Mixer on September 16, 2-6pm at Jefferson Park! This event will feature cultural performances, family friendly activities and food vendors, along with the chance to get to know API Chaya staff and programs. Admission is FREE!

Join Latinos En Spokane for a day of cultural celebration honoring Mexican Independence Day! They have cultural activities, local vendors, delicous Mexican street food, bands, folklore dancers, and Danza Azteca!, Saturday, Sep 16th from 2-11pm at Riverfront Pavilion!

Honoring Supporters, an evening of gratitude and celebration of the partners, supporters, and friends that make UIATF’s work possible.
Doors will open at 5:00pm for appetizers, refreshments, and a self-guided viewing of the art and information displayed at Daybreak Star.

This year Mt. Hood Unida live music from the wonderful band @losnuevospalomitos, a community dinner, raffles and lots of fun! Our friends from @camparrahwanna are welcoming us back to the dining room and we can’t wait to see you all!

Sea Mar Fiestas Patrias commemorates the independence of Latin American countries, many of which celebrate their national independence day in the month of September.

Sea Mar began organizing Sea Mar Fiestas Patrias over twenty years ago in the South Park neighborhood of Seattle. Sea Mar expanded the celebration to the Seattle Center, where a large festival is organized with a variety of fun activities for all ages to enjoy, celebrating Latin culture.

The theme of the 2023 Fiestas Patrias is “Celebrating the Colors of Our Culture,” which showcases the diversity within the Latinx community in the state of Washington.

The event will celebrate diversity through food, art, music, dance, and traditions. The purpose of the event is for all attendees to enjoy a day of community learning and embrace the diversity of the Latinx community living in the state of Washington.

Heritage University invites you to the cultural celebration of El Grito de Independencia. There will be fun for the whole family, loteria, children’s games, food, refreshments, popsicles, cultural dances, and informational resources for the community. Don’t miss out!

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

Arts & the City Presents: 🎬

The renowned Mexican soprano Maria Reyna will give two unique and intimate concerts at Anxestral Gallery, as part of the “Orgullosa Soy Raíz” tour in the United States.

@mariareynasopranomixe

María Reyna and maestro Joaquín Garzón make up the “Opera Mixe” project, creating and recreating not only the original Mixe music, but also enriching it with fusions and ensembles of classical music, impressionism, bolero and jazz.

Queer LiberAsian is the nation’s only queer Asian performing arts showcase and nightlife party where 100% of event proceeds at every show ALWAYS go directly into mutual aid funds to support local community organizations dedicated to fighting for the liberation of queer peoples of color. More than a party, more than a show, we are a home for the community to further the fight toward our liberation. Queer LiberAsian has raised over $20,000 in the last five years for organizations such as Pride ASIA, the Asian Migrant Worker Fund via the Sex Worker Outreach Project of LA, the Marsha P. Johnson Institute, and more.

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

We have 300 vendor spaces every weekend, and we accept ALL types of vendors 🤟🏽 we are currently seeking out sellers of:
•oddities and curiosities (taxidermy, preserved bugs, dolls, tarot, etc) 🪲
•indigenous arts n crafts 🪶
•woodwork crafts 🪚
•vintage items (clothing, decor, furniture, houseware) 📷
•plants 🪴
•food vendors who sell Asian, Ethiopian, Indian, vegan, Hawaiian, etc. 🍽️
Keep in mind, this isn’t ALL we’re looking for- it’s just at the top of our list! We are first come, first serve but if you’d like to learn more- just head on over to our website 🙂 and if you know anybody who’d be interested, share this with them- we’d greatly appreciate your help!

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

The signing of Executive Order 9066 by President Franklin Roosevelt and the resulting mass incarceration of Japanese American families living on the West Coast is among the single most traumatic events in the history of Asian America, but many history books present an incomplete view of the full story. The truth is that this event did not happen in a vacuum nor did the people who lived this event do so quietly.
The exhibit leads visitors through a historical narrative beginning with the experience of Japanese American incarcerees in the 1940s and the complicated feelings of shame, anger, fear, and varied faces of resistance from within the community. Through the following decades, the story illustrates the generational trauma and cultural aftershocks of incarceration, while highlighting the lingering sense of injustice and awakening to justice movements at home and abroad. Fast forward to 2001 and beyond, the exhibit draws parallels between the stigmatization of Japanese Americans and modern-day anti-Muslim, anti-Arab, anti-Indigenous, anti-Black, and anti-immigrant policies. Visitors leave with a final prompt to consider: In the pursuit of justice, how will you show solidarity for movements today and into the future?
Through art, first-person accounts, historical material, and artifacts, this exhibit connects Japanese American resistance movements during the WWII era to modern BIPOC justice movements and activism today.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Guillermo del Toro: Crafting Pinocchio is a celebration and exploration of the inventiveness, passion and artistic cooperation that goes into making a cinematic vision come to life. Now streaming on Netflix, the movie Guillermo del Toro’s Pinocchio was ten years in the making and conceived for international audiences of all ages. The film highlights the importance of nonconformity and the love and understanding passed between parents and children—and above all, showcases the incredible passion that del Toro, co-director Mark Gustafson, and their team bring to the art of stop-motion animation.

The Portland Art Museum’s presentation of Guillermo del Toro: Crafting Pinocchio will expand on the richness of the local stop-motion animation community by giving visitors a look inside the artists’ process. The exhibition and programs will give special attention to the talent and creative collaboration of the local cinematic animation artists at Shadow Machine—a renowned stop-motion animation studio based in Portland, Oregon.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Alaska World Arts is a meeting place for worldwide artists and audiences of all ages to share culture and ideas with Alaskans and the rest of the world through a variety of art forms reminding all of us of our capacity for love and generosity.
We offer live and virtual performances, workshops, classes, films, and discussions by artists from Alaska and around the world.
Thank you for being a part of our 2023 Alaska World Arts Festival.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

The Polish Festival in Portland, Oregon is the oldest Polish festival in the western United States. Since 1993, the festival has celebrated Polish culture, traditions, and achievements.
Each year, the Polish Festival features authentic Polish food, live music and dance performances, exhibits about Polish history and culture, activities for children, polka contests, local merchants, and a beer garden.

Snotty Nose Rez Kids Hot Planet Tour Dates and Locations.

Attention Halloween lovers!! Need some Spooky art? Nepantla Cultural Arts Gallery is proud to present their 1st Halloween themed art show!

Exhibition runs September 2nd-24th.
Gallery Hours: Thu-Sun 12pm-6pm

Seattle’s waterfront is a place filled with history and stories. It’s where the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People have resided since time immemorial. It’s also a place where people throughout history have found the conditions to build new lives and foster community. It’s been the setting of some of Seattle’s darkest moments of xenophobia and exclusion, but there are even more stories of solidarity and resilience in the face of oppression.

Join us as we shine a light on the diversity of stories and perspectives of Seattle’s waterfront through live storytelling, poetry, dance, and an onsite “History Portal” that will feature multimedia stories showcasing the diverse histories and perspectives of Seattle’s waterfront.

Let’s celebrate our traditions next Sunday, September 17, accompanied by music, dance and delicious traditional Mexican food! Register at: https://givebutter.com/ElGrito2023

Mexam NW Festival, Orquesta Northwest, the Consulate of Mexico in Seattle and Town Hall Seattle invite to “El Grito” concert. A Mexican fiesta with unparalleled cultural and historical value!

