Calendar

We invite community to join us in the Fall for workdays on the land, starting 9/15 – 11/19.

These workdays have been great opportunities for us to introduce ourselves to the land and to foster our relationships to it. Volunteers can help in a number of ways, like tending to Native plants, clearing invasive ones like ivy, envisioning futures, and getting the land ready for upcoming gatherings. We also invite you to help by just spending time on this site. Sit and relax by the trees and Mapes Creek, use our art supplies to create, help us collect & save seeds for gifts, or just take a moment from your week and spend time in greenspace.

Open to Native/BIPOC: Fridays, Sept 15 – Nov 19, from 2 – 6pm
Open to All: 1st Saturdays, October & November, from 11am – 3pm

Visit https://bit.ly/3qaL3AR or hit the link in our bio to register.

*Tools, a porta potty, limited drinking water, and light snacks will be provided. All ages and experience levels welcome. Note, our site does not have running water or power, and is unfortunately not yet ADA accessible. We can’t wait to see you on the land!

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

We’re celebrating the beauty and cultural significance of chrysanthemums throughout November, in perfect harmony with the traditional Chinese Double Ninth Festival. These exquisite flowers hold a rich and storied history in Chinese culture, symbolizing traits such as longevity, nobility, and endurance.

Join us for a series of horticultural programs centered around chrysanthemums, paying tribute to their illustrious heritage. This includes the return of our enchanting nighttime floral designer showcase, “Nights of the Golden Flower.” You can also partake in enlightening plant walks and witness insightful cultivation demonstrations, all designed to deepen your appreciation for this cherished bloom and its profound role in Chinese heritage.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

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Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

This exhibit showcases the work of folx who are part of the SWANA (Southwest Asia and North Africa) stitching community. The works encompass diasporic, immigrant, mixed, and queer stitches in a contemporary context with an ancestral throughline across time and space, oceans, continents, languages and mediums. The textile works range from Palestinian Tatreez embroidery and Egyptian Khayamiya appliqué to Armenian Janyak needlelace and many other regional stitches. Additionally, there will be new works drawing from multiple artistic disciplines, both ancient and modern, including writing, multimedia, propaganda, visual and plastic art, and inter-and-multi-disciplinary works. The event will include presentations by the artists and other cultural programming as well. And of course all SWANA events include food, music and dance.

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

The day following Diwali is traditionally celebrated with the Annakut – literally meaning, a mountain of food. Every year thousands of vegetarian delicacies are offered in devotional gratitude for the past year and to seek blessings for the year ahead. The Annakut offering includes snacks, sweets, pickles, spicy dishes, salads, fruit drinks and other items devotionally prepared by devotees. We cordially invite you for darshan of the Annakut with family and friends.

• Nov 11th: Family Diwali Annakut
  • 12:00 PM – 7:00 PM
• Nov 12th: Sharda Chopda Pujan (Diwali)
  • 6:00 PM
• Nov 14th: New Year
  • Aarti: 7:00 AM, 11:30AM, 6:45PM
  • Mandir Darshan: 7:00 AM Onwards
• Nov 18th: Kids Diwali Celebration
  • 12:00 PM – 6:00 PM

We are thrilled to announce our sixth annual Selah Storytelling Series! This year we will have amazing storytellers share stories of Creation, Resistance, and Healing in a hybrid space both in person and on zoom!
Stay tuned to learn about our storytellers, the location, and this years Outliving Thanksgiving, the Story of Thankstaking celebration!
Access:
In person: ADA space with ADA bathrooms. Masks required. More details to come on parking and seating.
On-line: ASL and CART provided.
Details:
In its sixth year, the Selah Series provides a BIPOC-centered storytelling space for community members to share the fruits of their ancestors’ wisdom, resistance, and survivance, and an opportunity for all of us to build community that is reflective of our collective strength.
Creation Stories
November 2, 2022, 6:00-8:00pm PST
Storytellers will be sharing stories of the creation of the Earth and the universe that come from indigenous cultural histories. From the Turtle Continent to the Popol Vuh to Mawu the Moon Being, this event is about reclaiming how the world was made.
Resistance Stories
November 9, 2022, 6:00-8:00pm PST
Storytellers will share stories of protest, organizing, collective bargaining, and community care. What can we learn from those that came before us? What tactics are we using now to reimagine systems? The road map to social uplift has been written, and written well.
Healing Stories:
November 16, 2022, 6:00pm-8:00pm PST
How do we practice care in our communities outside of Western, capitalist, white supremacist models? The focus of this event will be on the holistic, indigenous, decolonized wellness that targeted communities use to engage in healing. From naturopathy to indigenous herbalism to healing tones, the focus of the event is to honor ancestral knowledge and our special knack for survival.
We also have a culminating meal-share event on Saturday, November 25th, Outliving Thanksgiving, the Story of Thanks-taking. We’ll eat, build community, and BIPOC performers will share their gifts.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

Join us for the live recording of Portland comic Lee H. Tillman’s stand-up comedy special Bad At Math, filmed on location in the Ellyn Bye Studio at Portland Center Stage.
Lee H. Tillman has a low-key delivery, but please don’t mistake his laid-back delivery for complacency. There are surprises at every turn. In addition to headlining comedy clubs all over the Pacific Northwest, he also performs at comedy shows and festivals throughout the United States and now he’ll be recording his first-ever comedy special.

We invite community to join us in the Fall for workdays on the land, starting 9/15 – 11/19.

These workdays have been great opportunities for us to introduce ourselves to the land and to foster our relationships to it. Volunteers can help in a number of ways, like tending to Native plants, clearing invasive ones like ivy, envisioning futures, and getting the land ready for upcoming gatherings. We also invite you to help by just spending time on this site. Sit and relax by the trees and Mapes Creek, use our art supplies to create, help us collect & save seeds for gifts, or just take a moment from your week and spend time in greenspace.

Open to Native/BIPOC: Fridays, Sept 15 – Nov 19, from 2 – 6pm
Open to All: 1st Saturdays, October & November, from 11am – 3pm

Visit https://bit.ly/3qaL3AR or hit the link in our bio to register.

*Tools, a porta potty, limited drinking water, and light snacks will be provided. All ages and experience levels welcome. Note, our site does not have running water or power, and is unfortunately not yet ADA accessible. We can’t wait to see you on the land!

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

We’re celebrating the beauty and cultural significance of chrysanthemums throughout November, in perfect harmony with the traditional Chinese Double Ninth Festival. These exquisite flowers hold a rich and storied history in Chinese culture, symbolizing traits such as longevity, nobility, and endurance.

Join us for a series of horticultural programs centered around chrysanthemums, paying tribute to their illustrious heritage. This includes the return of our enchanting nighttime floral designer showcase, “Nights of the Golden Flower.” You can also partake in enlightening plant walks and witness insightful cultivation demonstrations, all designed to deepen your appreciation for this cherished bloom and its profound role in Chinese heritage.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

—
Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

This exhibit showcases the work of folx who are part of the SWANA (Southwest Asia and North Africa) stitching community. The works encompass diasporic, immigrant, mixed, and queer stitches in a contemporary context with an ancestral throughline across time and space, oceans, continents, languages and mediums. The textile works range from Palestinian Tatreez embroidery and Egyptian Khayamiya appliqué to Armenian Janyak needlelace and many other regional stitches. Additionally, there will be new works drawing from multiple artistic disciplines, both ancient and modern, including writing, multimedia, propaganda, visual and plastic art, and inter-and-multi-disciplinary works. The event will include presentations by the artists and other cultural programming as well. And of course all SWANA events include food, music and dance.

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

The day following Diwali is traditionally celebrated with the Annakut – literally meaning, a mountain of food. Every year thousands of vegetarian delicacies are offered in devotional gratitude for the past year and to seek blessings for the year ahead. The Annakut offering includes snacks, sweets, pickles, spicy dishes, salads, fruit drinks and other items devotionally prepared by devotees. We cordially invite you for darshan of the Annakut with family and friends.

• Nov 11th: Family Diwali Annakut
  • 12:00 PM – 7:00 PM
• Nov 12th: Sharda Chopda Pujan (Diwali)
  • 6:00 PM
• Nov 14th: New Year
  • Aarti: 7:00 AM, 11:30AM, 6:45PM
  • Mandir Darshan: 7:00 AM Onwards
• Nov 18th: Kids Diwali Celebration
  • 12:00 PM – 6:00 PM

This year Urban League of Portland’s Feed the Folks coming to Salem AND Portland in the same week. Both events will be DRIVE-THRU and Walk-Up, meaning during event times, after you’ve checked in, you are welcome to drive your vehicle right up to Urban League staff and we’ll load your meals into your car.
No vehicle? No problem! Folks without transportation can still attend the event and pick up items in a wagon or cart if they are able.

Salem Feed the Folks will be on November 14th from 12pm – 3pm, at the ARCHES Lodge: 1875 Fisher Rd NE, Salem, OR 97305.

Portland Feed the Folks will be on November 16th from 12pm – 3pm at the Urban League of Portland Building: 10 N Russell St, Portland, OR 97227

REGISTER to attend and receive a FREE Holiday Meal Kit. They will also have limited outreach supplies available at each of these events.

We are thrilled to announce our sixth annual Selah Storytelling Series! This year we will have amazing storytellers share stories of Creation, Resistance, and Healing in a hybrid space both in person and on zoom!
Stay tuned to learn about our storytellers, the location, and this years Outliving Thanksgiving, the Story of Thankstaking celebration!
Access:
In person: ADA space with ADA bathrooms. Masks required. More details to come on parking and seating.
On-line: ASL and CART provided.
Details:
In its sixth year, the Selah Series provides a BIPOC-centered storytelling space for community members to share the fruits of their ancestors’ wisdom, resistance, and survivance, and an opportunity for all of us to build community that is reflective of our collective strength.
Creation Stories
November 2, 2022, 6:00-8:00pm PST
Storytellers will be sharing stories of the creation of the Earth and the universe that come from indigenous cultural histories. From the Turtle Continent to the Popol Vuh to Mawu the Moon Being, this event is about reclaiming how the world was made.
Resistance Stories
November 9, 2022, 6:00-8:00pm PST
Storytellers will share stories of protest, organizing, collective bargaining, and community care. What can we learn from those that came before us? What tactics are we using now to reimagine systems? The road map to social uplift has been written, and written well.
Healing Stories:
November 16, 2022, 6:00pm-8:00pm PST
How do we practice care in our communities outside of Western, capitalist, white supremacist models? The focus of this event will be on the holistic, indigenous, decolonized wellness that targeted communities use to engage in healing. From naturopathy to indigenous herbalism to healing tones, the focus of the event is to honor ancestral knowledge and our special knack for survival.
We also have a culminating meal-share event on Saturday, November 25th, Outliving Thanksgiving, the Story of Thanks-taking. We’ll eat, build community, and BIPOC performers will share their gifts.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

We invite community to join us in the Fall for workdays on the land, starting 9/15 – 11/19.

These workdays have been great opportunities for us to introduce ourselves to the land and to foster our relationships to it. Volunteers can help in a number of ways, like tending to Native plants, clearing invasive ones like ivy, envisioning futures, and getting the land ready for upcoming gatherings. We also invite you to help by just spending time on this site. Sit and relax by the trees and Mapes Creek, use our art supplies to create, help us collect & save seeds for gifts, or just take a moment from your week and spend time in greenspace.

Open to Native/BIPOC: Fridays, Sept 15 – Nov 19, from 2 – 6pm
Open to All: 1st Saturdays, October & November, from 11am – 3pm

Visit https://bit.ly/3qaL3AR or hit the link in our bio to register.

*Tools, a porta potty, limited drinking water, and light snacks will be provided. All ages and experience levels welcome. Note, our site does not have running water or power, and is unfortunately not yet ADA accessible. We can’t wait to see you on the land!

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

We’re celebrating the beauty and cultural significance of chrysanthemums throughout November, in perfect harmony with the traditional Chinese Double Ninth Festival. These exquisite flowers hold a rich and storied history in Chinese culture, symbolizing traits such as longevity, nobility, and endurance.

Join us for a series of horticultural programs centered around chrysanthemums, paying tribute to their illustrious heritage. This includes the return of our enchanting nighttime floral designer showcase, “Nights of the Golden Flower.” You can also partake in enlightening plant walks and witness insightful cultivation demonstrations, all designed to deepen your appreciation for this cherished bloom and its profound role in Chinese heritage.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

—
Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

This exhibit showcases the work of folx who are part of the SWANA (Southwest Asia and North Africa) stitching community. The works encompass diasporic, immigrant, mixed, and queer stitches in a contemporary context with an ancestral throughline across time and space, oceans, continents, languages and mediums. The textile works range from Palestinian Tatreez embroidery and Egyptian Khayamiya appliqué to Armenian Janyak needlelace and many other regional stitches. Additionally, there will be new works drawing from multiple artistic disciplines, both ancient and modern, including writing, multimedia, propaganda, visual and plastic art, and inter-and-multi-disciplinary works. The event will include presentations by the artists and other cultural programming as well. And of course all SWANA events include food, music and dance.

