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Attend festivals, performances, exhibits, workshops and more! Use simple filters to find specific types of events near you.

Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Charlene Teters
Spokane, WA

Opening Reception: November 4, 4:00-7:00 p.m.
Gallery Talk at 4:30 p.m.
Gonzaga University Urban Art Center (GUUAC) located downtown at 125 S. Stevens Street, 3rd Floor

Panel discussion with “Land Acknowledgement” artists Charlene Teters (Spokane), Tiffanie Irizarry (Ihanktonwan Dakota Tribe), and Joeseph Arnoux (Piikani/Sp’q’n’iʔ)
November 8th at 3:00 p.m.
Hemmingson Ballroom

Exhibit on display November 4 – December 3. Gallery hours at the GUUAC are Fridays 4:00-7:00 p.m. and Saturdays 10:00 a.m. – 3:00 p.m.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Leonor R. Fuller Gallery
Olympia, WA

Gallery Hours: Monday – Friday 12:00 PM – 6:00 PM

Opening reception: Friday, November 11th 6:00 PM – 7:30 PM

Artist Talk: Saturday, November 19th 5:00 PM – 6:30 PM

Artist and Curator Selena Kearney, in collaboration with the Paimārire Studio on the Native Art Campus of The Evergreen State College, presents Coast Salish wool weavers and their processes. Ceremonial Coast Salish weavings offer protection for the wearer and exist in both the spirit and human worlds. Weavers bring thoughts of care and devotion to the loom as they produce their works. This exhibition of Coast Salish weavings highlights the stories and kinship embedded in the art form focused on strengthening bonds and helping others.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Charlene Teters
Spokane, WA

Opening Reception: November 4, 4:00-7:00 p.m.
Gallery Talk at 4:30 p.m.
Gonzaga University Urban Art Center (GUUAC) located downtown at 125 S. Stevens Street, 3rd Floor

Panel discussion with “Land Acknowledgement” artists Charlene Teters (Spokane), Tiffanie Irizarry (Ihanktonwan Dakota Tribe), and Joeseph Arnoux (Piikani/Sp’q’n’iʔ)
November 8th at 3:00 p.m.
Hemmingson Ballroom

Exhibit on display November 4 – December 3. Gallery hours at the GUUAC are Fridays 4:00-7:00 p.m. and Saturdays 10:00 a.m. – 3:00 p.m.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Leonor R. Fuller Gallery
Olympia, WA

Gallery Hours: Monday – Friday 12:00 PM – 6:00 PM

Opening reception: Friday, November 11th 6:00 PM – 7:30 PM

Artist Talk: Saturday, November 19th 5:00 PM – 6:30 PM

Artist and Curator Selena Kearney, in collaboration with the Paimārire Studio on the Native Art Campus of The Evergreen State College, presents Coast Salish wool weavers and their processes. Ceremonial Coast Salish weavings offer protection for the wearer and exist in both the spirit and human worlds. Weavers bring thoughts of care and devotion to the loom as they produce their works. This exhibition of Coast Salish weavings highlights the stories and kinship embedded in the art form focused on strengthening bonds and helping others.

View Event
Event
Organization
Location

In celebration of the Association on American Indian Affairs’ 100th anniversary (1922-2022), the Association is honored to announce the first annual Tribal Museums Day to be held on Saturday, December 3, 2022. We are engaging Tribal Museums and Cultural Centers across Indian Country to share our collective wisdom, values and diverse cultures!
The Association’s vision is to create a world where diverse Native cultures and values are lived, protected and respected. Tribal Museums Day will bring attention to our diverse Nations and cultures, stimulate tourism, and grow Tribal economies. Tribal Museums Day will also support the vision and mission of each Tribal Museum by re-educating the public that our Nations are the primary experts of Indigenous histories, knowledge, cultures, lifeways and values.
Check out a Tribal Museum or Cultural Center near you and you may enjoy:

FREE Admission
Special Exhibits
Gift Shop Discounts (consider holiday gift giving!)
Art Markets
Live Cultural Demonstrations

Live Event
As part of our 100-year anniversary, the Association will also host a live streaming event on Saturday, December 3, 2022 on social media from multiple Tribal Museums to celebrate Tribal Museums Day. The live streaming event will be emceed by Shannon Martin, Match-E-Be-Nash-She-Wish Band of Pottawatomi Indians, an include other interesting wisdom keepers from Indian Country.