1PM Pre-Show: Floreador (lazo artist) and Danzantes Aztecas “CeAtl Tonalli” at the Plaza
2PM Official “El Grito” Ceremony and performance by the Ballard Civic Orchestra at the Wyncote NW Forum by Maria Reyna and Joaquin Garzon.
3PM Post-Show at The Forum with Mariachi music by Mariachi Guadalajara, Trio Guadalevin and Los Bailadores de Bronce.
This 2023, we continue to celebrate the 200th anniversary of the diplomatic relationship between Mexico and the United States, in which the “El Grito” concert represents the bond between these two great nations, highlighting the amazing mix of cultures that has given luster to our history together.

Come and join the Washington State Fair Fiestas Patrias and MEXAM NW Festival for a full day event at one of the largest fairs in the United States. Come and celebrate Mexican culture and arts, with entertainment and fun for the whole family. Enjoy a fabulous variety of entertainment ranging from traditional mariachis to colorful folkloric dancers, authentic food, rides, games, exhibits, shopping galore, and as always all the traditional fun with animals.

Come and celebrate the Hispanic Heritage Month, Mexican Independence Day and Filipino Heritage Month.
Enjoy live performances, including Quiero Flamenco, Ballet Folklórico de Spokane and FAAIE Silangan Dancers. Enjoy Mexican and Filipino art, food and desserts for sale and Mexican, Filipino and Spanish beers and wines.

Since 1993, Oregon Black Pioneers exhibitions, events and programs, and other collaborations have helped illuminate the seldom-told history of people of African descent in Oregon.

They hope you will join them for first in-person fundraising event since 2019, where they will highlight the work that has been done, share the opportunities ahead, and ask for your support to power them into our fourth decade.

Sea Mar Fiestas Patrias commemorates the independence of Latin American countries, many of which celebrate their national independence day in the month of September.

Sea Mar began organizing Sea Mar Fiestas Patrias over twenty years ago in the South Park neighborhood of Seattle. Sea Mar expanded the celebration to the Seattle Center, where a large festival is organized with a variety of fun activities for all ages to enjoy, celebrating Latin culture.

The theme of the 2023 Fiestas Patrias is “Celebrating the Colors of Our Culture,” which showcases the diversity within the Latinx community in the state of Washington.

The event will celebrate diversity through food, art, music, dance, and traditions. The purpose of the event is for all attendees to enjoy a day of community learning and embrace the diversity of the Latinx community living in the state of Washington.

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

The signing of Executive Order 9066 by President Franklin Roosevelt and the resulting mass incarceration of Japanese American families living on the West Coast is among the single most traumatic events in the history of Asian America, but many history books present an incomplete view of the full story. The truth is that this event did not happen in a vacuum nor did the people who lived this event do so quietly.
The exhibit leads visitors through a historical narrative beginning with the experience of Japanese American incarcerees in the 1940s and the complicated feelings of shame, anger, fear, and varied faces of resistance from within the community. Through the following decades, the story illustrates the generational trauma and cultural aftershocks of incarceration, while highlighting the lingering sense of injustice and awakening to justice movements at home and abroad. Fast forward to 2001 and beyond, the exhibit draws parallels between the stigmatization of Japanese Americans and modern-day anti-Muslim, anti-Arab, anti-Indigenous, anti-Black, and anti-immigrant policies. Visitors leave with a final prompt to consider: In the pursuit of justice, how will you show solidarity for movements today and into the future?
Through art, first-person accounts, historical material, and artifacts, this exhibit connects Japanese American resistance movements during the WWII era to modern BIPOC justice movements and activism today.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Alaska World Arts is a meeting place for worldwide artists and audiences of all ages to share culture and ideas with Alaskans and the rest of the world through a variety of art forms reminding all of us of our capacity for love and generosity.
We offer live and virtual performances, workshops, classes, films, and discussions by artists from Alaska and around the world.
Thank you for being a part of our 2023 Alaska World Arts Festival.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Snotty Nose Rez Kids Hot Planet Tour Dates and Locations.

Attention Halloween lovers!! Need some Spooky art? Nepantla Cultural Arts Gallery is proud to present their 1st Halloween themed art show!

Exhibition runs September 2nd-24th.
Gallery Hours: Thu-Sun 12pm-6pm

Nooksack Indian Tribe is THRILLED to announce the 2023 Nooksack Days Pow Wow!

Camping and showers are available. All are welcome to attend. This is a drug and alcohol free event.

The Nooksack Indian Tribe is celebrating 50 years since their federal recognition on September 22, 1973. They are so excited to have a full week of events to celebrate Nooksack!

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Alaska World Arts is a meeting place for worldwide artists and audiences of all ages to share culture and ideas with Alaskans and the rest of the world through a variety of art forms reminding all of us of our capacity for love and generosity.
We offer live and virtual performances, workshops, classes, films, and discussions by artists from Alaska and around the world.
Thank you for being a part of our 2023 Alaska World Arts Festival.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Snotty Nose Rez Kids Hot Planet Tour Dates and Locations.

Attention Halloween lovers!! Need some Spooky art? Nepantla Cultural Arts Gallery is proud to present their 1st Halloween themed art show!

Exhibition runs September 2nd-24th.
Gallery Hours: Thu-Sun 12pm-6pm

Nooksack Indian Tribe is THRILLED to announce the 2023 Nooksack Days Pow Wow!

Camping and showers are available. All are welcome to attend. This is a drug and alcohol free event.

The Nooksack Indian Tribe is celebrating 50 years since their federal recognition on September 22, 1973. They are so excited to have a full week of events to celebrate Nooksack!

We invite you to participate and honor Missing and Murdered Indigenous Womxn, Girls, Two Spirit+ and all relatives through healthy healing. The 3rd annual MMIWG2S+ Alaska Run for Healing, Run for Justice is a virtual 5K run, walk, or other physical activity dedicated to honoring missing and murdered Indigenous women, girls, and all relatives. This is a free virtual event open to all to share their participation between September 19th-24th. This event is meant to raise awareness and provide a healthy healing activity for our community to join.

Register using this link: https://forms.gle/q8qTqhdGTroooWnq7
To receive your bib and packet.

While this is not a race or competition, you can share your participation in the FB event and registered participants will be entered into a drawing for a swag bag! Check out the FB event each day to see others participation and posts from the working group on how to stay involved!

If you’re in the Anchorage area on September 24th, join us for an in-person participation at 1:00pm at the Alaska Native Heritage Center Lake Tiulana. We are looking for a few volunteers to help us with set-up and breakdown! (Volunteer Form Here). We encourage people to have runs with others in their own communities as well!

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Alaska World Arts is a meeting place for worldwide artists and audiences of all ages to share culture and ideas with Alaskans and the rest of the world through a variety of art forms reminding all of us of our capacity for love and generosity.
We offer live and virtual performances, workshops, classes, films, and discussions by artists from Alaska and around the world.
Thank you for being a part of our 2023 Alaska World Arts Festival.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Snotty Nose Rez Kids Hot Planet Tour Dates and Locations.

Attention Halloween lovers!! Need some Spooky art? Nepantla Cultural Arts Gallery is proud to present their 1st Halloween themed art show!

Exhibition runs September 2nd-24th.
Gallery Hours: Thu-Sun 12pm-6pm

Nooksack Indian Tribe is THRILLED to announce the 2023 Nooksack Days Pow Wow!

Camping and showers are available. All are welcome to attend. This is a drug and alcohol free event.

The Nooksack Indian Tribe is celebrating 50 years since their federal recognition on September 22, 1973. They are so excited to have a full week of events to celebrate Nooksack!