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

The day following Diwali is traditionally celebrated with the Annakut – literally meaning, a mountain of food. Every year thousands of vegetarian delicacies are offered in devotional gratitude for the past year and to seek blessings for the year ahead. The Annakut offering includes snacks, sweets, pickles, spicy dishes, salads, fruit drinks and other items devotionally prepared by devotees. We cordially invite you for darshan of the Annakut with family and friends.

• Nov 11th: Family Diwali Annakut
  • 12:00 PM – 7:00 PM
• Nov 12th: Sharda Chopda Pujan (Diwali)
  • 6:00 PM
• Nov 14th: New Year
  • Aarti: 7:00 AM, 11:30AM, 6:45PM
  • Mandir Darshan: 7:00 AM Onwards
• Nov 18th: Kids Diwali Celebration
  • 12:00 PM – 6:00 PM

This year Urban League of Portland’s Feed the Folks coming to Salem AND Portland in the same week. Both events will be DRIVE-THRU and Walk-Up, meaning during event times, after you’ve checked in, you are welcome to drive your vehicle right up to Urban League staff and we’ll load your meals into your car.
No vehicle? No problem! Folks without transportation can still attend the event and pick up items in a wagon or cart if they are able.

Salem Feed the Folks will be on November 14th from 12pm – 3pm, at the ARCHES Lodge: 1875 Fisher Rd NE, Salem, OR 97305.

Portland Feed the Folks will be on November 16th from 12pm – 3pm at the Urban League of Portland Building: 10 N Russell St, Portland, OR 97227

REGISTER to attend and receive a FREE Holiday Meal Kit. They will also have limited outreach supplies available at each of these events.

We are thrilled to announce our sixth annual Selah Storytelling Series! This year we will have amazing storytellers share stories of Creation, Resistance, and Healing in a hybrid space both in person and on zoom!
Stay tuned to learn about our storytellers, the location, and this years Outliving Thanksgiving, the Story of Thankstaking celebration!
Access:
In person: ADA space with ADA bathrooms. Masks required. More details to come on parking and seating.
On-line: ASL and CART provided.
Details:
In its sixth year, the Selah Series provides a BIPOC-centered storytelling space for community members to share the fruits of their ancestors’ wisdom, resistance, and survivance, and an opportunity for all of us to build community that is reflective of our collective strength.
Creation Stories
November 2, 2022, 6:00-8:00pm PST
Storytellers will be sharing stories of the creation of the Earth and the universe that come from indigenous cultural histories. From the Turtle Continent to the Popol Vuh to Mawu the Moon Being, this event is about reclaiming how the world was made.
Resistance Stories
November 9, 2022, 6:00-8:00pm PST
Storytellers will share stories of protest, organizing, collective bargaining, and community care. What can we learn from those that came before us? What tactics are we using now to reimagine systems? The road map to social uplift has been written, and written well.
Healing Stories:
November 16, 2022, 6:00pm-8:00pm PST
How do we practice care in our communities outside of Western, capitalist, white supremacist models? The focus of this event will be on the holistic, indigenous, decolonized wellness that targeted communities use to engage in healing. From naturopathy to indigenous herbalism to healing tones, the focus of the event is to honor ancestral knowledge and our special knack for survival.
We also have a culminating meal-share event on Saturday, November 25th, Outliving Thanksgiving, the Story of Thanks-taking. We’ll eat, build community, and BIPOC performers will share their gifts.

Boise International Short Film Festival is excited to announce that finalists have been selected! The festival will be November 15th and 16th at 2pm-8pm at the Boise State University SPEC Theater. Admission is free so bring your friends! Stay tuned for sneak peaks of the selected films, as well as ticket information as there will be limited seats available.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Come join Red Eagle Soaring for a fun, relaxing evening of raising funds for one of the only Native youth theatres in the country & our new home at Station Space! Food / beverages / Performances / Silent Auction / Raffle / Raise The Paddle / Karaoke After Party & more! 21+ FREE EVENT.

Join Alyssa Quintyne and Donald Crocker in a discussion about her latest exhibition Please Take Care and get all the backstory and details behind it.

Her work focuses on people, their identities, and relaying their ethereal characteristics. Her incorporation of flora, life cycles, figure, and social justice are common themes in Alyssa’s work that tie her subjects to the tangible and intangible. Her mediums include watercolor, ink, gold foil, and colored pencil.

“Please Take Care is an exhibition about my recent journey through chronic illness and climate anxiety. I’ve dealt with medical issues all my life, but over the past year I’ve dealt with a developing heart condition that became debilitating. I often found that my feelings overlayed what was happening around me outside – the vetch boom seemed to feel just like the creepy anxiety of managing my new symptoms, the flooding out in Circle matched my powerlessness with a new diagnosis, the butterflies seem to come right at my 2 month-versary of no ER visits. Now that I’m on the mend, I decided the best way to process this new normal for me was to be cathartic and create another way to look at my condition, the climate crises, and the life ahead of me.”
-Alyssa Quintyne

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

We invite community to join us in the Fall for workdays on the land, starting 9/15 – 11/19.

These workdays have been great opportunities for us to introduce ourselves to the land and to foster our relationships to it. Volunteers can help in a number of ways, like tending to Native plants, clearing invasive ones like ivy, envisioning futures, and getting the land ready for upcoming gatherings. We also invite you to help by just spending time on this site. Sit and relax by the trees and Mapes Creek, use our art supplies to create, help us collect & save seeds for gifts, or just take a moment from your week and spend time in greenspace.

Open to Native/BIPOC: Fridays, Sept 15 – Nov 19, from 2 – 6pm
Open to All: 1st Saturdays, October & November, from 11am – 3pm

Visit https://bit.ly/3qaL3AR or hit the link in our bio to register.

*Tools, a porta potty, limited drinking water, and light snacks will be provided. All ages and experience levels welcome. Note, our site does not have running water or power, and is unfortunately not yet ADA accessible. We can’t wait to see you on the land!

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

We’re celebrating the beauty and cultural significance of chrysanthemums throughout November, in perfect harmony with the traditional Chinese Double Ninth Festival. These exquisite flowers hold a rich and storied history in Chinese culture, symbolizing traits such as longevity, nobility, and endurance.

Join us for a series of horticultural programs centered around chrysanthemums, paying tribute to their illustrious heritage. This includes the return of our enchanting nighttime floral designer showcase, “Nights of the Golden Flower.” You can also partake in enlightening plant walks and witness insightful cultivation demonstrations, all designed to deepen your appreciation for this cherished bloom and its profound role in Chinese heritage.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

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Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

This exhibit showcases the work of folx who are part of the SWANA (Southwest Asia and North Africa) stitching community. The works encompass diasporic, immigrant, mixed, and queer stitches in a contemporary context with an ancestral throughline across time and space, oceans, continents, languages and mediums. The textile works range from Palestinian Tatreez embroidery and Egyptian Khayamiya appliqué to Armenian Janyak needlelace and many other regional stitches. Additionally, there will be new works drawing from multiple artistic disciplines, both ancient and modern, including writing, multimedia, propaganda, visual and plastic art, and inter-and-multi-disciplinary works. The event will include presentations by the artists and other cultural programming as well. And of course all SWANA events include food, music and dance.

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

The day following Diwali is traditionally celebrated with the Annakut – literally meaning, a mountain of food. Every year thousands of vegetarian delicacies are offered in devotional gratitude for the past year and to seek blessings for the year ahead. The Annakut offering includes snacks, sweets, pickles, spicy dishes, salads, fruit drinks and other items devotionally prepared by devotees. We cordially invite you for darshan of the Annakut with family and friends.

• Nov 11th: Family Diwali Annakut
  • 12:00 PM – 7:00 PM
• Nov 12th: Sharda Chopda Pujan (Diwali)
  • 6:00 PM
• Nov 14th: New Year
  • Aarti: 7:00 AM, 11:30AM, 6:45PM
  • Mandir Darshan: 7:00 AM Onwards
• Nov 18th: Kids Diwali Celebration
  • 12:00 PM – 6:00 PM

This year Urban League of Portland’s Feed the Folks coming to Salem AND Portland in the same week. Both events will be DRIVE-THRU and Walk-Up, meaning during event times, after you’ve checked in, you are welcome to drive your vehicle right up to Urban League staff and we’ll load your meals into your car.
No vehicle? No problem! Folks without transportation can still attend the event and pick up items in a wagon or cart if they are able.

Salem Feed the Folks will be on November 14th from 12pm – 3pm, at the ARCHES Lodge: 1875 Fisher Rd NE, Salem, OR 97305.

Portland Feed the Folks will be on November 16th from 12pm – 3pm at the Urban League of Portland Building: 10 N Russell St, Portland, OR 97227

REGISTER to attend and receive a FREE Holiday Meal Kit. They will also have limited outreach supplies available at each of these events.

We are thrilled to announce our sixth annual Selah Storytelling Series! This year we will have amazing storytellers share stories of Creation, Resistance, and Healing in a hybrid space both in person and on zoom!
Stay tuned to learn about our storytellers, the location, and this years Outliving Thanksgiving, the Story of Thankstaking celebration!
Access:
In person: ADA space with ADA bathrooms. Masks required. More details to come on parking and seating.
On-line: ASL and CART provided.
Details:
In its sixth year, the Selah Series provides a BIPOC-centered storytelling space for community members to share the fruits of their ancestors’ wisdom, resistance, and survivance, and an opportunity for all of us to build community that is reflective of our collective strength.
Creation Stories
November 2, 2022, 6:00-8:00pm PST
Storytellers will be sharing stories of the creation of the Earth and the universe that come from indigenous cultural histories. From the Turtle Continent to the Popol Vuh to Mawu the Moon Being, this event is about reclaiming how the world was made.
Resistance Stories
November 9, 2022, 6:00-8:00pm PST
Storytellers will share stories of protest, organizing, collective bargaining, and community care. What can we learn from those that came before us? What tactics are we using now to reimagine systems? The road map to social uplift has been written, and written well.
Healing Stories:
November 16, 2022, 6:00pm-8:00pm PST
How do we practice care in our communities outside of Western, capitalist, white supremacist models? The focus of this event will be on the holistic, indigenous, decolonized wellness that targeted communities use to engage in healing. From naturopathy to indigenous herbalism to healing tones, the focus of the event is to honor ancestral knowledge and our special knack for survival.
We also have a culminating meal-share event on Saturday, November 25th, Outliving Thanksgiving, the Story of Thanks-taking. We’ll eat, build community, and BIPOC performers will share their gifts.

Boise International Short Film Festival is excited to announce that finalists have been selected! The festival will be November 15th and 16th at 2pm-8pm at the Boise State University SPEC Theater. Admission is free so bring your friends! Stay tuned for sneak peaks of the selected films, as well as ticket information as there will be limited seats available.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Come through and join the KA Youth Program to learn and share migration stories!! Parents are invited to join and share their stories as well! Dinner is provided!!

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

The Nooksack Tribe proudly hosts the 2023 Heritage Dinner on Thursday, November 16th at 6pm at the Mi’sq’eq’o Community Building. All are welcome to attend.

On Nov 16th you have the opportunity to see the almost finished edit of the upcoming documentary, “Khu.éex’: The Magic of Noise”. They’re having a special screening and fundraiser at The Seattle Drum School Georgetown and you’re invited to join us!
Members of Khu.éex’, Heartstone Studios and Preston Singletary will be in attendance. Email them at mediaheartstone@gmail.com to RSVP.

On November 16, 2023, Hugo House is hosting a special collaboration with Snoqualmie Casino celebrating regional Indigenous talent, culture, and spirit featuring Sasha LaPointe, Nikki Suyama, Iz White, and Peter White.

The evening will begin with a land acknowledgement from Ken Workman, followed by readings from Sasha LaPointe and Iz White, with music from Nikki Suyama and a ceremonial dance performed by Peter White.

There will be a brief Q&A with Sasha LaPointe, and our friends at Elliott Bay Book Company will be on-site selling copies of her published work.