View Event
Tulalip Youth Council
Tulalip Bay, WA

Join UNITY for this free training for Native youth ages 14-24. Sign Up today to attend the two day training on December 3-4, 2022 hosted by the Tulalip Tribes of Washington at the Don Hatch Youth Center, WA.

Registration is open to the first 50 Native youth who register! There is no fee to participate.

In addition to UNITY hands-on learning during the day, the Tulalip Youth Council invite youth to attend the Coastal Jam on Saturday Night (Open to the community)

Food will be provided by the host Youth Council Saturday Breakfast-Sunday lunch.
Discounted Rooms are available for lodging at Tulalip Casino resort, for more information on the hotel email Jessica Bustad at jbustad@tulaliptribes-nsn.gov

View Event
Heartful Rootz
Shoreline, WA
All are welcome, we invite our community to come and enjoy handmade art by your local Black, Indigenous & People of the global majority artists. One-of-a-kind items will be available, some folks may even offer custom and classes.
Sky Nursery is a gorgeous and uplifting place that brings us all together. They have an array of indoor and outdoor plants and garden items to enjoy.
View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Native American Youth and Family Center
Portland, OR

Looking for some Native bling for the holidays? Visit our Winter Native Made Winter Marketplace each weekend through the month of December at the future site of our retail shop, right in the heart of Cully! Support Native artists and find the perfect gift for everyone in your life! There will be live music, refreshment

View Event

“Winter was the Elder’s time” says Darren Parry. A time for stories & wisdom, passed down from one generation to another. In our inaugural series “Curious Conversations”, we are pleased to welcome one such Elder as he shares a Winter story of Shoshone culture, tragedy, and hope. Weather dependent we will be having a poolside conversation in our gathering pool or a fireside chat in our Forest Yurt for what promises to be a healing, curious, conversation.

View Event
Center for Indigenous Midwifery
King County, WA

Faciliatated by partera Tema Mercado, CPM, LM
Spinning Babies® begins with fetal rotation to reveal the lesser known physiology of birth anatomy. Your passion, our approach. Start seeing solutions in labor progress with this new lens on childbirth. After this workshop you will be able to:
Facilitate comfort in pregnancy and ease in childbirth for your clients
Improve fetal position without manipulation of the fetus
Identify issues faster; gentle actions to shorten a long labor or avoid a cesarean
Use less (or no) force to resolve malposition and labor dystocia
And much, much more!
Spinning Babies® Three PrinciplesSM. Three BalancesSM, and Three Levels Solutions offers the world’s first complete system of birth preparation and labor ease concepts using baby’s position. Physiological techniques change the effective size of the pelvis through the body’s own innate capacity to resolve or prevent labor dystocia. Registration required.

View Event
Charlene Teters
Spokane, WA

Opening Reception: November 4, 4:00-7:00 p.m.
Gallery Talk at 4:30 p.m.
Gonzaga University Urban Art Center (GUUAC) located downtown at 125 S. Stevens Street, 3rd Floor

Panel discussion with “Land Acknowledgement” artists Charlene Teters (Spokane), Tiffanie Irizarry (Ihanktonwan Dakota Tribe), and Joeseph Arnoux (Piikani/Sp’q’n’iʔ)
November 8th at 3:00 p.m.
Hemmingson Ballroom

Exhibit on display November 4 – December 3. Gallery hours at the GUUAC are Fridays 4:00-7:00 p.m. and Saturdays 10:00 a.m. – 3:00 p.m.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Leonor R. Fuller Gallery
Olympia, WA

Gallery Hours: Monday – Friday 12:00 PM – 6:00 PM

Opening reception: Friday, November 11th 6:00 PM – 7:30 PM

Artist Talk: Saturday, November 19th 5:00 PM – 6:30 PM

Artist and Curator Selena Kearney, in collaboration with the Paimārire Studio on the Native Art Campus of The Evergreen State College, presents Coast Salish wool weavers and their processes. Ceremonial Coast Salish weavings offer protection for the wearer and exist in both the spirit and human worlds. Weavers bring thoughts of care and devotion to the loom as they produce their works. This exhibition of Coast Salish weavings highlights the stories and kinship embedded in the art form focused on strengthening bonds and helping others.