We invite you to participate and honor Missing and Murdered Indigenous Womxn, Girls, Two Spirit+ and all relatives through healthy healing. The 3rd annual MMIWG2S+ Alaska Run for Healing, Run for Justice is a virtual 5K run, walk, or other physical activity dedicated to honoring missing and murdered Indigenous women, girls, and all relatives. This is a free virtual event open to all to share their participation between September 19th-24th. This event is meant to raise awareness and provide a healthy healing activity for our community to join.

Register using this link: https://forms.gle/q8qTqhdGTroooWnq7
To receive your bib and packet.

While this is not a race or competition, you can share your participation in the FB event and registered participants will be entered into a drawing for a swag bag! Check out the FB event each day to see others participation and posts from the working group on how to stay involved!

If you’re in the Anchorage area on September 24th, join us for an in-person participation at 1:00pm at the Alaska Native Heritage Center Lake Tiulana. We are looking for a few volunteers to help us with set-up and breakdown! (Volunteer Form Here). We encourage people to have runs with others in their own communities as well!

A weekly open forum for those interested in bringing weaving materials to work on projects. A time to visit, share build skills and complete your beautiful woven art.

This event is included in the price of admission.
Weaving kits available for purchase.
To register, please call 360-716-2600

This course, open to the public, will introduce Chinese medical theories, treatments, history, the basics of holism, and research.

Participants will learn about acupoints, herbal medicine, acupuncture, moxibustion, massage, gua sha, cupping, and bleeding. Dietary therapy, channel system, organ networks, along with yin/yang theory, Chinese pathology, and concepts of qi will be explored as well. This five-week online class is presented by esteemed OCOM faculty members, all teaching their specialized perspectives via lecture, demonstration, and discussion.

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Alaska World Arts is a meeting place for worldwide artists and audiences of all ages to share culture and ideas with Alaskans and the rest of the world through a variety of art forms reminding all of us of our capacity for love and generosity.
We offer live and virtual performances, workshops, classes, films, and discussions by artists from Alaska and around the world.
Thank you for being a part of our 2023 Alaska World Arts Festival.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Snotty Nose Rez Kids Hot Planet Tour Dates and Locations.

Attention Halloween lovers!! Need some Spooky art? Nepantla Cultural Arts Gallery is proud to present their 1st Halloween themed art show!

Exhibition runs September 2nd-24th.
Gallery Hours: Thu-Sun 12pm-6pm

Nooksack Indian Tribe is THRILLED to announce the 2023 Nooksack Days Pow Wow!

Camping and showers are available. All are welcome to attend. This is a drug and alcohol free event.

The Nooksack Indian Tribe is celebrating 50 years since their federal recognition on September 22, 1973. They are so excited to have a full week of events to celebrate Nooksack!

We invite you to participate and honor Missing and Murdered Indigenous Womxn, Girls, Two Spirit+ and all relatives through healthy healing. The 3rd annual MMIWG2S+ Alaska Run for Healing, Run for Justice is a virtual 5K run, walk, or other physical activity dedicated to honoring missing and murdered Indigenous women, girls, and all relatives. This is a free virtual event open to all to share their participation between September 19th-24th. This event is meant to raise awareness and provide a healthy healing activity for our community to join.

Register using this link: https://forms.gle/q8qTqhdGTroooWnq7
To receive your bib and packet.

While this is not a race or competition, you can share your participation in the FB event and registered participants will be entered into a drawing for a swag bag! Check out the FB event each day to see others participation and posts from the working group on how to stay involved!

If you’re in the Anchorage area on September 24th, join us for an in-person participation at 1:00pm at the Alaska Native Heritage Center Lake Tiulana. We are looking for a few volunteers to help us with set-up and breakdown! (Volunteer Form Here). We encourage people to have runs with others in their own communities as well!

Shift your perspective of what you think Indigenous music sounds like and be immersed in a soundscape of Indigenous dreams, connection, and visions for our future. This is the essence and core of Áak’w Rock. It’s a three-day Indigenous music festival, held biennially on the ancestral homelands of the Lingít (People of the Tides) of the Áakʼw Ḵwáan (People of the Little Lake). Áakʼw Ḵwáan Aaní (land) is also known as Juneau-Douglas, Alaska

The Halluci Nation is hitting the road again this fall!!
Tag your crew and tell them what city they’ll get to see your beautiful faces at!!

Check the more info link for details regarding concert locations, times, and tickets.

This course, open to the public, will introduce Chinese medical theories, treatments, history, the basics of holism, and research.

Participants will learn about acupoints, herbal medicine, acupuncture, moxibustion, massage, gua sha, cupping, and bleeding. Dietary therapy, channel system, organ networks, along with yin/yang theory, Chinese pathology, and concepts of qi will be explored as well. This five-week online class is presented by esteemed OCOM faculty members, all teaching their specialized perspectives via lecture, demonstration, and discussion.

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

This event will include a panel discussion and readings from three talented Pacific Northwest poets, the poetry of our youth authors, and stories of impact from across our history. And the event will raise funds to support the growth of Pongo’s healing poetry programming serving incarcerated and systems-involved youth.
Pongo Poetry Project exists to support the mental well-being of young people coping with childhood trauma while confined to institutions, such as prisons and psychiatric hospitals. We envision a world where all youth who have experienced childhood trauma can be seen, heard, and affirmed in their full humanity; where youth have the support, resources, and tools they need to heal, grow, and lead dignified lives.

John Legend is returning to Chateau Ste. Michelle Winery on September 21st.

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Join Beats of Redmond for the longest and biggest 𝐑𝐄𝐃𝐌𝐎𝐍𝐃 𝐑𝐀𝐉𝐀 𝐆𝐀𝐍𝐄𝐒𝐇 𝐔𝐓𝐒𝐀𝐕 𝟐𝟎𝟐𝟑 in WA. Over 3 days, we promise an unforgettable experience that will transport you to the vibrant spirit of Maharashtra’s Ganesh Festival. Our diverse range of activities caters to all ages, ensuring lasting memories.

𝐄𝐯𝐞𝐧𝐭 𝐒𝐜𝐡𝐞𝐝𝐮𝐥𝐞:
𝟐𝟐𝐧𝐝 𝐒𝐄𝐏𝐓: Join us at 6 PM for the curtain raiser, showcasing the 15-foot Ganesha idol and magnificent decorations. Enjoy a vibrant procession with the Dhol-Tasha-Lazim-Zanza Pathak (Indian Percussion Band) featuring 100 artists.
𝟐𝟑𝐫𝐝 𝐒𝐄𝐏𝐓:Experience the Satyanarayana Puja, followed by Group Atharvashhishya pathan. Enjoy live music, dance performances, shopping bazaar, and food booths.
𝟐𝟒𝐭𝐡 𝐒𝐄𝐏𝐓:Witness cultural performances and the Grand Visarjan procession with Beats Of Redmond’s 100+ performers.

Snotty Nose Rez Kids Hot Planet Tour Dates and Locations.

Attention Halloween lovers!! Need some Spooky art? Nepantla Cultural Arts Gallery is proud to present their 1st Halloween themed art show!

Exhibition runs September 2nd-24th.
Gallery Hours: Thu-Sun 12pm-6pm

Nooksack Indian Tribe is THRILLED to announce the 2023 Nooksack Days Pow Wow!

Camping and showers are available. All are welcome to attend. This is a drug and alcohol free event.

The Nooksack Indian Tribe is celebrating 50 years since their federal recognition on September 22, 1973. They are so excited to have a full week of events to celebrate Nooksack!