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

Join the Alaska Historical Society and Cook Inlet Historical Society for the second of a four-part lecture and panel series about major public policy issues facing Alaska to create a more productive environment in which to arrive at sound public policy.
Beginning with the 1867 transfer of Alaska from Russian to American control, the federal government extended its administration over the territory. Was this “Americanization” positive, with new government services, or an unwelcome colonization? Americanization had both enormously positive and negative impacts which continue today. The unsettled relationship between the federal government, the state and Native groups deserves closer discussion as Alaskans consider ideas such as resource management and policies relating to Alaska Natives under the federal trust.
Panelists Ross Cohen, Mary Ehrlander, Ian Hartman and Charles Wohlforth weigh in before taking questions from a live and online audience. Free. Use the museum’s 7th Avenue entrance to enter.
The AHS is Alaska’s largest statewide organization dedicated to the informed exchange of ideas through a factual appreciation of Alaska’s history. It is partnering with the Cook Inlet Historical Society and the Anchorage Museum on the series. The Atwood Foundation has provided a generous grant to cover costs. Other supporting organizations include the League of Women Voters, the University of Alaska Anchorage Seawolf Debate Program and OLE!, an Anchorage-based nonprofit which offers educational classes.
Image: Sitka from the governor’s garden; St. Michael’s Cathedral on left, 1868-1869. Eadweard James Muybridge Photograph Collection, Alaska State Library, ASL-P15-07.
About the Panelists
Ross Cohen is a lecturer in the Department of History at the University of Washington. He is also editor of Alaska History (AHS Journal), the semi-annual journal of the Alaska Historical Society.
Mary Ehlander is an emeritus professor of history at the University of Alaska Fairbanks (UAF) and former director of the Arctic and Northern Studies Program at UAF. She is the author of numerous books and publications, including Walter Harper, Alaska’s Native Sun, and Equal Educational Opportunity: Brown’s Elusive Mandate.
Ian Hartman is a professor and chair of the history department at the University of Alaska Anchorage. He teaches modern American history with an emphasis on issues related to economic and racial inequality.
Charles Wohlforth was an Anchorage Daily News reporter from 1988 to 1992 and wrote a regular opinion column from 2015 until 2019. He served two terms on the Anchorage Assembly. He is the author of a dozen books about Alaska, science, history and the environment.

We invite community to join us in the Fall for workdays on the land, starting 9/15 – 11/19.

These workdays have been great opportunities for us to introduce ourselves to the land and to foster our relationships to it. Volunteers can help in a number of ways, like tending to Native plants, clearing invasive ones like ivy, envisioning futures, and getting the land ready for upcoming gatherings. We also invite you to help by just spending time on this site. Sit and relax by the trees and Mapes Creek, use our art supplies to create, help us collect & save seeds for gifts, or just take a moment from your week and spend time in greenspace.

Open to Native/BIPOC: Fridays, Sept 15 – Nov 19, from 2 – 6pm
Open to All: 1st Saturdays, October & November, from 11am – 3pm

Visit https://bit.ly/3qaL3AR or hit the link in our bio to register.

*Tools, a porta potty, limited drinking water, and light snacks will be provided. All ages and experience levels welcome. Note, our site does not have running water or power, and is unfortunately not yet ADA accessible. We can’t wait to see you on the land!

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

We’re celebrating the beauty and cultural significance of chrysanthemums throughout November, in perfect harmony with the traditional Chinese Double Ninth Festival. These exquisite flowers hold a rich and storied history in Chinese culture, symbolizing traits such as longevity, nobility, and endurance.

Join us for a series of horticultural programs centered around chrysanthemums, paying tribute to their illustrious heritage. This includes the return of our enchanting nighttime floral designer showcase, “Nights of the Golden Flower.” You can also partake in enlightening plant walks and witness insightful cultivation demonstrations, all designed to deepen your appreciation for this cherished bloom and its profound role in Chinese heritage.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

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Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

We have a special event coming up for TDOR on November 17th. Sign up to get a some food and a special queer care package. We take care of us ❤️

#blackandbeyondthebinarycollective #tdor2023 #tdor

IMAGE DESCRIPTION: Teal feathered stripe down a soft pink background with an image of two Black hands clasped. A drawing of pink and blue candles line the bottom, beneath B3C’s logo. Text reads: Trans Diaspora of Rejuvenation: Nov 17th. Sign up for food and a care package. Event for Black and Brown queer folx only.

This exhibit showcases the work of folx who are part of the SWANA (Southwest Asia and North Africa) stitching community. The works encompass diasporic, immigrant, mixed, and queer stitches in a contemporary context with an ancestral throughline across time and space, oceans, continents, languages and mediums. The textile works range from Palestinian Tatreez embroidery and Egyptian Khayamiya appliqué to Armenian Janyak needlelace and many other regional stitches. Additionally, there will be new works drawing from multiple artistic disciplines, both ancient and modern, including writing, multimedia, propaganda, visual and plastic art, and inter-and-multi-disciplinary works. The event will include presentations by the artists and other cultural programming as well. And of course all SWANA events include food, music and dance.

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

The day following Diwali is traditionally celebrated with the Annakut – literally meaning, a mountain of food. Every year thousands of vegetarian delicacies are offered in devotional gratitude for the past year and to seek blessings for the year ahead. The Annakut offering includes snacks, sweets, pickles, spicy dishes, salads, fruit drinks and other items devotionally prepared by devotees. We cordially invite you for darshan of the Annakut with family and friends.

• Nov 11th: Family Diwali Annakut
  • 12:00 PM – 7:00 PM
• Nov 12th: Sharda Chopda Pujan (Diwali)
  • 6:00 PM
• Nov 14th: New Year
  • Aarti: 7:00 AM, 11:30AM, 6:45PM
  • Mandir Darshan: 7:00 AM Onwards
• Nov 18th: Kids Diwali Celebration
  • 12:00 PM – 6:00 PM

We are thrilled to announce our sixth annual Selah Storytelling Series! This year we will have amazing storytellers share stories of Creation, Resistance, and Healing in a hybrid space both in person and on zoom!
Stay tuned to learn about our storytellers, the location, and this years Outliving Thanksgiving, the Story of Thankstaking celebration!
Access:
In person: ADA space with ADA bathrooms. Masks required. More details to come on parking and seating.
On-line: ASL and CART provided.
Details:
In its sixth year, the Selah Series provides a BIPOC-centered storytelling space for community members to share the fruits of their ancestors’ wisdom, resistance, and survivance, and an opportunity for all of us to build community that is reflective of our collective strength.
Creation Stories
November 2, 2022, 6:00-8:00pm PST
Storytellers will be sharing stories of the creation of the Earth and the universe that come from indigenous cultural histories. From the Turtle Continent to the Popol Vuh to Mawu the Moon Being, this event is about reclaiming how the world was made.
Resistance Stories
November 9, 2022, 6:00-8:00pm PST
Storytellers will share stories of protest, organizing, collective bargaining, and community care. What can we learn from those that came before us? What tactics are we using now to reimagine systems? The road map to social uplift has been written, and written well.
Healing Stories:
November 16, 2022, 6:00pm-8:00pm PST
How do we practice care in our communities outside of Western, capitalist, white supremacist models? The focus of this event will be on the holistic, indigenous, decolonized wellness that targeted communities use to engage in healing. From naturopathy to indigenous herbalism to healing tones, the focus of the event is to honor ancestral knowledge and our special knack for survival.
We also have a culminating meal-share event on Saturday, November 25th, Outliving Thanksgiving, the Story of Thanks-taking. We’ll eat, build community, and BIPOC performers will share their gifts.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

Black ‘n’ Advocacy covers our process for navigating legislative advocacy at Surge Reproductive Justice, with a focus on Washington state. This training was born out of the lived experience and political analysis of Black anti-racist organizers and legislative advocates attempting to work within “the system” and quickly identifying the pitfalls of that system and what working around it looks like in service of our communities. This online training is highly interactive, and approximately 3 hours long. We welcome people from all backgrounds to attend!

We believe in the power of political education and collective analysis building, so we offer our leadership development trainings every trimester. It’s that time! These trainings are opportunities to deepen your understanding and commitment to anti-racism, reproductive justice, and legislative advocacy through a Black feminist lens. They are also a great way to build community with like-spirited people from around the country in an accessible and fun way.

We ask attendees to pay for their participation in our trainings if they are non-BIPOC. The donation link, and a self-survey to determine which gift amount feels right for you, can be accessed below by copying and pasting the URLs into your web browser:

Donation Self-Survey: https://docs.google.com/document/d/1GbwmWRKewfbbQRHqqaL7mVQKaSru7oBRYS_Hsmm5al8/edit

Please donate here, with a note including this trainings’ name: https://www.paypal.com/donate/?cmd=_s-xclick&hosted_button_id=AN25A33QYXHLS&source=url&ssrt=1697664193524

There is a $75 stipend available for community members who are Black, Indigenous, and/or people of color who are experiencing financial difficulties, but would like to attend this session. More information and the form to request the stipend will be sent out after the session.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Stammtisch is a gathering of friends and community. This event is open to all ages, and you do not have to be a member to attend. You do not have to know how to speak German unless you take a seat at the Stammtisch table!

GASoP will provide food and beer, wine, and non-alcoholic drinks will be available for purchase. Attendees are encouraged to bring food to share. (Nibbles are fine but no one would say nein to some spätzle!)

Stammtisch is held in our Bierstube every third Friday of the month except in December.

Join Confluence for the launch of the second volume of the Voices of the River journal! Voices of the River is a journal that explores the Columbia River system’s history, living cultures, and ecology through Indigenous voices. Volume II’s theme (The Legacy of Dams and the Return of the Salmon) is posed to invite meditation on our past, present, and future: What is the legacy of damming the Columbia? What benefits would come from restoring salmon populations to the Columbia and reviving the health of the river?

This issue features articles by Michelle Jacob, Carol Craig, Lindsey Schneider, and Rachel Cushman; poetry by Hii-ne Jake A. DePoe. and Owen L. Oliver; and art by Chanti Manon and Sarah Folden. Join Confluences Lead Editor Dr. David Lewis and cover artist Chanti Manon for a short discussion on the volume, followed by mingling, food, and the first opportunity to buy the journal.

Join the Leonor R. Fuller Gallery in honoring the legacy of Hazel Pete, master weaver, and the rich practices of Chehalis basket weaving.
The 15th Native American Art Exhibition is a themed exhibition highlighting traditional and contemporary basketry woven by the Hazel Pete Family. The exhibition includes coil and woven basketry types, a cattail mat lean-to, cedar clothing, storage baskets, storyteller doll diorama, photos depicting the gathering process, and contemporary glass baskets made at the Museum of Glass. Hazel Pete was a 6th generation weaver from treaty negation times in western Washington – 7th, 8th, and 9th generation weavers will be featured in this exhibit.

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

We invite community to join us in the Fall for workdays on the land, starting 9/15 – 11/19.

These workdays have been great opportunities for us to introduce ourselves to the land and to foster our relationships to it. Volunteers can help in a number of ways, like tending to Native plants, clearing invasive ones like ivy, envisioning futures, and getting the land ready for upcoming gatherings. We also invite you to help by just spending time on this site. Sit and relax by the trees and Mapes Creek, use our art supplies to create, help us collect & save seeds for gifts, or just take a moment from your week and spend time in greenspace.

Open to Native/BIPOC: Fridays, Sept 15 – Nov 19, from 2 – 6pm
Open to All: 1st Saturdays, October & November, from 11am – 3pm

Visit https://bit.ly/3qaL3AR or hit the link in our bio to register.

*Tools, a porta potty, limited drinking water, and light snacks will be provided. All ages and experience levels welcome. Note, our site does not have running water or power, and is unfortunately not yet ADA accessible. We can’t wait to see you on the land!

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Event is open to all ages
Free Admission
Local vendors
30 vendors at each event
Variety of Native American artists
Variety of handmade goods

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

The National Nordic Museum invites you to experience its 46^th Annual Julefest! Enjoy an authentic Nordic holiday experience, right in the heart of Ballard. Modeled after the traditional outdoor Christmas markets found in the Nordic countries, this community favorite features all the fun and goodies associated with the Nordic holidays, with a Pacific Northwest twist!

During Julefest, visitors are immersed in a variety of Nordic holiday traditions. Guests can expect to discover a modern spin on a traditional market as they can shop from over 30+ local artists, taste traditional holiday fare, and enjoy live entertainment throughout the grounds. Stay tuned for additional festival program details!

Start your holiday shopping in Shoreline to find that perfect hand-crafted gift.

​We can’t think of anything more quintessentially wintery than a stroll through a unique holiday market. We are excited to bring the Shoreline Holiday Market and Shoreline Farmers Market together with everything under one roof (quite literally!) at the Shoreline City Hall undercover parking garage (open air).

Please note that for safety reasons related to food and the number of visitors, pets are not allowed at the Underground Holiday Market. Service animals, on the other hand, are welcome.

Presented by ShoreLake Arts, in collaboration with the Shoreline Farmers Market,

with support from City of Shoreline RCCS.

We’re celebrating the beauty and cultural significance of chrysanthemums throughout November, in perfect harmony with the traditional Chinese Double Ninth Festival. These exquisite flowers hold a rich and storied history in Chinese culture, symbolizing traits such as longevity, nobility, and endurance.

Join us for a series of horticultural programs centered around chrysanthemums, paying tribute to their illustrious heritage. This includes the return of our enchanting nighttime floral designer showcase, “Nights of the Golden Flower.” You can also partake in enlightening plant walks and witness insightful cultivation demonstrations, all designed to deepen your appreciation for this cherished bloom and its profound role in Chinese heritage.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

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Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

Africa Fashion opens at the Portland Art Museum after acclaimed runs at London’s Victoria and Albert Museum and the Brooklyn Museum of Art. This first-of-its-kind exhibition, making its only West Coast stop at PAM, honors the irresistible creativity, ingenuity, and unstoppable global impact of contemporary African fashions. Garments and textiles dating from the mid-twentieth century to the present day, contextualized by a range of cultural touchstones such as Drum magazines, Fela Kuti record albums, and studio photography from Sanlé Sory, celebrate the transformative and liberatory power of self-fashioning. The New Yorker’s art critic Hilton Als called Africa Fashion a “vital and necessary exhibition.”

This exhibit showcases the work of folx who are part of the SWANA (Southwest Asia and North Africa) stitching community. The works encompass diasporic, immigrant, mixed, and queer stitches in a contemporary context with an ancestral throughline across time and space, oceans, continents, languages and mediums. The textile works range from Palestinian Tatreez embroidery and Egyptian Khayamiya appliqué to Armenian Janyak needlelace and many other regional stitches. Additionally, there will be new works drawing from multiple artistic disciplines, both ancient and modern, including writing, multimedia, propaganda, visual and plastic art, and inter-and-multi-disciplinary works. The event will include presentations by the artists and other cultural programming as well. And of course all SWANA events include food, music and dance.

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

Join other passionate BIPOC girls & gender expansive teens who are passionate about Palestinian freedom and liberation. We’ll be meeting up at 11am in the ID to make protest signs & art, eat, ground ourselves, and go over best protest safety practices before heading over to Westlake for the protest at 2pm.

Shoutout to @Falastiniyat for sharing their wisdom with us and for holding this crucial work with immense care and dedication.

Sign up at bit.ly/youth4pal or visit the link in bio ❤️

From the river to the sea, Palestine will be free!

Wenatchee Cafes Mission is to advance family and community growth through education. They serve the culturally diverse community providing opportunities in leadership, civic and social engagement, literacy development, and academic advancement.

CAFÉ Priorities:

Family Education
Community Participation
Promoting Leadership
Environmental Justice

Wa Na Wari is hosting a holiday marketplace and vintage pop up. There’ll be art, jewelry, vintage treasures, Wa Na Wari hoodies, and more. This is where you get that holiday gift list handled. Come spend time with the new exhibit AND do some shopping.

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

The day following Diwali is traditionally celebrated with the Annakut – literally meaning, a mountain of food. Every year thousands of vegetarian delicacies are offered in devotional gratitude for the past year and to seek blessings for the year ahead. The Annakut offering includes snacks, sweets, pickles, spicy dishes, salads, fruit drinks and other items devotionally prepared by devotees. We cordially invite you for darshan of the Annakut with family and friends.

• Nov 11th: Family Diwali Annakut
  • 12:00 PM – 7:00 PM
• Nov 12th: Sharda Chopda Pujan (Diwali)
  • 6:00 PM
• Nov 14th: New Year
  • Aarti: 7:00 AM, 11:30AM, 6:45PM
  • Mandir Darshan: 7:00 AM Onwards
• Nov 18th: Kids Diwali Celebration
  • 12:00 PM – 6:00 PM

Join Rising Sons Media Nov 18th from 12-7pm at the old LOFT store. Shop from 18 local Indigenous artists to find the perfect holiday gifts for your loved ones! The market features handmade jewelry, artwork, paintings, beadwork, baskets, and more from 18 local Indigenous artists!

$10 all-day parking is available across the street at the 520 Pike Tower garage, or take the light rail to Westlake Mall!

Shop small this holiday season, and support Indigenous business!

Jam with the Seattle Jazz Fellowship this Saturday at Seattle Drum School of Music!

Imagine the energy and sales of the annual Alaska Black Business Expo but with a more intimate holiday feel! With a goal to be the premier shopping place for people looking to get holiday gifts, contract with companies who put on their holiday parties and support people who are traveling for the holidays and need their gifts taken care of. Space is limited and we will be doing HEAVY advertising and inviting a lot of companies who contract out parties and gifts for all types of holiday functions.

Santa will be in the house with a whole room of activities for the kids and their favorite holiday films playing while adults shop, mingle, jingle and get ready for the holidays

Join World Beat for their inaugural Holiday Night Market.

We are thrilled to announce our sixth annual Selah Storytelling Series! This year we will have amazing storytellers share stories of Creation, Resistance, and Healing in a hybrid space both in person and on zoom!
Stay tuned to learn about our storytellers, the location, and this years Outliving Thanksgiving, the Story of Thankstaking celebration!
Access:
In person: ADA space with ADA bathrooms. Masks required. More details to come on parking and seating.
On-line: ASL and CART provided.
Details:
In its sixth year, the Selah Series provides a BIPOC-centered storytelling space for community members to share the fruits of their ancestors’ wisdom, resistance, and survivance, and an opportunity for all of us to build community that is reflective of our collective strength.
Creation Stories
November 2, 2022, 6:00-8:00pm PST
Storytellers will be sharing stories of the creation of the Earth and the universe that come from indigenous cultural histories. From the Turtle Continent to the Popol Vuh to Mawu the Moon Being, this event is about reclaiming how the world was made.
Resistance Stories
November 9, 2022, 6:00-8:00pm PST
Storytellers will share stories of protest, organizing, collective bargaining, and community care. What can we learn from those that came before us? What tactics are we using now to reimagine systems? The road map to social uplift has been written, and written well.
Healing Stories:
November 16, 2022, 6:00pm-8:00pm PST
How do we practice care in our communities outside of Western, capitalist, white supremacist models? The focus of this event will be on the holistic, indigenous, decolonized wellness that targeted communities use to engage in healing. From naturopathy to indigenous herbalism to healing tones, the focus of the event is to honor ancestral knowledge and our special knack for survival.
We also have a culminating meal-share event on Saturday, November 25th, Outliving Thanksgiving, the Story of Thanks-taking. We’ll eat, build community, and BIPOC performers will share their gifts.

Until liberation, our voices will echo in every street, in every city, across mountains, until every corner of the world can be heard calling for a Free Palestine.

We will be back in the streets again this Saturday at 2PM! See you out there.

🇵🇸🇵🇸From the river to the sea, Palestine will be free🇵🇸🇵🇸

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Svinēsim Latvijas Neatkarības Dienu Sietlas Latviešu Centrā.

Come Celebrate Latvia’s Independence Day at the Seattle Latvian Community Center.

Informācija sekos / Information to follow.

Get ready to experience the ultimate celebration of Nepalese culture at Nepal Festival 2023, where traditions, music, and flavors come alive!

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

The Confederated Tribes of Siletz Indians invites you to our Annual 45th Restoration, held at Chinook Winds Casino Resort.

Grand Entry will be at 6:00 PM.

All Dancers and Drummers welcome!

This is a family event; drugs and alcohol will not be tolerated. The Confederated Tribes of Siletz Indians and Chinook Winds Casino Resort are not responsible for injuries and lost or stolen items.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Whitman College is excited to announce the inaugural Pášx̣apa Powwow, taking place on campus Saturday, Nov. 18, 2023. This event will bring together tribal leaders, honored guests, drummers and dancers from throughout the Pacific Northwest. The Confederated Tribes of the Umatilla Indian Reservation and Walla Walla Community College are co-hosts.

11 a.m. Participant Registration
12 p.m. Doors Open
1 p.m. Grand Entry
5 p.m. Break and Meal
6 p.m. Grand Entry

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

We invite community to join us in the Fall for workdays on the land, starting 9/15 – 11/19.

These workdays have been great opportunities for us to introduce ourselves to the land and to foster our relationships to it. Volunteers can help in a number of ways, like tending to Native plants, clearing invasive ones like ivy, envisioning futures, and getting the land ready for upcoming gatherings. We also invite you to help by just spending time on this site. Sit and relax by the trees and Mapes Creek, use our art supplies to create, help us collect & save seeds for gifts, or just take a moment from your week and spend time in greenspace.

Open to Native/BIPOC: Fridays, Sept 15 – Nov 19, from 2 – 6pm
Open to All: 1st Saturdays, October & November, from 11am – 3pm

Visit https://bit.ly/3qaL3AR or hit the link in our bio to register.

*Tools, a porta potty, limited drinking water, and light snacks will be provided. All ages and experience levels welcome. Note, our site does not have running water or power, and is unfortunately not yet ADA accessible. We can’t wait to see you on the land!

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

The National Nordic Museum invites you to experience its 46^th Annual Julefest! Enjoy an authentic Nordic holiday experience, right in the heart of Ballard. Modeled after the traditional outdoor Christmas markets found in the Nordic countries, this community favorite features all the fun and goodies associated with the Nordic holidays, with a Pacific Northwest twist!

During Julefest, visitors are immersed in a variety of Nordic holiday traditions. Guests can expect to discover a modern spin on a traditional market as they can shop from over 30+ local artists, taste traditional holiday fare, and enjoy live entertainment throughout the grounds. Stay tuned for additional festival program details!

We’re celebrating the beauty and cultural significance of chrysanthemums throughout November, in perfect harmony with the traditional Chinese Double Ninth Festival. These exquisite flowers hold a rich and storied history in Chinese culture, symbolizing traits such as longevity, nobility, and endurance.

Join us for a series of horticultural programs centered around chrysanthemums, paying tribute to their illustrious heritage. This includes the return of our enchanting nighttime floral designer showcase, “Nights of the Golden Flower.” You can also partake in enlightening plant walks and witness insightful cultivation demonstrations, all designed to deepen your appreciation for this cherished bloom and its profound role in Chinese heritage.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

—
Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

Africa Fashion opens at the Portland Art Museum after acclaimed runs at London’s Victoria and Albert Museum and the Brooklyn Museum of Art. This first-of-its-kind exhibition, making its only West Coast stop at PAM, honors the irresistible creativity, ingenuity, and unstoppable global impact of contemporary African fashions. Garments and textiles dating from the mid-twentieth century to the present day, contextualized by a range of cultural touchstones such as Drum magazines, Fela Kuti record albums, and studio photography from Sanlé Sory, celebrate the transformative and liberatory power of self-fashioning. The New Yorker’s art critic Hilton Als called Africa Fashion a “vital and necessary exhibition.”

This exhibit showcases the work of folx who are part of the SWANA (Southwest Asia and North Africa) stitching community. The works encompass diasporic, immigrant, mixed, and queer stitches in a contemporary context with an ancestral throughline across time and space, oceans, continents, languages and mediums. The textile works range from Palestinian Tatreez embroidery and Egyptian Khayamiya appliqué to Armenian Janyak needlelace and many other regional stitches. Additionally, there will be new works drawing from multiple artistic disciplines, both ancient and modern, including writing, multimedia, propaganda, visual and plastic art, and inter-and-multi-disciplinary works. The event will include presentations by the artists and other cultural programming as well. And of course all SWANA events include food, music and dance.

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

We are thrilled to announce our sixth annual Selah Storytelling Series! This year we will have amazing storytellers share stories of Creation, Resistance, and Healing in a hybrid space both in person and on zoom!
Stay tuned to learn about our storytellers, the location, and this years Outliving Thanksgiving, the Story of Thankstaking celebration!
Access:
In person: ADA space with ADA bathrooms. Masks required. More details to come on parking and seating.
On-line: ASL and CART provided.
Details:
In its sixth year, the Selah Series provides a BIPOC-centered storytelling space for community members to share the fruits of their ancestors’ wisdom, resistance, and survivance, and an opportunity for all of us to build community that is reflective of our collective strength.
Creation Stories
November 2, 2022, 6:00-8:00pm PST
Storytellers will be sharing stories of the creation of the Earth and the universe that come from indigenous cultural histories. From the Turtle Continent to the Popol Vuh to Mawu the Moon Being, this event is about reclaiming how the world was made.
Resistance Stories
November 9, 2022, 6:00-8:00pm PST
Storytellers will share stories of protest, organizing, collective bargaining, and community care. What can we learn from those that came before us? What tactics are we using now to reimagine systems? The road map to social uplift has been written, and written well.
Healing Stories:
November 16, 2022, 6:00pm-8:00pm PST
How do we practice care in our communities outside of Western, capitalist, white supremacist models? The focus of this event will be on the holistic, indigenous, decolonized wellness that targeted communities use to engage in healing. From naturopathy to indigenous herbalism to healing tones, the focus of the event is to honor ancestral knowledge and our special knack for survival.
We also have a culminating meal-share event on Saturday, November 25th, Outliving Thanksgiving, the Story of Thanks-taking. We’ll eat, build community, and BIPOC performers will share their gifts.

Join the Coeur D’Alene Casino for an afternoon of traditional storytelling and dance exhibition. Complete with complimentary fry bread and huckleberry jam. All ages welcome

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Hindi Time Kids is so happy to work for The Circle Community Navigation non-profit this Fall season, to bring to the Seattle community an Indian Heritage playgroup for the very first time! Children will be educated about the Indian culture including, languages, festivals, holidays , food names in a play based learning style. Sessions will be conducted through rhymes, songs, dance, arts/crafts and so much more. This is a completely free session as it is sponsored by The Circle Community Navigation but requires registration.

RSVP using the link below.