We invite you to participate and honor Missing and Murdered Indigenous Womxn, Girls, Two Spirit+ and all relatives through healthy healing. The 3rd annual MMIWG2S+ Alaska Run for Healing, Run for Justice is a virtual 5K run, walk, or other physical activity dedicated to honoring missing and murdered Indigenous women, girls, and all relatives. This is a free virtual event open to all to share their participation between September 19th-24th. This event is meant to raise awareness and provide a healthy healing activity for our community to join.

Register using this link: https://forms.gle/q8qTqhdGTroooWnq7
To receive your bib and packet.

While this is not a race or competition, you can share your participation in the FB event and registered participants will be entered into a drawing for a swag bag! Check out the FB event each day to see others participation and posts from the working group on how to stay involved!

If you’re in the Anchorage area on September 24th, join us for an in-person participation at 1:00pm at the Alaska Native Heritage Center Lake Tiulana. We are looking for a few volunteers to help us with set-up and breakdown! (Volunteer Form Here). We encourage people to have runs with others in their own communities as well!

Shift your perspective of what you think Indigenous music sounds like and be immersed in a soundscape of Indigenous dreams, connection, and visions for our future. This is the essence and core of Áak’w Rock. It’s a three-day Indigenous music festival, held biennially on the ancestral homelands of the Lingít (People of the Tides) of the Áakʼw Ḵwáan (People of the Little Lake). Áakʼw Ḵwáan Aaní (land) is also known as Juneau-Douglas, Alaska

The Halluci Nation is hitting the road again this fall!!
Tag your crew and tell them what city they’ll get to see your beautiful faces at!!

Check the more info link for details regarding concert locations, times, and tickets.

Noche Bella is Latino Network’s biggest fundraiser of the year, which celebrates our accomplishments over the past year, and where we also present our annual Rey España Aguila Awards to activists, volunteers, and supporters who embody Rey’s spirit and the values of Latino Network. Our work springs from the core belief in Latino community self-determination—that is, the ability of community members to participate meaningfully in the decisions that affect their lives and the lives of their families

This course, open to the public, will introduce Chinese medical theories, treatments, history, the basics of holism, and research.

Participants will learn about acupoints, herbal medicine, acupuncture, moxibustion, massage, gua sha, cupping, and bleeding. Dietary therapy, channel system, organ networks, along with yin/yang theory, Chinese pathology, and concepts of qi will be explored as well. This five-week online class is presented by esteemed OCOM faculty members, all teaching their specialized perspectives via lecture, demonstration, and discussion.

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

Join Center for Indigenous Midwifery on Friday at @parabletacoma for their first playback theater performance in collaboration with Heart Sparkle Players. Free admission and no need to register

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

we are open this weekend! saturday is looking like a 40% chance of rain (as of now) please bundle up, grab an umbrella & keep the chance of rain in mind regarding your items

We have 300 vendor spaces every weekend, and we accept ALL types of vendors 🤟🏽 we are currently seeking out sellers of:
•oddities and curiosities (taxidermy, preserved bugs, dolls, tarot, etc) 🪲
•indigenous arts n crafts 🪶
•woodwork crafts 🪚
•vintage items (clothing, decor, furniture, houseware) 📷
•plants 🪴
•food vendors who sell Asian, Ethiopian, Indian, vegan, Hawaiian, etc. 🍽️
Keep in mind, this isn’t ALL we’re looking for- it’s just at the top of our list! We are first come, first serve but if you’d like to learn more- just head on over to our website 🙂 and if you know anybody who’d be interested, share this with them- we’d greatly appreciate your help!

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Join Beats of Redmond for the longest and biggest 𝐑𝐄𝐃𝐌𝐎𝐍𝐃 𝐑𝐀𝐉𝐀 𝐆𝐀𝐍𝐄𝐒𝐇 𝐔𝐓𝐒𝐀𝐕 𝟐𝟎𝟐𝟑 in WA. Over 3 days, we promise an unforgettable experience that will transport you to the vibrant spirit of Maharashtra’s Ganesh Festival. Our diverse range of activities caters to all ages, ensuring lasting memories.

𝐄𝐯𝐞𝐧𝐭 𝐒𝐜𝐡𝐞𝐝𝐮𝐥𝐞:
𝟐𝟐𝐧𝐝 𝐒𝐄𝐏𝐓: Join us at 6 PM for the curtain raiser, showcasing the 15-foot Ganesha idol and magnificent decorations. Enjoy a vibrant procession with the Dhol-Tasha-Lazim-Zanza Pathak (Indian Percussion Band) featuring 100 artists.
𝟐𝟑𝐫𝐝 𝐒𝐄𝐏𝐓:Experience the Satyanarayana Puja, followed by Group Atharvashhishya pathan. Enjoy live music, dance performances, shopping bazaar, and food booths.
𝟐𝟒𝐭𝐡 𝐒𝐄𝐏𝐓:Witness cultural performances and the Grand Visarjan procession with Beats Of Redmond’s 100+ performers.

Generations Festival (GenFest) has historically been an intergenerational gathering that incorporates accessible workshops for all ages and participants to build community together, grow genuine connections, while promoting intergenerational healing. GenFest has developed and transformed in many ways throughout the years, based on the community needs of the respective year. 2023 will host our 6th annual GenFest! This year, we plan to focus on intergenerational play including crafting together, wellness, and community connection.

Schedule for the day:
10-11am – Opening, icebreakers, collective stretching
11-12pm – Creation Block – Flower Crowns with Soy Dara
12-1pm – Lunch Break with Roger Rigor musical performance
1-3pm – Film screening of Encanto including discussion and coloring activities
3-4pm – Zumba and Karaoke!

*****
Real-time captioning will be provided all day and ASL interpretation is available from 1-4pm. We are working on securing ASL interpreters for the morning as well. We will strive to accommodate accessibility needs such as language interpretation, materials ahead of time, etc. to the best of our ability – please contact jessie@apichaya.org with your accessibility needs.

Our festival in 2023 will be the thirteenth Northwest Tea Festival
Join us for a fun and educational two-day event showcasing the multifaceted world of tea. The goal of the festival is to provide experiences covering all aspects of tea, from the cultural to the historical and the sensory to the scientific. The festival is appropriate for people of all ages and all levels of tea experience, from mildly curious folks to passionate, life-long aficionados.

Each year festival organizers bring together authors, industry experts, buyers, retailers, artists, and educators to help you experience something new and expand your enjoyment of this most fascinating of beverages!

Immerse yourself in the tea experience:

• Sample some of the finest teas from all over the world.
• Attend presentations led by leading tea authors and industry experts.
• Meet premier tea and tea ware suppliers.

Snotty Nose Rez Kids Hot Planet Tour Dates and Locations.

Attention Halloween lovers!! Need some Spooky art? Nepantla Cultural Arts Gallery is proud to present their 1st Halloween themed art show!

Exhibition runs September 2nd-24th.
Gallery Hours: Thu-Sun 12pm-6pm

September 23rd from 12-2pm we will be hosting our first Black Birth Matters: A Birth Justice Lunch and Learn. This will be an afternoon of games, food, and community! This event will be for Black families and a time for parents and kiddos to play together while learning about our dreams for safe and healthy pregnancies and births in the Black community. We will be playing kid friendly bingo, with the chance to win prizes for the family and make crafts that families can take home.

Need more information? Contact Andi at andi@surgenw.org

Nooksack Indian Tribe is THRILLED to announce the 2023 Nooksack Days Pow Wow!

Camping and showers are available. All are welcome to attend. This is a drug and alcohol free event.

The Nooksack Indian Tribe is celebrating 50 years since their federal recognition on September 22, 1973. They are so excited to have a full week of events to celebrate Nooksack!

We invite you to participate and honor Missing and Murdered Indigenous Womxn, Girls, Two Spirit+ and all relatives through healthy healing. The 3rd annual MMIWG2S+ Alaska Run for Healing, Run for Justice is a virtual 5K run, walk, or other physical activity dedicated to honoring missing and murdered Indigenous women, girls, and all relatives. This is a free virtual event open to all to share their participation between September 19th-24th. This event is meant to raise awareness and provide a healthy healing activity for our community to join.

Register using this link: https://forms.gle/q8qTqhdGTroooWnq7
To receive your bib and packet.

While this is not a race or competition, you can share your participation in the FB event and registered participants will be entered into a drawing for a swag bag! Check out the FB event each day to see others participation and posts from the working group on how to stay involved!

If you’re in the Anchorage area on September 24th, join us for an in-person participation at 1:00pm at the Alaska Native Heritage Center Lake Tiulana. We are looking for a few volunteers to help us with set-up and breakdown! (Volunteer Form Here). We encourage people to have runs with others in their own communities as well!

Join us for Lifewerq Legacy, a celebration of LL Gimeno, his contributions to community and continued legacy through Lifewerq!

Lifewerq Legacy will take place in-person and online on Saturday, September 23rd, 1-4pm PST at Martin Luther King Jr. Memorial Park in Seattle (2200 Martin Luther King Jr Way S, Seattle, WA 98144 ) and streamed on our Instagram (https://www.instagram.com/lifewerqproject/).

This party is free, all ages, with food provided, performances, music, dancing and lots of glitter in true LL style! If attending in-person, please take a COVID-19 test before arrival, and masks are required throughout the event.

We are so excited to celebrate LL and his legacy with you all! A big THANK YOU to everyone who contributed to the candle fundraiser to make this party happen!

Bethel School District, Yelm, Olympia, and North Thurston are all partnering together to offer the Back To School 🎒🏫 South Sound Pow Wow. Join us for a great day to celebrate tradition and community.

Mi Centro and Tacoma Art Museum (TAM), with support from Tacoma Creates, is excited to partner together to present special guest speaker Cheech Marin and “El Noroeste” art exhibit highlighting over 20 local Chicano/Latine art from across Washington State.

The exhibit dates will be Saturday September 23 – October 1, 2023. The free opening reception and Cheech Marin speaking engagement are scheduled to take place on Saturday, September 23rd from 2-5 p.m., with our guest speaker starting at 3 p.m. Both the exhibit and the opening reception with guest speaker will take place at the Tacoma Art Museum. This is a standing room only event with limited seating. Attendees can register for FREE

Please join us for our annual Salmon Dinner at the Seattle Betsuin Buddhist Temple! We’re excited to have dine-in, as well as drive-thru times available for people to enjoy a delicious meal.

Shift your perspective of what you think Indigenous music sounds like and be immersed in a soundscape of Indigenous dreams, connection, and visions for our future. This is the essence and core of Áak’w Rock. It’s a three-day Indigenous music festival, held biennially on the ancestral homelands of the Lingít (People of the Tides) of the Áakʼw Ḵwáan (People of the Little Lake). Áakʼw Ḵwáan Aaní (land) is also known as Juneau-Douglas, Alaska

The Halluci Nation is hitting the road again this fall!!
Tag your crew and tell them what city they’ll get to see your beautiful faces at!!

Check the more info link for details regarding concert locations, times, and tickets.

Categorically, through the entire history of music and American culture, Black folks have not received proper love or credit, and if they do it is not until decades after their passing. From Sister Rosetta Tharpe to Seattle’s Tina Bell to the contemporary pioneers Fishbone, in the PNW, Black-fronted bands have been in need of the proper support and recognition of the impact they’ve made on music history. After a music festival where they were the only Black bands on the bill, King Youngblood’s Cameron Lavi-Jones and Down North’s Anthony Briscoe aligned to do something about this issue and assembled an incredible team of pros to create Black and Loud Fest. Backed with the support of title sponsor Jack Daniel’s, this festival was born from the DIY spirit to give folks the chance to prevent history from repeating itself. Black and Loud Fest aims to celebrate these bands with folks from all walks of life by sharing experiences and insights about these issues, giving the talented and underrepresented community of alternative Black artists their flowers, and throwing one of the most kick-ass music festivals in the Pacific Northwest. And guess what?

No matter who you are, you’re invited. Let’s tear it up together.

This course, open to the public, will introduce Chinese medical theories, treatments, history, the basics of holism, and research.

Participants will learn about acupoints, herbal medicine, acupuncture, moxibustion, massage, gua sha, cupping, and bleeding. Dietary therapy, channel system, organ networks, along with yin/yang theory, Chinese pathology, and concepts of qi will be explored as well. This five-week online class is presented by esteemed OCOM faculty members, all teaching their specialized perspectives via lecture, demonstration, and discussion.

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

Spokane Arts is excited to host the annual Arts Awards—a celebration of the arts community in Spokane! Join us on Saturday, September 23 for live music, performances, poetry, plus the presentation of the Arts Awards!

The Arts Awards recognize the accomplishments of creatives, arts and cultural organizations, and local individuals committed to enriching our community through the arts. The four awards categories reflect the values of Spokane Arts: Leadership, Collaboration, Imagination and Inclusion. In each category, nominated artists, volunteers, neighborhoods, educators, organizations, community leaders, or donors are selected by a panel of Arts Commissioners and community arts representatives from the pool of community-nominated candidates. Emerging or established, young or old, on the edge or in the center – Spokane Arts strives to celebrate and recognize the wealth of participation in Spokane’s creative ecosystem.

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

we are open this weekend! saturday is looking like a 40% chance of rain (as of now) please bundle up, grab an umbrella & keep the chance of rain in mind regarding your items

We have 300 vendor spaces every weekend, and we accept ALL types of vendors 🤟🏽 we are currently seeking out sellers of:
•oddities and curiosities (taxidermy, preserved bugs, dolls, tarot, etc) 🪲
•indigenous arts n crafts 🪶
•woodwork crafts 🪚
•vintage items (clothing, decor, furniture, houseware) 📷
•plants 🪴
•food vendors who sell Asian, Ethiopian, Indian, vegan, Hawaiian, etc. 🍽️
Keep in mind, this isn’t ALL we’re looking for- it’s just at the top of our list! We are first come, first serve but if you’d like to learn more- just head on over to our website 🙂 and if you know anybody who’d be interested, share this with them- we’d greatly appreciate your help!

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Join Beats of Redmond for the longest and biggest 𝐑𝐄𝐃𝐌𝐎𝐍𝐃 𝐑𝐀𝐉𝐀 𝐆𝐀𝐍𝐄𝐒𝐇 𝐔𝐓𝐒𝐀𝐕 𝟐𝟎𝟐𝟑 in WA. Over 3 days, we promise an unforgettable experience that will transport you to the vibrant spirit of Maharashtra’s Ganesh Festival. Our diverse range of activities caters to all ages, ensuring lasting memories.