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

—
Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

Africa Fashion opens at the Portland Art Museum after acclaimed runs at London’s Victoria and Albert Museum and the Brooklyn Museum of Art. This first-of-its-kind exhibition, making its only West Coast stop at PAM, honors the irresistible creativity, ingenuity, and unstoppable global impact of contemporary African fashions. Garments and textiles dating from the mid-twentieth century to the present day, contextualized by a range of cultural touchstones such as Drum magazines, Fela Kuti record albums, and studio photography from Sanlé Sory, celebrate the transformative and liberatory power of self-fashioning. The New Yorker’s art critic Hilton Als called Africa Fashion a “vital and necessary exhibition.”

This exhibit showcases the work of folx who are part of the SWANA (Southwest Asia and North Africa) stitching community. The works encompass diasporic, immigrant, mixed, and queer stitches in a contemporary context with an ancestral throughline across time and space, oceans, continents, languages and mediums. The textile works range from Palestinian Tatreez embroidery and Egyptian Khayamiya appliqué to Armenian Janyak needlelace and many other regional stitches. Additionally, there will be new works drawing from multiple artistic disciplines, both ancient and modern, including writing, multimedia, propaganda, visual and plastic art, and inter-and-multi-disciplinary works. The event will include presentations by the artists and other cultural programming as well. And of course all SWANA events include food, music and dance.

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

We are thrilled to announce our sixth annual Selah Storytelling Series! This year we will have amazing storytellers share stories of Creation, Resistance, and Healing in a hybrid space both in person and on zoom!
Stay tuned to learn about our storytellers, the location, and this years Outliving Thanksgiving, the Story of Thankstaking celebration!
Access:
In person: ADA space with ADA bathrooms. Masks required. More details to come on parking and seating.
On-line: ASL and CART provided.
Details:
In its sixth year, the Selah Series provides a BIPOC-centered storytelling space for community members to share the fruits of their ancestors’ wisdom, resistance, and survivance, and an opportunity for all of us to build community that is reflective of our collective strength.
Creation Stories
November 2, 2022, 6:00-8:00pm PST
Storytellers will be sharing stories of the creation of the Earth and the universe that come from indigenous cultural histories. From the Turtle Continent to the Popol Vuh to Mawu the Moon Being, this event is about reclaiming how the world was made.
Resistance Stories
November 9, 2022, 6:00-8:00pm PST
Storytellers will share stories of protest, organizing, collective bargaining, and community care. What can we learn from those that came before us? What tactics are we using now to reimagine systems? The road map to social uplift has been written, and written well.
Healing Stories:
November 16, 2022, 6:00pm-8:00pm PST
How do we practice care in our communities outside of Western, capitalist, white supremacist models? The focus of this event will be on the holistic, indigenous, decolonized wellness that targeted communities use to engage in healing. From naturopathy to indigenous herbalism to healing tones, the focus of the event is to honor ancestral knowledge and our special knack for survival.
We also have a culminating meal-share event on Saturday, November 25th, Outliving Thanksgiving, the Story of Thanks-taking. We’ll eat, build community, and BIPOC performers will share their gifts.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

UTOPIA Washington extends a heartfelt invitation to their annual Transgender Day of Remembrance (TDoR) event. TDoR is a day that memorializes and pays respect to the precious lives of the Trans and Gender Diverse who have tragically taken by the hands of anti-trans violence and acts of transphobia.

We cordially invite you to an evening that celebrates trans excellence in its myriad forms, encompassing powerful spoken word performances, soulful singing, captivating dances, and more.

Your attendance would mean the world, as it not only commemorates the lives lost, but also serves as a testament to the resilience, strength, and unity of the Trans and Gender Diverse community.

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

—
Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

Africa Fashion opens at the Portland Art Museum after acclaimed runs at London’s Victoria and Albert Museum and the Brooklyn Museum of Art. This first-of-its-kind exhibition, making its only West Coast stop at PAM, honors the irresistible creativity, ingenuity, and unstoppable global impact of contemporary African fashions. Garments and textiles dating from the mid-twentieth century to the present day, contextualized by a range of cultural touchstones such as Drum magazines, Fela Kuti record albums, and studio photography from Sanlé Sory, celebrate the transformative and liberatory power of self-fashioning. The New Yorker’s art critic Hilton Als called Africa Fashion a “vital and necessary exhibition.”

This exhibit showcases the work of folx who are part of the SWANA (Southwest Asia and North Africa) stitching community. The works encompass diasporic, immigrant, mixed, and queer stitches in a contemporary context with an ancestral throughline across time and space, oceans, continents, languages and mediums. The textile works range from Palestinian Tatreez embroidery and Egyptian Khayamiya appliqué to Armenian Janyak needlelace and many other regional stitches. Additionally, there will be new works drawing from multiple artistic disciplines, both ancient and modern, including writing, multimedia, propaganda, visual and plastic art, and inter-and-multi-disciplinary works. The event will include presentations by the artists and other cultural programming as well. And of course all SWANA events include food, music and dance.

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

We are thrilled to announce our sixth annual Selah Storytelling Series! This year we will have amazing storytellers share stories of Creation, Resistance, and Healing in a hybrid space both in person and on zoom!
Stay tuned to learn about our storytellers, the location, and this years Outliving Thanksgiving, the Story of Thankstaking celebration!
Access:
In person: ADA space with ADA bathrooms. Masks required. More details to come on parking and seating.
On-line: ASL and CART provided.
Details:
In its sixth year, the Selah Series provides a BIPOC-centered storytelling space for community members to share the fruits of their ancestors’ wisdom, resistance, and survivance, and an opportunity for all of us to build community that is reflective of our collective strength.
Creation Stories
November 2, 2022, 6:00-8:00pm PST
Storytellers will be sharing stories of the creation of the Earth and the universe that come from indigenous cultural histories. From the Turtle Continent to the Popol Vuh to Mawu the Moon Being, this event is about reclaiming how the world was made.
Resistance Stories
November 9, 2022, 6:00-8:00pm PST
Storytellers will share stories of protest, organizing, collective bargaining, and community care. What can we learn from those that came before us? What tactics are we using now to reimagine systems? The road map to social uplift has been written, and written well.
Healing Stories:
November 16, 2022, 6:00pm-8:00pm PST
How do we practice care in our communities outside of Western, capitalist, white supremacist models? The focus of this event will be on the holistic, indigenous, decolonized wellness that targeted communities use to engage in healing. From naturopathy to indigenous herbalism to healing tones, the focus of the event is to honor ancestral knowledge and our special knack for survival.
We also have a culminating meal-share event on Saturday, November 25th, Outliving Thanksgiving, the Story of Thanks-taking. We’ll eat, build community, and BIPOC performers will share their gifts.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

—
Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

Africa Fashion opens at the Portland Art Museum after acclaimed runs at London’s Victoria and Albert Museum and the Brooklyn Museum of Art. This first-of-its-kind exhibition, making its only West Coast stop at PAM, honors the irresistible creativity, ingenuity, and unstoppable global impact of contemporary African fashions. Garments and textiles dating from the mid-twentieth century to the present day, contextualized by a range of cultural touchstones such as Drum magazines, Fela Kuti record albums, and studio photography from Sanlé Sory, celebrate the transformative and liberatory power of self-fashioning. The New Yorker’s art critic Hilton Als called Africa Fashion a “vital and necessary exhibition.”

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

We are thrilled to announce our sixth annual Selah Storytelling Series! This year we will have amazing storytellers share stories of Creation, Resistance, and Healing in a hybrid space both in person and on zoom!
Stay tuned to learn about our storytellers, the location, and this years Outliving Thanksgiving, the Story of Thankstaking celebration!
Access:
In person: ADA space with ADA bathrooms. Masks required. More details to come on parking and seating.
On-line: ASL and CART provided.
Details:
In its sixth year, the Selah Series provides a BIPOC-centered storytelling space for community members to share the fruits of their ancestors’ wisdom, resistance, and survivance, and an opportunity for all of us to build community that is reflective of our collective strength.
Creation Stories
November 2, 2022, 6:00-8:00pm PST
Storytellers will be sharing stories of the creation of the Earth and the universe that come from indigenous cultural histories. From the Turtle Continent to the Popol Vuh to Mawu the Moon Being, this event is about reclaiming how the world was made.
Resistance Stories
November 9, 2022, 6:00-8:00pm PST
Storytellers will share stories of protest, organizing, collective bargaining, and community care. What can we learn from those that came before us? What tactics are we using now to reimagine systems? The road map to social uplift has been written, and written well.
Healing Stories:
November 16, 2022, 6:00pm-8:00pm PST
How do we practice care in our communities outside of Western, capitalist, white supremacist models? The focus of this event will be on the holistic, indigenous, decolonized wellness that targeted communities use to engage in healing. From naturopathy to indigenous herbalism to healing tones, the focus of the event is to honor ancestral knowledge and our special knack for survival.
We also have a culminating meal-share event on Saturday, November 25th, Outliving Thanksgiving, the Story of Thanks-taking. We’ll eat, build community, and BIPOC performers will share their gifts.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Langston Hughes’ Black Nativity tells the story of the Nativity from an African-American perspective through a combination of scripture, poetry, dance, and song with griot-style narration

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

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Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

Africa Fashion opens at the Portland Art Museum after acclaimed runs at London’s Victoria and Albert Museum and the Brooklyn Museum of Art. This first-of-its-kind exhibition, making its only West Coast stop at PAM, honors the irresistible creativity, ingenuity, and unstoppable global impact of contemporary African fashions. Garments and textiles dating from the mid-twentieth century to the present day, contextualized by a range of cultural touchstones such as Drum magazines, Fela Kuti record albums, and studio photography from Sanlé Sory, celebrate the transformative and liberatory power of self-fashioning. The New Yorker’s art critic Hilton Als called Africa Fashion a “vital and necessary exhibition.”

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

We are thrilled to announce our sixth annual Selah Storytelling Series! This year we will have amazing storytellers share stories of Creation, Resistance, and Healing in a hybrid space both in person and on zoom!
Stay tuned to learn about our storytellers, the location, and this years Outliving Thanksgiving, the Story of Thankstaking celebration!
Access:
In person: ADA space with ADA bathrooms. Masks required. More details to come on parking and seating.
On-line: ASL and CART provided.
Details:
In its sixth year, the Selah Series provides a BIPOC-centered storytelling space for community members to share the fruits of their ancestors’ wisdom, resistance, and survivance, and an opportunity for all of us to build community that is reflective of our collective strength.
Creation Stories
November 2, 2022, 6:00-8:00pm PST
Storytellers will be sharing stories of the creation of the Earth and the universe that come from indigenous cultural histories. From the Turtle Continent to the Popol Vuh to Mawu the Moon Being, this event is about reclaiming how the world was made.
Resistance Stories
November 9, 2022, 6:00-8:00pm PST
Storytellers will share stories of protest, organizing, collective bargaining, and community care. What can we learn from those that came before us? What tactics are we using now to reimagine systems? The road map to social uplift has been written, and written well.
Healing Stories:
November 16, 2022, 6:00pm-8:00pm PST
How do we practice care in our communities outside of Western, capitalist, white supremacist models? The focus of this event will be on the holistic, indigenous, decolonized wellness that targeted communities use to engage in healing. From naturopathy to indigenous herbalism to healing tones, the focus of the event is to honor ancestral knowledge and our special knack for survival.
We also have a culminating meal-share event on Saturday, November 25th, Outliving Thanksgiving, the Story of Thanks-taking. We’ll eat, build community, and BIPOC performers will share their gifts.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Langston Hughes’ Black Nativity tells the story of the Nativity from an African-American perspective through a combination of scripture, poetry, dance, and song with griot-style narration

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

Mark your calendar! Tlingit & Haida will be hosting a free Holiday Market over Thanksgiving weekend in Juneau, Alaska to support Indigenous artists and vendors who are selling handmade products!

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

—
Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

Africa Fashion opens at the Portland Art Museum after acclaimed runs at London’s Victoria and Albert Museum and the Brooklyn Museum of Art. This first-of-its-kind exhibition, making its only West Coast stop at PAM, honors the irresistible creativity, ingenuity, and unstoppable global impact of contemporary African fashions. Garments and textiles dating from the mid-twentieth century to the present day, contextualized by a range of cultural touchstones such as Drum magazines, Fela Kuti record albums, and studio photography from Sanlé Sory, celebrate the transformative and liberatory power of self-fashioning. The New Yorker’s art critic Hilton Als called Africa Fashion a “vital and necessary exhibition.”