𝐄𝐯𝐞𝐧𝐭 𝐒𝐜𝐡𝐞𝐝𝐮𝐥𝐞:
𝟐𝟐𝐧𝐝 𝐒𝐄𝐏𝐓: Join us at 6 PM for the curtain raiser, showcasing the 15-foot Ganesha idol and magnificent decorations. Enjoy a vibrant procession with the Dhol-Tasha-Lazim-Zanza Pathak (Indian Percussion Band) featuring 100 artists.
𝟐𝟑𝐫𝐝 𝐒𝐄𝐏𝐓:Experience the Satyanarayana Puja, followed by Group Atharvashhishya pathan. Enjoy live music, dance performances, shopping bazaar, and food booths.
𝟐𝟒𝐭𝐡 𝐒𝐄𝐏𝐓:Witness cultural performances and the Grand Visarjan procession with Beats Of Redmond’s 100+ performers.

Our festival in 2023 will be the thirteenth Northwest Tea Festival
Join us for a fun and educational two-day event showcasing the multifaceted world of tea. The goal of the festival is to provide experiences covering all aspects of tea, from the cultural to the historical and the sensory to the scientific. The festival is appropriate for people of all ages and all levels of tea experience, from mildly curious folks to passionate, life-long aficionados.

Each year festival organizers bring together authors, industry experts, buyers, retailers, artists, and educators to help you experience something new and expand your enjoyment of this most fascinating of beverages!

Immerse yourself in the tea experience:

• Sample some of the finest teas from all over the world.
• Attend presentations led by leading tea authors and industry experts.
• Meet premier tea and tea ware suppliers.

We are thrilled to announce our very first VOICES event, a day-long event created for BIPOC adoptees and by BIPOC adoptees. This FREE day-long event will be on Sunday, September 24. You can find more details and register on our Eventbrite (see linktr.ee)!

From 11am to 3pm, we will have programming for BIPOC adoptees, by us, including only us. This BIPOC adoptee-only programming includes a workshop with @conversationpodpiece facilitated by @patrickintheworld on narrative reclamation, adoptee storytelling, and social time to hang out with the BIPOC adoptee community.

From 4pm to 9pm, we will open the event to partners, friends, family, allies, and advocates who seek to support us, starting with a panel about adoptees in adulthood and our relationships with adoptive families facilitated by @adoptionmosaic. We will also have activities for intergenerational adoptee youth and social time for community building.

This event is FREE thanks to our partners Theatre Diaspora and MediaRites with funding by Metro Community Placemaking for the “Undefined and Overlooked” project and the generous community donors who have contributed through personal funds! We are still fundraising if you would like to donate: Eventbrite, Venmo, Cashapp, and Paypal. Please note “VOICES Community Event Donation.”

If you are a BIPOC adoptee and would like to table or be a vendor, please fill out the vendor form (linktr.ee). And if you are traveling from out of town, check out our travel guide (linktr.ee).

This event is meant to be a safe, inclusive space for all BIPOC, LGBTQIA2S+, and disabled members of our community. Steeplejack is ADA accessible. We will have an ASL sign language interpreter on site. Please contact us with questions or to communicate other accommodation requests.

A HUUUUUGE thank you goes to Theatre Diaspora (@theatrediaspora) and MediaRites (@mediarites) with funding by Metro Community Placemaking for the “Undefined and Overlooked” project. Their support and partnership are part of the backbone of this event. They are sponsoring the event, providing the space, and supporting the adoptee-centered programming. They have been central to making this happen!

Attention Halloween lovers!! Need some Spooky art? Nepantla Cultural Arts Gallery is proud to present their 1st Halloween themed art show!

Exhibition runs September 2nd-24th.
Gallery Hours: Thu-Sun 12pm-6pm

Nooksack Indian Tribe is THRILLED to announce the 2023 Nooksack Days Pow Wow!

Camping and showers are available. All are welcome to attend. This is a drug and alcohol free event.

The Nooksack Indian Tribe is celebrating 50 years since their federal recognition on September 22, 1973. They are so excited to have a full week of events to celebrate Nooksack!

We invite you to participate and honor Missing and Murdered Indigenous Womxn, Girls, Two Spirit+ and all relatives through healthy healing. The 3rd annual MMIWG2S+ Alaska Run for Healing, Run for Justice is a virtual 5K run, walk, or other physical activity dedicated to honoring missing and murdered Indigenous women, girls, and all relatives. This is a free virtual event open to all to share their participation between September 19th-24th. This event is meant to raise awareness and provide a healthy healing activity for our community to join.

Register using this link: https://forms.gle/q8qTqhdGTroooWnq7
To receive your bib and packet.

While this is not a race or competition, you can share your participation in the FB event and registered participants will be entered into a drawing for a swag bag! Check out the FB event each day to see others participation and posts from the working group on how to stay involved!

If you’re in the Anchorage area on September 24th, join us for an in-person participation at 1:00pm at the Alaska Native Heritage Center Lake Tiulana. We are looking for a few volunteers to help us with set-up and breakdown! (Volunteer Form Here). We encourage people to have runs with others in their own communities as well!

Jack Straw Kicks off the fall with an afternoon of music from Jack Straw Resident Artists Randal Bays and Clint Dye, Nic Masangkay, Medejin, Josh Nucci and friends, and Lindsey Strand-Polyak.

In person or streaming via YouTube and Facebook.

Mi Centro and Tacoma Art Museum (TAM), with support from Tacoma Creates, is excited to partner together to present special guest speaker Cheech Marin and “El Noroeste” art exhibit highlighting over 20 local Chicano/Latine art from across Washington State.

The exhibit dates will be Saturday September 23 – October 1, 2023. The free opening reception and Cheech Marin speaking engagement are scheduled to take place on Saturday, September 23rd from 2-5 p.m., with our guest speaker starting at 3 p.m. Both the exhibit and the opening reception with guest speaker will take place at the Tacoma Art Museum. This is a standing room only event with limited seating. Attendees can register for FREE

The Halluci Nation is hitting the road again this fall!!
Tag your crew and tell them what city they’ll get to see your beautiful faces at!!

Check the more info link for details regarding concert locations, times, and tickets.

Arciniega Street Productions proudly presents DRAG LOTERÍA! This monthly all-ages drag show features local Latinx and BIPOC drag artists and merges with an interactive game night that brings culture, community, and an exciting list of prizes.

On Sunday September 24th from 5-7PM, we’ll be at Cafecito Bonito enjoying incredible drag performances to your favorite songs, eating tapas, drinking mocktails and playing a fun cultural game together for several chances to win prizes from our favorite local businesses. **Our host will explain how the game works. Lotería is similar to how bingo is played. It’s kid-friendly and you do not have to be a native Spanish speaker to play!**

Playing cards are $3 per card, cash only. Between rounds of game play, there will be drag performances to your favorite songs by our favorite icons, Selena and Beyonce. PLEASE BRING $INGLES to tip our amazing lineup of drag performers! Our Sunday show features the talents of Dela Rosa, Ivanna, and Beyquance! Don’t miss out!

We strongly encourage folks to get tickets early as this show always sells out. Please bring cash for the drag show and for games. We will have change for larger bills until we run out. Coffee bar, non-alcoholic drink menu, and tapas will be available for separate purchase at Cafecito Bonito. Doors open at 4:45PM. Please note that any party that does not arrive by 5:35PM without notice forfeits their table.

**TICKETS SOLD ONLINE ONLY. NO TICKETS AT THE DOOR**

This is an all-ages event and the drag show is 100% family-friendly. Children are allowed, but all guests under the age of 18 must be accompanied by an adult.

REFUND POLICY: Due to high demand for this ticketed event, we do not offer refunds for any reason *except and unless* the event is canceled. This no-refund policy includes inability to attend as well as no-shows. We appreciate your understanding.

DISCLAIMER: We reserve the right to refuse service to anyone, which includes asking individuals to leave our event if they cause an unwelcome disturbance or trespassing individuals from the property entirely. Cafecito Bonito is a safe space for our community and Drag Loteria is a family-friendly event. We do not welcome hostility or judgment into the space.

NOTE: Lotería is a Mexican cultural game purely for amusement and community-building.

This course, open to the public, will introduce Chinese medical theories, treatments, history, the basics of holism, and research.

Participants will learn about acupoints, herbal medicine, acupuncture, moxibustion, massage, gua sha, cupping, and bleeding. Dietary therapy, channel system, organ networks, along with yin/yang theory, Chinese pathology, and concepts of qi will be explored as well. This five-week online class is presented by esteemed OCOM faculty members, all teaching their specialized perspectives via lecture, demonstration, and discussion.

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Nooksack Indian Tribe is THRILLED to announce the 2023 Nooksack Days Pow Wow!

Camping and showers are available. All are welcome to attend. This is a drug and alcohol free event.

The Nooksack Indian Tribe is celebrating 50 years since their federal recognition on September 22, 1973. They are so excited to have a full week of events to celebrate Nooksack!

Mi Centro and Tacoma Art Museum (TAM), with support from Tacoma Creates, is excited to partner together to present special guest speaker Cheech Marin and “El Noroeste” art exhibit highlighting over 20 local Chicano/Latine art from across Washington State.

The exhibit dates will be Saturday September 23 – October 1, 2023. The free opening reception and Cheech Marin speaking engagement are scheduled to take place on Saturday, September 23rd from 2-5 p.m., with our guest speaker starting at 3 p.m. Both the exhibit and the opening reception with guest speaker will take place at the Tacoma Art Museum. This is a standing room only event with limited seating. Attendees can register for FREE

The Halluci Nation is hitting the road again this fall!!
Tag your crew and tell them what city they’ll get to see your beautiful faces at!!

Check the more info link for details regarding concert locations, times, and tickets.

This course, open to the public, will introduce Chinese medical theories, treatments, history, the basics of holism, and research.

Participants will learn about acupoints, herbal medicine, acupuncture, moxibustion, massage, gua sha, cupping, and bleeding. Dietary therapy, channel system, organ networks, along with yin/yang theory, Chinese pathology, and concepts of qi will be explored as well. This five-week online class is presented by esteemed OCOM faculty members, all teaching their specialized perspectives via lecture, demonstration, and discussion.

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

This two-week Indigenous-led campaign is bringing regional and national attention to the urgent need to recover Snake River salmon and uphold the federal government’s legally-binding commitments to Northwest Tribal Nations.

For millennia, salmon and the Snake and Columbia Rivers they call home sustained Indigenous peoples and cultures throughout the Northwest.

Today, salmon returns are dismal and many Northwest Tribal Nations are calling on the federal government to uphold their commitments and restore abundant salmon.

Show your support and join the All Our Relations Snake River Campaign in Portland, OR on Sept. 25!

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

Partners in Diversity looks forward to seeing you at the 2nd biennial NW Equity Summit.

The conference focuses on helping employees and managers at all levels, as well as diversity influencers, be bold and uncompromising — in other words, unapologetic — when it comes to advancing and advocating for equity and inclusion.

Keynote Speakers
Lily Zheng, author of DEI Deconstructed and its sequel Reconstructing DEI
Michelle MiJung Kim, author of the Wake Up: Closing the Gap Between Good Intentions and Real Change
Breakout Session Speakers
Dr. Alisha Moreland-Capuia, Institute for Trauma-Informed Systems Change at McLean/Harvard
Elizabeth Laine, ClearWay Energy Group
Nikotris Perkins, Leadership Consultant, DNA Community Consulting
Breakout Session One
Structured Interviewing 2.0: Leveraging Process to De-Bias People Decisions with Elizabeth Laine
Unlearning White Supremacy Culture with Michelle MiJung Kim
Establishing Trauma Informed, Culturally Responsive Organizations and Leaders in Times Like These with Dr. Alisha Moreland-Capuia
You Can’t Rebuild What You Won’t Tear Down: DEI as Systems Change with Nikotris Perkins
Beyond the Business Case Panel Discussion with Dr. Miles Davis, Linfield University President; Sheila Murty, Executive Vice President of People & Culture for Tillamook County Creamery Association; Mini Ogle, Manager of Diversity, Equity, & Inclusion for Portland General Electric (PGE); and Angela Nelson Vice President for Equity, Diversity, & Inclusion at Travel Portland. Discussion moderated by Monica Lin-Meyer, Senior Managing Consultant & Executive Coach at Ernst & Young Global Consulting Services.
Breakout Session Two
Making Inclusion Measurable 2.0: A Practical Approach for Practitioners with Elizabeth Laine
[Specifically for Professionals of Color] Beyond Survival: Caring for Ourselves to Create a Sustainable Movement with Michelle MiJung Kim
Establishing Trauma Informed, Culturally Responsive Organizations and Leaders in Times Like These with Dr. Alisha Moreland-Capuia
Passion, Position, and Persistence: Outcomes and Centering Impact with Nikotris Perkins
Understanding and Mapping Power with Lily Zheng
Leading from the Middle Panel Discussion with Riikka Salonen, Managing Director of Health Equity at BCT Partners; Lee Fleming, Regional Supplier Diversity Manager for Skanska USA Building Inc; Tamara Kennedy, Director of Economic Development Trade & Economic Development Division for the Port of Portland; and Albert Lee, Executive Director of the Oregon Advocacy Commissions Office. Conversation moderated by Jeff Selby, Interim Director, City of Portland Office of Equity and Human Rights.
Special Breakout Session for CEOs: Inclusive Executive: Your Role in Building a Diverse, Equitable, and Inclusive Workplace with Lily Zheng
The summit features a special breakout session after lunch specifically for CEOs, presidents, executive directors, and provosts (i.e., organization’s top leaders). This session is for paid attendees and requires additional registration available at checkout.

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

This two-week Indigenous-led campaign is bringing regional and national attention to the urgent need to recover Snake River salmon and uphold the federal government’s legally-binding commitments to Northwest Tribal Nations.

For millennia, salmon and the Snake and Columbia Rivers they call home sustained Indigenous peoples and cultures throughout the Northwest.

Today, salmon returns are dismal and many Northwest Tribal Nations are calling on the federal government to uphold their commitments and restore abundant salmon.

Show your support and join the All Our Relations Snake River Campaign in Portland, OR on Sept. 25!

Nooksack Indian Tribe is THRILLED to announce the 2023 Nooksack Days Pow Wow!

Camping and showers are available. All are welcome to attend. This is a drug and alcohol free event.

The Nooksack Indian Tribe is celebrating 50 years since their federal recognition on September 22, 1973. They are so excited to have a full week of events to celebrate Nooksack!

Mi Centro and Tacoma Art Museum (TAM), with support from Tacoma Creates, is excited to partner together to present special guest speaker Cheech Marin and “El Noroeste” art exhibit highlighting over 20 local Chicano/Latine art from across Washington State.

The exhibit dates will be Saturday September 23 – October 1, 2023. The free opening reception and Cheech Marin speaking engagement are scheduled to take place on Saturday, September 23rd from 2-5 p.m., with our guest speaker starting at 3 p.m. Both the exhibit and the opening reception with guest speaker will take place at the Tacoma Art Museum. This is a standing room only event with limited seating. Attendees can register for FREE

The Halluci Nation is hitting the road again this fall!!
Tag your crew and tell them what city they’ll get to see your beautiful faces at!!