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

We are thrilled to announce our sixth annual Selah Storytelling Series! This year we will have amazing storytellers share stories of Creation, Resistance, and Healing in a hybrid space both in person and on zoom!
Stay tuned to learn about our storytellers, the location, and this years Outliving Thanksgiving, the Story of Thankstaking celebration!
Access:
In person: ADA space with ADA bathrooms. Masks required. More details to come on parking and seating.
On-line: ASL and CART provided.
Details:
In its sixth year, the Selah Series provides a BIPOC-centered storytelling space for community members to share the fruits of their ancestors’ wisdom, resistance, and survivance, and an opportunity for all of us to build community that is reflective of our collective strength.
Creation Stories
November 2, 2022, 6:00-8:00pm PST
Storytellers will be sharing stories of the creation of the Earth and the universe that come from indigenous cultural histories. From the Turtle Continent to the Popol Vuh to Mawu the Moon Being, this event is about reclaiming how the world was made.
Resistance Stories
November 9, 2022, 6:00-8:00pm PST
Storytellers will share stories of protest, organizing, collective bargaining, and community care. What can we learn from those that came before us? What tactics are we using now to reimagine systems? The road map to social uplift has been written, and written well.
Healing Stories:
November 16, 2022, 6:00pm-8:00pm PST
How do we practice care in our communities outside of Western, capitalist, white supremacist models? The focus of this event will be on the holistic, indigenous, decolonized wellness that targeted communities use to engage in healing. From naturopathy to indigenous herbalism to healing tones, the focus of the event is to honor ancestral knowledge and our special knack for survival.
We also have a culminating meal-share event on Saturday, November 25th, Outliving Thanksgiving, the Story of Thanks-taking. We’ll eat, build community, and BIPOC performers will share their gifts.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Langston Hughes’ Black Nativity tells the story of the Nativity from an African-American perspective through a combination of scripture, poetry, dance, and song with griot-style narration

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

Mark your calendar! Tlingit & Haida will be hosting a free Holiday Market over Thanksgiving weekend in Juneau, Alaska to support Indigenous artists and vendors who are selling handmade products!

The stage is set for an Indigenous fashion revolution. The Native Max Takes the Northwest Fashion Show, happening on November 25, 2023, will showcase an exquisite lineup of renowned Indigenous fashion designers alongside top Indigenous models from throughout the continent.

Witness the power and pride of Indigenous fashion at the Tacoma Armory in Tacoma, Washington.

This event is hosted by Native Max.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

—
Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

Africa Fashion opens at the Portland Art Museum after acclaimed runs at London’s Victoria and Albert Museum and the Brooklyn Museum of Art. This first-of-its-kind exhibition, making its only West Coast stop at PAM, honors the irresistible creativity, ingenuity, and unstoppable global impact of contemporary African fashions. Garments and textiles dating from the mid-twentieth century to the present day, contextualized by a range of cultural touchstones such as Drum magazines, Fela Kuti record albums, and studio photography from Sanlé Sory, celebrate the transformative and liberatory power of self-fashioning. The New Yorker’s art critic Hilton Als called Africa Fashion a “vital and necessary exhibition.”

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

We are thrilled to announce our sixth annual Selah Storytelling Series! This year we will have amazing storytellers share stories of Creation, Resistance, and Healing in a hybrid space both in person and on zoom!
Stay tuned to learn about our storytellers, the location, and this years Outliving Thanksgiving, the Story of Thankstaking celebration!
Access:
In person: ADA space with ADA bathrooms. Masks required. More details to come on parking and seating.
On-line: ASL and CART provided.
Details:
In its sixth year, the Selah Series provides a BIPOC-centered storytelling space for community members to share the fruits of their ancestors’ wisdom, resistance, and survivance, and an opportunity for all of us to build community that is reflective of our collective strength.
Creation Stories
November 2, 2022, 6:00-8:00pm PST
Storytellers will be sharing stories of the creation of the Earth and the universe that come from indigenous cultural histories. From the Turtle Continent to the Popol Vuh to Mawu the Moon Being, this event is about reclaiming how the world was made.
Resistance Stories
November 9, 2022, 6:00-8:00pm PST
Storytellers will share stories of protest, organizing, collective bargaining, and community care. What can we learn from those that came before us? What tactics are we using now to reimagine systems? The road map to social uplift has been written, and written well.
Healing Stories:
November 16, 2022, 6:00pm-8:00pm PST
How do we practice care in our communities outside of Western, capitalist, white supremacist models? The focus of this event will be on the holistic, indigenous, decolonized wellness that targeted communities use to engage in healing. From naturopathy to indigenous herbalism to healing tones, the focus of the event is to honor ancestral knowledge and our special knack for survival.
We also have a culminating meal-share event on Saturday, November 25th, Outliving Thanksgiving, the Story of Thanks-taking. We’ll eat, build community, and BIPOC performers will share their gifts.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Langston Hughes’ Black Nativity tells the story of the Nativity from an African-American perspective through a combination of scripture, poetry, dance, and song with griot-style narration

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

Mark your calendar! Tlingit & Haida will be hosting a free Holiday Market over Thanksgiving weekend in Juneau, Alaska to support Indigenous artists and vendors who are selling handmade products!

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

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Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

Africa Fashion opens at the Portland Art Museum after acclaimed runs at London’s Victoria and Albert Museum and the Brooklyn Museum of Art. This first-of-its-kind exhibition, making its only West Coast stop at PAM, honors the irresistible creativity, ingenuity, and unstoppable global impact of contemporary African fashions. Garments and textiles dating from the mid-twentieth century to the present day, contextualized by a range of cultural touchstones such as Drum magazines, Fela Kuti record albums, and studio photography from Sanlé Sory, celebrate the transformative and liberatory power of self-fashioning. The New Yorker’s art critic Hilton Als called Africa Fashion a “vital and necessary exhibition.”

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Langston Hughes’ Black Nativity tells the story of the Nativity from an African-American perspective through a combination of scripture, poetry, dance, and song with griot-style narration

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

—
Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

Africa Fashion opens at the Portland Art Museum after acclaimed runs at London’s Victoria and Albert Museum and the Brooklyn Museum of Art. This first-of-its-kind exhibition, making its only West Coast stop at PAM, honors the irresistible creativity, ingenuity, and unstoppable global impact of contemporary African fashions. Garments and textiles dating from the mid-twentieth century to the present day, contextualized by a range of cultural touchstones such as Drum magazines, Fela Kuti record albums, and studio photography from Sanlé Sory, celebrate the transformative and liberatory power of self-fashioning. The New Yorker’s art critic Hilton Als called Africa Fashion a “vital and necessary exhibition.”

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Langston Hughes’ Black Nativity tells the story of the Nativity from an African-American perspective through a combination of scripture, poetry, dance, and song with griot-style narration

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

—
Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

Africa Fashion opens at the Portland Art Museum after acclaimed runs at London’s Victoria and Albert Museum and the Brooklyn Museum of Art. This first-of-its-kind exhibition, making its only West Coast stop at PAM, honors the irresistible creativity, ingenuity, and unstoppable global impact of contemporary African fashions. Garments and textiles dating from the mid-twentieth century to the present day, contextualized by a range of cultural touchstones such as Drum magazines, Fela Kuti record albums, and studio photography from Sanlé Sory, celebrate the transformative and liberatory power of self-fashioning. The New Yorker’s art critic Hilton Als called Africa Fashion a “vital and necessary exhibition.”

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Langston Hughes’ Black Nativity tells the story of the Nativity from an African-American perspective through a combination of scripture, poetry, dance, and song with griot-style narration

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

—
Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

Africa Fashion opens at the Portland Art Museum after acclaimed runs at London’s Victoria and Albert Museum and the Brooklyn Museum of Art. This first-of-its-kind exhibition, making its only West Coast stop at PAM, honors the irresistible creativity, ingenuity, and unstoppable global impact of contemporary African fashions. Garments and textiles dating from the mid-twentieth century to the present day, contextualized by a range of cultural touchstones such as Drum magazines, Fela Kuti record albums, and studio photography from Sanlé Sory, celebrate the transformative and liberatory power of self-fashioning. The New Yorker’s art critic Hilton Als called Africa Fashion a “vital and necessary exhibition.”

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

Learn from a panel of experts elected industry on the progress and work of broadband and digital equity for WA Native Indigenous Communities.

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Langston Hughes’ Black Nativity tells the story of the Nativity from an African-American perspective through a combination of scripture, poetry, dance, and song with griot-style narration

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Immerse yourself in the vibrant tapestry of Iranian women’s artistic expressions as they courageously unveil their stories and perspectives through the power of art. From breathtaking paintings to thought-provoking photos, this exhibition is a celebration of resilience and the depth of creative expression.

Don’t miss the chance to witness the diverse talents and narratives of Iranian and Afghan women, beautifully woven into each masterpiece. Join Peyvand in honoring their stories, celebrating their strength, and embracing the richness of Iranian culture through art.

Spread the word and mark your calendars! Let’s come together to appreciate the extraordinary artistry and resilience of Iranian women

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

—
Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

Africa Fashion opens at the Portland Art Museum after acclaimed runs at London’s Victoria and Albert Museum and the Brooklyn Museum of Art. This first-of-its-kind exhibition, making its only West Coast stop at PAM, honors the irresistible creativity, ingenuity, and unstoppable global impact of contemporary African fashions. Garments and textiles dating from the mid-twentieth century to the present day, contextualized by a range of cultural touchstones such as Drum magazines, Fela Kuti record albums, and studio photography from Sanlé Sory, celebrate the transformative and liberatory power of self-fashioning. The New Yorker’s art critic Hilton Als called Africa Fashion a “vital and necessary exhibition.”

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Langston Hughes’ Black Nativity tells the story of the Nativity from an African-American perspective through a combination of scripture, poetry, dance, and song with griot-style narration

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Immerse yourself in the vibrant tapestry of Iranian women’s artistic expressions as they courageously unveil their stories and perspectives through the power of art. From breathtaking paintings to thought-provoking photos, this exhibition is a celebration of resilience and the depth of creative expression.

Don’t miss the chance to witness the diverse talents and narratives of Iranian and Afghan women, beautifully woven into each masterpiece. Join Peyvand in honoring their stories, celebrating their strength, and embracing the richness of Iranian culture through art.

Spread the word and mark your calendars! Let’s come together to appreciate the extraordinary artistry and resilience of Iranian women

Únete a Edúcate Ya en la celebración de la bebida amada de Argentina, el mate. Descubre el significado cultural y los beneficios para la salud de esta deliciosa bebida en nuestro festival Día del Mate. Gracias a nuestro patrocinador Guayakí, habrá mucho mate y deliciosos bocadillos argentinos, mientras los presentadores invitados nos ayudarán a adentrarnos más en la rica cultura de Argentina.

El evento es bilingüe y da la bienvenida a todas las nacionalidades. Disfruta del mate y socializa con tus vecinos después de las presentaciones. ¡Espacio limitado, asegura tu lugar ahora!

Join Edúcate Ya in celebrating Argentina’s beloved drink, Mate! Discover the cultural significance and health benefits of this bitter beverage at our Día del Mate festival. Thanks to our sponsor Guayakí, there will be plenty of mate and sweet Argentinian treats, while guest presenters will help us dive deeper into the rich culture of Argentina.

The event is bilingual, welcoming all nationalities. Enjoy mate and socialize with neighbors after the presentations. Limited space – secure your spot now!

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

To close out Indigenize Productions first gallery installation in style they are coing at you with some bodacious burlesque, live erotica readings, some lovely crowd participation, and of course, chase it all down with a INDIGEQUEER after party!

Come dressed to impress, in whatever makes you feel sexy and fun, they cant wait to see yall soon! Oh, and dont forget to bring ur $$$ to share with the performersssss!

Wednesday, September 27 at 7:30, the XVII Portland Latin American Film Festival will kick off at the @hollywoodtheatr

ArtsWest has sent four incredible artists on a cozy retreat to write the most perfect holiday show the world has ever seen. But when a blizzard hits and tensions rise, the crumpled up notebook pages start to pile up even faster than the snow. Will they finish the show in time? Or will they have to rely on a sprinkle of holiday magic to pull the whole thing off?

Inspired by classic holiday TV specials and musicals about putting on a musical, witness the birth of a new Seattle theater tradition as four of the city’s most beloved musical theater stars take you on a journey of song, dance, friendship, family, and the true meaning of the holidays.

Snowed In features original music along side songs you know and love. It’s a blizzard of fun for all-ages. 90 minutes. No intermission.

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

By popular demand, TCC is doing a second Holiday Bazaar this year! Get your Holiday shopping done early and support local artists and business owners at our 2023 Christmas Bazaar! This year’s bazaar will be located at the Chief David Samon Tribal Hall on December 1st, from 9:00 am to 4:30 pm. Interested in booking a table? Contact Felicia Alexie at 907-452-8251 ext. 3145 or at felicia.alexie@tananachiefs.org

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Each new generation of artists responds to and builds on the art of earlier periods. Bringing together artworks that bridge decades, Reverberations seeks to spark a hum between historical works and those by artists working today. Organized in thematic groups, Reverberations introduces a different topic in each gallery, ranging from landscape and lyrical abstraction to the use of the body in addressing psychological, social, and political concerns. As you move through the modern and contemporary galleries, you will encounter harmonies and dissonance as younger artists stake their claim. In turn, works from earlier decades will acquire new meaning and new layers of relevance.