Check the more info link for details regarding concert locations, times, and tickets.

This course, open to the public, will introduce Chinese medical theories, treatments, history, the basics of holism, and research.

Participants will learn about acupoints, herbal medicine, acupuncture, moxibustion, massage, gua sha, cupping, and bleeding. Dietary therapy, channel system, organ networks, along with yin/yang theory, Chinese pathology, and concepts of qi will be explored as well. This five-week online class is presented by esteemed OCOM faculty members, all teaching their specialized perspectives via lecture, demonstration, and discussion.

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Nooksack Indian Tribe is THRILLED to announce the 2023 Nooksack Days Pow Wow!

Camping and showers are available. All are welcome to attend. This is a drug and alcohol free event.

The Nooksack Indian Tribe is celebrating 50 years since their federal recognition on September 22, 1973. They are so excited to have a full week of events to celebrate Nooksack!

Register now to join the National Native American Boarding School Healing Coalition (NABS) for a conversation on the newly amended Truth and Healing Commission Bill (S.1723).

Dr. Michael Yellow Bird will lead us in a closing mindfulness exercise as we prepare to go into the National Day of Remembrance. You do not want to miss this event!!

Towards the end of September, Yellowhawk Tribal Health Center
will be having a Corn Preservation Class at the Mission Longhouse. Class size is limited, be sure to register by calling 541.240.8697 or JenniferCross@yellowhawk.org. There will be supplies provided!

Mi Centro and Tacoma Art Museum (TAM), with support from Tacoma Creates, is excited to partner together to present special guest speaker Cheech Marin and “El Noroeste” art exhibit highlighting over 20 local Chicano/Latine art from across Washington State.

The exhibit dates will be Saturday September 23 – October 1, 2023. The free opening reception and Cheech Marin speaking engagement are scheduled to take place on Saturday, September 23rd from 2-5 p.m., with our guest speaker starting at 3 p.m. Both the exhibit and the opening reception with guest speaker will take place at the Tacoma Art Museum. This is a standing room only event with limited seating. Attendees can register for FREE

The Halluci Nation is hitting the road again this fall!!
Tag your crew and tell them what city they’ll get to see your beautiful faces at!!

Check the more info link for details regarding concert locations, times, and tickets.

A weekly open forum for those interested in bringing weaving materials to work on projects. A time to visit, share build skills and complete your beautiful woven art.

This event is included in the price of admission.
Weaving kits available for purchase.
To register, please call 360-716-2600

This course, open to the public, will introduce Chinese medical theories, treatments, history, the basics of holism, and research.

Participants will learn about acupoints, herbal medicine, acupuncture, moxibustion, massage, gua sha, cupping, and bleeding. Dietary therapy, channel system, organ networks, along with yin/yang theory, Chinese pathology, and concepts of qi will be explored as well. This five-week online class is presented by esteemed OCOM faculty members, all teaching their specialized perspectives via lecture, demonstration, and discussion.

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

Raices de Bienestar is honored to present this talk with ¡Salud! The Oregon Pinot Noir Auction on Family Mental Health.
There are only have 25 spots available so sign up! To register or if you have questions about the event just call Claudia at (503) 681-4311.

Raices de Bienestar un honor presentar esta charla con ¡Salud! The Oregon Pinot Noir Auction sobre la salud mental de la Familia.
Sólo tenemos 25 espacios disponibles, así que regístrate! Para registrase o si tiene preguntas sobre el evento solamente tiene que llamar Claudia a (503) 681-4311.

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Mi Centro and Tacoma Art Museum (TAM), with support from Tacoma Creates, is excited to partner together to present special guest speaker Cheech Marin and “El Noroeste” art exhibit highlighting over 20 local Chicano/Latine art from across Washington State.

The exhibit dates will be Saturday September 23 – October 1, 2023. The free opening reception and Cheech Marin speaking engagement are scheduled to take place on Saturday, September 23rd from 2-5 p.m., with our guest speaker starting at 3 p.m. Both the exhibit and the opening reception with guest speaker will take place at the Tacoma Art Museum. This is a standing room only event with limited seating. Attendees can register for FREE

The Halluci Nation is hitting the road again this fall!!
Tag your crew and tell them what city they’ll get to see your beautiful faces at!!

Check the more info link for details regarding concert locations, times, and tickets.

This course, open to the public, will introduce Chinese medical theories, treatments, history, the basics of holism, and research.

Participants will learn about acupoints, herbal medicine, acupuncture, moxibustion, massage, gua sha, cupping, and bleeding. Dietary therapy, channel system, organ networks, along with yin/yang theory, Chinese pathology, and concepts of qi will be explored as well. This five-week online class is presented by esteemed OCOM faculty members, all teaching their specialized perspectives via lecture, demonstration, and discussion.

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

Prepare to be captivated by the unique fusion of North African blues and contemporary rhythms as the revolutionary band, Bab L’ Bluz takes the Great Hall Stage.

Fronted by Yousra Mansour, an African-Moroccan woman in a traditionally male role, Bab L’ Bluz is a driving force in reclaiming the blues for North Africa. Their music echoes with the spirit of the Moroccan ‘nayda’ youth movement, infusing rich local heritage with a modern rebellious attitude.

Experience the ancient and current, the funky and rhythmic, all amplified by Arabic lyrics, soaring vocals, and bass-heavy grooves. Bab L’ Bluz’s music pulses from the heart of the Maghreb, transcending borders and bringing people together through the universal language of music.

Don’t miss this exceptional night of cultural celebration and musical revolution at Town Hall Seattle!

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

Through the long haul of writing alongside or in voices that are outside of the personal “I”, this 3-day intensive navigates balancing research, ethics, representation, and publishing contracts while holding onto your own authentic voice. If you aspire to improve your craft, come learn from seasoned writers that are equipped to challenge, engage, and inform.

For many Native communities throughout the High Desert, what constitutes art spans beyond the walls of a gallery or a museum. Objects are alive, tied to purpose and intrinsic to thriving communities. Art is at once utilitarian and ceremonial, as well as part of the continuation of Native traditions.

Opening on January 28, 2023, Creations of Spirit will immerse High Desert Museum visitors in the Indigenous Plateau worldview, reflecting knowledge systems of tribes along the Columbia River and its tributaries.

Six Native artists commissioned for this new, original exhibition are creating artwork that will be used in Native communities before arriving at the Museum. A seventh artist is creating an interactive piece for the center of the gallery. Creations of Spirit will be a one-of-a-kind, celebratory experience featuring the stories of these living works of art. Videos, audio and large projections will immerse visitors in the landscapes and communities in which these objects are used, highlighting the theme of artwork as alive, full of stories and created for specific purposes and people. The original works will be supplemented with nine cultural items on loan from the Smithsonian’s National Museum of the American Indian in Washington, D.C.

Explore the second run of this past exhibit with stories sourced from the local Burmese / Myanmar community. With the original exhibit run cut short due to our closure during the pandemic, we’ve taken the opportunity to update the exhibit to include new content covering the military coup that happened in February 2021.

SAM presents American Art: The Stories We Carry, a transformation of its American art galleries, created through a wide-ranging collaboration among SAM curators and staff, artists, and advisors from the Seattle community. Funded primarily by a $1 million grant from The Mellon Foundation and a $75,000 grant from the Terra Foundation for American Art, the project features work from SAM’s collection and new works and curation by contemporary artists, and it deepens the museum’s commitment to inclusive exhibition-planning practices with a shared-authorship model that reflects and responds to community knowledge.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”