This installation draws from SAM’s growing collection and incorporates many works acquired in recent years, by artists including Margarita Cabrera, Dana Claxton, Senga Nengudi, Rashid Johnson, Woody De Othello, Jenny Saville, Sarah Sze, and Naama Tsabar. Many works are on view for the first time. Among the modern classics, viewers will find works by Francis Bacon, Alberto Giacometti, Franz Kline, Joan Mitchell, Mark Rothko, and David Smith on view. The museum’s ongoing commitment to building a collection with equity and diverse points of view can be seen when perusing the galleries.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

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Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

Africa Fashion opens at the Portland Art Museum after acclaimed runs at London’s Victoria and Albert Museum and the Brooklyn Museum of Art. This first-of-its-kind exhibition, making its only West Coast stop at PAM, honors the irresistible creativity, ingenuity, and unstoppable global impact of contemporary African fashions. Garments and textiles dating from the mid-twentieth century to the present day, contextualized by a range of cultural touchstones such as Drum magazines, Fela Kuti record albums, and studio photography from Sanlé Sory, celebrate the transformative and liberatory power of self-fashioning. The New Yorker’s art critic Hilton Als called Africa Fashion a “vital and necessary exhibition.”

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

Hacienda CDC’s Portland Mercado invites you to our final 2023 event, the Soup Festival!
The Soup Festival returns on December 1st-3rd! Portland Mercado businesses will offer their limited-edition menus from 11-8 PM each day or until sold out. Every day try an exclusive soup and support local businesses!
This is a great opportunity for you, friends and family to come warm up from the cold and enjoy some delicious food!
This event is free and open to the public.
All ages. All backgrounds.
About the Portland Mercado:
The Portland Mercado is a community-driven initiative by Hacienda CDC that supports local women-, BIPOC- and Latino-owned businesses and entrepreneurs. The Soup Festival is just one of the many events that the Portland Mercado hosts throughout the year to celebrate and support the local community.

——-SPANISH——–
Hacienda CDC’s Portland Mercado le invita a un último evento de 2023, ¡el Festival de la Sopa!
El Festival de la Sopa regresa del 1 al 3 de diciembre. Los negocios de Portland Mercado ofrecerán sus menús de edición limitada de 11 a 8 PM cada día o hasta que se agoten. Prueba cada día una sopa exclusiva y apoya a los negocios locales.
¡Esta es una gran oportunidad para que usted, amigos y familiares vengan a calentarse del frío y disfrutar de una deliciosa comida!
Este evento es gratuito y abierto al público.
Para todas las edades. Todos los orígenes.
Acerca del Mercado de Portland:
Portland Mercado es una iniciativa establecida por Hacienda CDC que apoya a los negocios locales creados por mujeres, BIPOC y latinos. El Festival de la Sopa es solo uno de los muchos eventos que el Portland Mercado organiza durante todo el año para celebrar y apoyar a la comunidad local.

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

An anchor event for Converge 45’s citywide 2023 biennial, Social Forms: Art As Global Citizenship, the exhibition WE ARE THE REVOLUTION plumbs the depth of commitment of Jordan Schnitzer to the art of his time, while tapping into a living history of social expression through art in diverse media—from monumental paintings to free-standing sculpture to works on paper. Designed in part to explore ways in which the art of the past meets and affects the art of the present, the exhibition gives voice to art as both aesthetic experimentation and social commentary from the 1960s to today. Driven by the conviction that history is constructed through both continuity and discontinuity, the exhibition strives to establish unexpected juxtapositions and revealing connections among historical and contemporary artists and artworks.

On Friday, December 1st, the Friends of Sheldon Jackson Museum will host a Winter Series presentation by mask carver Jen Angaiak Wood (Yup’ik) on zoom.
In her presentation, “Ancestral Inspirations, Modern Visions,” Wood will share images of her carvings and talk about her artwork, her creative process, and her cultural heritage.
Jennifer Angaiak Wood’s artwork is inspired by her upbringing and heritage but melds the contemporary and the traditional. Wood was born and raised in Fairbanks, Alaska but has familial Yup’ik roots in Tununuk, Alaska, a place she spent her summers while growing up. The experiences she had in the village of Tununuk on the northwest side of Nelson Island in the Bering Sea greatly informed her artistic expression and the masks she carves are stylistically reminiscent of masks found in that region. Although her designs are inspired by ancestral carvings, Wood “incorporates modern materials and concepts to emphasize that the Yupiit, and all indigenous peoples, have a contemporary culture, not just a historic one.”

Zoom Information:
https://us02web.zoom.us/j/2294857244
Meeting ID: 229 485 7244
Passcode: Wood

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Langston Hughes’ Black Nativity tells the story of the Nativity from an African-American perspective through a combination of scripture, poetry, dance, and song with griot-style narration

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Join Sealaska Heritage Institute at the Walter Soboleff Building and Arts Campus will be open from 4 pm to 8 pm, as they invite everyone to explore, engage, and enjoy a diverse array of events, artists and attractions.
Discover the extraordinary works of local artists, watch the Yées Ku.oo Dance Group, stroll through our arts campus, and find unique holiday gifts at the Sealaska Heritage Store.
Admission is free, and everyone is welcome! Come join them for a memorable evening filled with art, culture, and maybe even the Grinch. See you then!

Immerse yourself in the vibrant tapestry of Iranian women’s artistic expressions as they courageously unveil their stories and perspectives through the power of art. From breathtaking paintings to thought-provoking photos, this exhibition is a celebration of resilience and the depth of creative expression.

Don’t miss the chance to witness the diverse talents and narratives of Iranian and Afghan women, beautifully woven into each masterpiece. Join Peyvand in honoring their stories, celebrating their strength, and embracing the richness of Iranian culture through art.

Spread the word and mark your calendars! Let’s come together to appreciate the extraordinary artistry and resilience of Iranian women

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show

Join the Palestinian Youth Movement for a teach-in on Gaza! Equip yourself with knowledge about history, and people who remain steadfast in the face of genocide. Come prepared to engage in a discussion about our role as a community and how we actively work towards cultivating conditions that support Palestinian liberation.

Celebrate the 100th anniversary of this Harlem Renaissance classic with Quenton Baker, Kamari Bright, Bettina Judd, Elisheba Johnson, and Barbara Earl Thomas.

Winter Mariachi Festival on Friday, December 1st at the MVHS Auditorium at 7pm! The MVHS Mariachi & Folklorico, Mariachi Azteca La Venture MS Mariachi & Folklorico, and Mount Baker MS Mariachi will be performing! We are also excited to have back this year from Seattle Washington Bailadores de Bronce!!! Viva Mariachi!! This is a free concert!!

ArtsWest has sent four incredible artists on a cozy retreat to write the most perfect holiday show the world has ever seen. But when a blizzard hits and tensions rise, the crumpled up notebook pages start to pile up even faster than the snow. Will they finish the show in time? Or will they have to rely on a sprinkle of holiday magic to pull the whole thing off?

Inspired by classic holiday TV specials and musicals about putting on a musical, witness the birth of a new Seattle theater tradition as four of the city’s most beloved musical theater stars take you on a journey of song, dance, friendship, family, and the true meaning of the holidays.

Snowed In features original music along side songs you know and love. It’s a blizzard of fun for all-ages. 90 minutes. No intermission.

Chief Seattle Club is proud to present the fall exhibition in ʔálʔal Café featuring artwork by Naomi Parker. Naomi comes from the Makah, Yakama, and Chippewa/Cree people. Drawing on her intertribal ancestry, she uses oil paint on canvas to create scenes of far flung Native relations coming together at pow wow grounds and campsites. Through images of friendly faces and joyfully clasped hands, Naomi shows the power we have to create community wherever we gather.

The inNATE Show features 30 indigenous artists and will be displayed at the Middle Way Cafe from October 7th through December 2nd, 2023.

The Nooksack Tribe is hosting a Christmas Bazaar on Saturday, December 2nd, from 9am to 4pm. Shop Local with us!

Arts & Crafts vendors must donate one item for their entry fee. Contact Anna Brewer to sign up at abrewer@nooksack-nsn.gov. Nooksack Tribal Members and Elders will receive preference for entry.

We’ll have free coffee, hot cocoa, and pastries for attendees. Plan to join us!

Dive deep into the stories and science that surround the magnificent orca, apex predator of all oceans.
Follow the currents of ecological activism, popular culture, and Indigenous beliefs to gain a new appreciation of these sophisticated animals, long feared in Western cultures as “Killer Whales.”
Orcas: Our Shared Future includes more than 100 original artifacts and specimens, featuring life-size Orca replicas, fossils, films, objects from popular culture, and original artwork from the Indigenous peoples of the North American west coast.
Discover the complex social structure of orca society and reflect on the surprising consequences of captivity. Learn which orca populations are thriving and which are at risk, and resurface with a new understanding of how orcas and humans are inextricably connected.

Featuring the work of the Guma’ Gela’, a queer CHamoru art collective made up of members from the Marianas and in the diaspora. The exhibit explores their motto “part land, part sea, all ancestry” through a broad spectrum of media, including sculpture, soundscape, writing, printmaking, weaving, costume design, adornments, and more, to build a connection with CHamoru life, history, and traditions.

Do you ever wonder how Bruce Lee developed the philosophy behind his most iconic quote?

This incredible interactive exhibit invites viewers to step into the mind, body, and spirit of Bruce Lee to see how his unquenchable pursuit of knowledge informed his philosophy and life.

Follow Bruce’s path beginning with his revelations on water, through the wealth of knowledge found in his 2,800-book personal library, to his philosophy on self-understanding and self-expression.

The exhibition’s interactive technology interweaves beautiful imagery with Bruce’s personal objects and books to bring his journey to life.

What do late 18th- to 19th-century Edo (present-day Tokyo) and late 19th-century Paris have in common? This exhibition, which can only be seen in Seattle, uncovers the shared renegade spirit that characterized the graphic arts and social cultures of these two dynamic cities. On view are over 90 Japanese ukiyo-e woodblock prints and paintings from SAM’s Japanese collection alongside private loans of works by Henri de Toulouse-Lautrec (1864–1901).

In addition to the intriguing formal and thematic parallels between these two collections of graphic arts, the exhibition reveals the social impulses behind their burgeoning art production. As both cities faced challenges to the status quo from the rising middle classes, subversive impulses gave rise to vibrant cultures of theatregoing, pleasure seeking, and new forms of visual art.

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen our awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it will be the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition will include Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming will also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Through the narrative flow of the exhibition, visitors will experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition will also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon exhibition curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition will continue Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.

“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”

Textile-based art and artwork responsive to social change are gaining prominence across the region and the country. To reflect this confluence, Tacoma Art Museum is proud to present the work of 21 artists in Soft Power, featuring more than 40 textile-based works on view from October 14, 2023, through September 1, 2024.

Soft Power draws its name and inspiration from Joseph Nye’s theory of cultural heritage as a form of non-coercive power. Using traditional processes to create contemporary declarations of resistance, resilience, love, and rebuke, this work explores the dynamic contrast between soft materials and so-called “hard” ideas. This engaging and provocative exhibition explores cultural stereotypes, humanity’s impact on the environment, and healthcare access.

The artists on view express themselves in forms as varied as their ideas: A quilted call to action, meticulously knit abstraction, woven cenotaphs, a stuffed and stitched creature, a scattered gathering of embroidered ephemera.

Thanks to the popularity of the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji— Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists in the world. This major exhibition organized by the Museum of Fine Arts, Boston (MFA), takes a new approach to the work of the versatile master, pairing more than 100 of his woodblock prints, paintings, and illustrated books from the MFA’s renowned collection with more than 200 works by his teachers, students, rivals, and admirers. Join us to explore Hokusai’s impact through the centuries and around the globe, on artists including Yoshitomo Nara, Chiho Aoshima, and Helen Frankenthaler.

Check one, two, three 🎤 “Sound Check! The Music We Make”, is a new exhibit at Wing Luke Museum on view from Sunday October 15, 2023 until September 14, 2024 🎧🎶💿🎹

Sound Check! celebrates the role of music in the lives of AANHPI communities. Dive into community-based stories as well as the experiences of AANHPI professionals in the music industry. Audiophiles and historians will be able to browse archival materials, photos, and artworks while also indulging in interactive audio-visual installations.

Featured artists include Kim Thayil and Hiro Yamamoto of Soundgarden; singer-songwriter Carly Ann Calbero; jazz drummer Akira Tana; musician Roger Rigor; hip hop artist Geo Quibuyen of Blue Scholars and many more.

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Don’t forget about the perks of becoming a Museum Member like unlimited free general admission and opportunities to see exhibits first at special Museum Member Receptions!

Africa Fashion opens at the Portland Art Museum after acclaimed runs at London’s Victoria and Albert Museum and the Brooklyn Museum of Art. This first-of-its-kind exhibition, making its only West Coast stop at PAM, honors the irresistible creativity, ingenuity, and unstoppable global impact of contemporary African fashions. Garments and textiles dating from the mid-twentieth century to the present day, contextualized by a range of cultural touchstones such as Drum magazines, Fela Kuti record albums, and studio photography from Sanlé Sory, celebrate the transformative and liberatory power of self-fashioning. The New Yorker’s art critic Hilton Als called Africa Fashion a “vital and necessary exhibition.”

Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land.

Through a variety of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—these artists visualize Indigenous knowledge of land/ landbase/ landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples.

On view March 21, 2023 through Spring 2024
Art of the North Galleries, Third Floor, East Wing

Good Medicine brings together Indigenous healers and medicine people to collectively create, share knowledge, and practice in community. Unfolding over the course of a year with the work of different Alaska Native healers, this multi-disciplinary exhibition offers diverse opportunities for gathering and exchange.

Colonialism has attacked and suppressed medicine people and Indigenous knowledge systems for hundreds of years. This exhibition addresses harmful legacies and shows how the revitalization of healing practices and traditions provides ways of being in alignment with oneself, with community, and with our planet.

Curated by Tlingit traditional healer Meda DeWitt, Good Medicine emphasizes spiritual renewal, cultural renascence, and the importance of co-creating futures where nature can thrive.

​In celebration of the Association on American Indian Affairs’ ​100th anniversary (1922-2022), the Association is honored to announce the second annual Tribal Museums Day to be held on Saturday, December 2, 2023. We are engaging Tribal Museums and Cultural Centers across Indian Country to share our collective wisdom, values and diverse cultures!

The Association’s vision is to create a world where diverse Native cultures and values are lived, protected and respected. Tribal Museums Day will bring attention to our diverse Nations and cultures, stimulate tourism, and grow Tribal economies. Tribal Museums Day will also support the vision and mission of each Tribal Museum by re-educating the public that our Nations are the primary experts of Indigenous histories, knowledge, cultures, lifeways and values.

Frank S. Matsura: Portraits from the Borderland features studio images by Washington-based Japanese photographer Frank Sakae Matsura (1873-1913) alongside period-specific American Indian regalia from the Columbia Plateau. Exploring Indigenous representation through a multi-dimensional lens, the photographs and objects on view detail some of Matsura’s most culturally significant work against a backdrop of regional transformation.

Celebrate the season with our very own Weihnachtmarkt! We’ll have vendors selling handmade items and Christmas items in the Haus. Head outside and enjoy a warm cup of glühwein next to a warm fire. And don’t forget to get your photo taken with Father Christmas!

Celebrate the holiday season with us and experience a shimmering world of gifts, music, food, and fun. This season the market is hosting more than 160 small businesses and dining options that showcase the best of Portland. Bring the whole family! Learn more and RSVP at MyPeoplesMarket.com

I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them.
—Hung Liu

Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.

Liu experienced political revolution, exile, and displacement before immigrating to the United States. She came of age during Mao Zedong’s Cultural Revolution (1966–76) and was consequently forced to labor in the fields in her early twenties. After studying art in Beijing, she left China to attend graduate school at the University of California, San Diego. There, the experimental tendencies of the students and faculty, most notably those of performance artist Allan Kaprow (1927–2006) and art historian Moira Roth (1933–2021), helped cultivate her conceptual approach to portraiture.

Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.

“Portrait of Eugene Landry—an Artist, a Time and a Tribe” brings together the artwork of Eugene Landry (1937-1988) with contemporary Shoalwater Bay Indian Tribe artists and writers as they explore their cultural roots, tribal identity, and connection to ancestral land. Landry’s artwork offers a look at the political, economic, and cultural challenges the tribe faced during his lifetime—from near termination to federal recognition. Paralyzed by illness as a young man, Landry created his art from a wheelchair, using his non- dominant hand. Conversations with his former portrait models (now tribal elders), reveal his creative resilience and the positive impact he had in their young lives. Now, 35 years after Landry’s passing, a rediscovered collection of Landry’s art inspires a new generation of Shoalwater Bay artists. “Portrait of Eugene Landry—an Artist, a Time and a Tribe” will be on view at Astoria Visual Arts November 11 through December 2.

Nov 11, 5:00pm at AVA:
Artist talk/reading with curator Judith Altruda

Dec 2, 1:00pm at AVA:
Contemporary Shoalwater Bay Artists’ Panel Discussion

Join us for another event happening December 2, at the Hibulb Cultural Center!! We will be making Deer Toe Rattles and listening to Winter stories – make sure to RSVP by scanning the QR code or following the link!

Shoka Stonelake will demonstrate the techniques for creating e-tegami. Then you can use that knowledge to make a beautiful holiday card.

There will be two sessions. Session 1 is 11:00 am – 12:00 pm and Session 2 is 1:00 pm – 2:00 pm. All materials are included.

Hacienda CDC’s Portland Mercado invites you to our final 2023 event, the Soup Festival!
The Soup Festival returns on December 1st-3rd! Portland Mercado businesses will offer their limited-edition menus from 11-8 PM each day or until sold out. Every day try an exclusive soup and support local businesses!
This is a great opportunity for you, friends and family to come warm up from the cold and enjoy some delicious food!
This event is free and open to the public.
All ages. All backgrounds.
About the Portland Mercado:
The Portland Mercado is a community-driven initiative by Hacienda CDC that supports local women-, BIPOC- and Latino-owned businesses and entrepreneurs. The Soup Festival is just one of the many events that the Portland Mercado hosts throughout the year to celebrate and support the local community.

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Hacienda CDC’s Portland Mercado le invita a un último evento de 2023, ¡el Festival de la Sopa!
El Festival de la Sopa regresa del 1 al 3 de diciembre. Los negocios de Portland Mercado ofrecerán sus menús de edición limitada de 11 a 8 PM cada día o hasta que se agoten. Prueba cada día una sopa exclusiva y apoya a los negocios locales.
¡Esta es una gran oportunidad para que usted, amigos y familiares vengan a calentarse del frío y disfrutar de una deliciosa comida!
Este evento es gratuito y abierto al público.
Para todas las edades. Todos los orígenes.
Acerca del Mercado de Portland:
Portland Mercado es una iniciativa establecida por Hacienda CDC que apoya a los negocios locales creados por mujeres, BIPOC y latinos. El Festival de la Sopa es solo uno de los muchos eventos que el Portland Mercado organiza durante todo el año para celebrar y apoyar a la comunidad local.

Capoeira is an African cultural art of resistance from Brasil. As you learn and develop respect for the customs, ancestors, and masters of capoeira, you will discover how what you put into capoeira will help you succeed in maximizing your own full potential. Capoeira Angola has a diverse history from Bahia and many unique strategies have developed over the past century. We derive our lineage from the area of “Cidade Baixa” of Salvador, Bahia, Brazil. Our strategies and techniques have been passed down from generation to generation, from master to disciple. Our ancestral lineage can be traced through many great masters: my master, Grande Mestre Nô; his masters, Grande Mestres Zeca do Uruguai, Pirro, Cutica, and Nilton; and Grande Mestre Waldemar da Liberdade.

All Saturday Family Concerts are FREE for ages 22 and under.

Eastside for All warmly invites their friends, partners, and supporters to our annual community potluck! Come meet others who care deeply about an Eastside that stands for racial justice, the power of community, and true belonging for all.

If you’re able to, please bring a dish to share.

Feeling musical? Live Jam Session! Bring an instrument to play and/or instruments to share. Make music in community – play, sing, clap along!

We are excited to announce that we have teamed up with the City of Shoreline and the Spartan Recreation Center to host the Arte de la Raza exhibition running Nov.2nd-Jan. 24th and featuring:
Che Lopez
Iris Sanchez
Jake Prendez
Rolando Avila
Teresa Martinez
Yessica Marquez
The exhibition opens Nov. 2nd which is also the same day as their Dia de los Muertos Festival!!

Te invitamos a un evento navideño especial que busca unir a las familias del condado de Mason. ¡Habrá música, comida deliciosa, una oportunidad para tomar fotos con Santa y mucho más! Este evento es por orden de llegada, ¡así que asegúrate de unirte a nosotros y pasar un rato increíble! ¡Nos vemos allí!

We invite you to a special holiday event that seeks to bring Mason County families together. There will be music, delicious food, a photo opportunity with Santa and much more! This event is on a first-come, first-served basis, so be sure to join us and have an amazing time! See you there!

Join Nepantla Cultural Arts Gallery for a free Flores de Papel workshop with our homie Vaquero Azul Art from 12pm-2pm. No sign up necessary.

Stillaguamish Holiday Pow Wow

Nepal Seattle Society is thrilled to share that Dakwo Events has brought “Pashupati Prasad 2: Bhasme Don”. the sequel to the super hit movie Pashupati Prasad. Get set for an incredible movie afternoon that promises to entertain you all.

CALL TO ACTION: SHOW UP FOR PALESTINE!
This Saturday, December 2 @ 2PM starting at Westlake. Bring your flags, drums, and signs to show that Seattle stands with PALESTINE!

This show is dedicated to Veterans, past and present and will be held at the Evergreen Gallery from October 16 – December 30, 2023. There will be a Grand Opening on Thursday, October 19 from 3 – 6 pm.

Langston Hughes’ Black Nativity tells the story of the Nativity from an African-American perspective through a combination of scripture, poetry, dance, and song with griot-style narration

Join the Unbroken Circle​! Students in this program will have the opportunity to explore heritage through the personal, local, and cultural history of the people in the group. Students will showcase what they’ve learned at the Rhapsody Showcase during the NW Folklife Festival.

Who: ​For ages 11 and up

When: October 4 – December 6, 2023, Wednesdays at 4 pm

How much: sliding scale $0-$300

Make sure to grab your free tickets 🎫 to the DYVAS Zine Release Party on Saturday December 2 at Washington Hall! We’ll be out there with food, exclusive zine prints, and more from 4pm – 7pm! RSVP at bit.ly/dvyas-party 🌟 The dress code is black & white so be sure to have your fit ready 📷

We at Centro Cultural are thrilled to present a night of artistic brilliance. On December 2nd, from 4-6 p.m., join us in celebrating the amazing works of our 2023 Artists in Residence: Olivia Sua, Dez Ramirez, and Juma DeJesus.

Our artists have dedicated a year to creating pieces that reflect our community’s vibrancy and spirit. This showcase is a testament to their journey and a chance for you to immerse yourself in a world of music, dance, spoken word, and visual art. To make your evening even more enjoyable, we’ll be offering a delightful selection of charcuterie and wine.
As we celebrate the end of the year, let’s gather to support our local artists and revel in the cultural richness that surrounds us.

The event is free, but we encourage you to RSVP in advance to ensure a spot at this not-to-be-missed cultural experience.

Immerse yourself in the vibrant tapestry of Iranian women’s artistic expressions as they courageously unveil their stories and perspectives through the power of art. From breathtaking paintings to thought-provoking photos, this exhibition is a celebration of resilience and the depth of creative expression.

Don’t miss the chance to witness the diverse talents and narratives of Iranian and Afghan women, beautifully woven into each masterpiece. Join Peyvand in honoring their stories, celebrating their strength, and embracing the richness of Iranian culture through art.

Spread the word and mark your calendars! Let’s come together to appreciate the extraordinary artistry and resilience of Iranian women

Native Action Network is proud to present the exhibition One With the Waters featuring artwork by Sarah Folden. A member of the Cowlitz Tribe, Sarah creates contemporary Coast Salish art inspired by her connection to place. Her work celebrates the vitality of Cowlitz people, their bold and colorful spirits, ancestral waters, animal relatives and all connected in nature. Cowlitz people are water-going people who refused to sign treaties with the federal government. This has created a diverse population. Over time many have traveled from their ancestral waters, some even across oceans, but much like our salmon relatives, there is an instinctive drive that calls Native people home. Sarah Folden’s artwork is created in honor of those still here, those who have made that voyage and those who are awakening to their internal calling to return.

We are very excited to announce that the first graduating cohort of our Seattle Black Spatial Histories Institute is ready to share their work with the world. They have spent the last year creating art from the oral histories they recorded, and the upcoming exhibit at Wa Na Wari is the culmination of that work. We invite you to join us for the opening of this exhibit:
“Honored to Tell”: An exhibit of art and oral histories created by the first cohort to graduate from the Seattle Black Spatial Histories Institute
Featured artists: Brenetta Ward, Akoiya Harris, Ariel Paine, Sierra Parsons, Ricky Reyes, Nia Amina Minor, Brea Wilson, Eboni Wyatt
Art Opening & Reception: Saturday, November 4, 2023, from 6-8pm
6:30pm Hear from the artists
7:00pm Dance performance by Akoiya Harris and Nia Amina Minor
At Wa Na Wari, 911 24th Ave. in Seattle’s historic Central District
Refreshments provided
Listen to the stories of Black waterfront workers, Black educators, Black barbers and beauticians, and Black dancers; stories that the artists have incorporated into textile art, dance, film, zines, listening stations, and more.
The exhibit will be on view until January 20, 2024.
More info at https://www.wanawari.org/sbshi_show