View Event
Event
Organization
Location
Tulalip Youth Council
Tulalip Bay, WA

Join UNITY for this free training for Native youth ages 14-24. Sign Up today to attend the two day training on December 3-4, 2022 hosted by the Tulalip Tribes of Washington at the Don Hatch Youth Center, WA.

Registration is open to the first 50 Native youth who register! There is no fee to participate.

In addition to UNITY hands-on learning during the day, the Tulalip Youth Council invite youth to attend the Coastal Jam on Saturday Night (Open to the community)

Food will be provided by the host Youth Council Saturday Breakfast-Sunday lunch.
Discounted Rooms are available for lodging at Tulalip Casino resort, for more information on the hotel email Jessica Bustad at jbustad@tulaliptribes-nsn.gov

View Event
Heartful Rootz
Shoreline, WA
All are welcome, we invite our community to come and enjoy handmade art by your local Black, Indigenous & People of the global majority artists. One-of-a-kind items will be available, some folks may even offer custom and classes.
Sky Nursery is a gorgeous and uplifting place that brings us all together. They have an array of indoor and outdoor plants and garden items to enjoy.
View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Native American Youth and Family Center
Portland, OR

Looking for some Native bling for the holidays? Visit our Winter Native Made Winter Marketplace each weekend through the month of December at the future site of our retail shop, right in the heart of Cully! Support Native artists and find the perfect gift for everyone in your life! There will be live music, refreshment

View Event
Center for Indigenous Midwifery
King County, WA

Faciliatated by partera Tema Mercado, CPM, LM
Spinning Babies® begins with fetal rotation to reveal the lesser known physiology of birth anatomy. Your passion, our approach. Start seeing solutions in labor progress with this new lens on childbirth. After this workshop you will be able to:
Facilitate comfort in pregnancy and ease in childbirth for your clients
Improve fetal position without manipulation of the fetus
Identify issues faster; gentle actions to shorten a long labor or avoid a cesarean
Use less (or no) force to resolve malposition and labor dystocia
And much, much more!
Spinning Babies® Three PrinciplesSM. Three BalancesSM, and Three Levels Solutions offers the world’s first complete system of birth preparation and labor ease concepts using baby’s position. Physiological techniques change the effective size of the pelvis through the body’s own innate capacity to resolve or prevent labor dystocia. Registration required.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Leonor R. Fuller Gallery
Olympia, WA

Gallery Hours: Monday – Friday 12:00 PM – 6:00 PM

Opening reception: Friday, November 11th 6:00 PM – 7:30 PM

Artist Talk: Saturday, November 19th 5:00 PM – 6:30 PM

Artist and Curator Selena Kearney, in collaboration with the Paimārire Studio on the Native Art Campus of The Evergreen State College, presents Coast Salish wool weavers and their processes. Ceremonial Coast Salish weavings offer protection for the wearer and exist in both the spirit and human worlds. Weavers bring thoughts of care and devotion to the loom as they produce their works. This exhibition of Coast Salish weavings highlights the stories and kinship embedded in the art form focused on strengthening bonds and helping others.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Leonor R. Fuller Gallery
Olympia, WA

Gallery Hours: Monday – Friday 12:00 PM – 6:00 PM

Opening reception: Friday, November 11th 6:00 PM – 7:30 PM

Artist Talk: Saturday, November 19th 5:00 PM – 6:30 PM

Artist and Curator Selena Kearney, in collaboration with the Paimārire Studio on the Native Art Campus of The Evergreen State College, presents Coast Salish wool weavers and their processes. Ceremonial Coast Salish weavings offer protection for the wearer and exist in both the spirit and human worlds. Weavers bring thoughts of care and devotion to the loom as they produce their works. This exhibition of Coast Salish weavings highlights the stories and kinship embedded in the art form focused on strengthening bonds and helping others.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Leonor R. Fuller Gallery
Olympia, WA

Gallery Hours: Monday – Friday 12:00 PM – 6:00 PM

Opening reception: Friday, November 11th 6:00 PM – 7:30 PM

Artist Talk: Saturday, November 19th 5:00 PM – 6:30 PM

Artist and Curator Selena Kearney, in collaboration with the Paimārire Studio on the Native Art Campus of The Evergreen State College, presents Coast Salish wool weavers and their processes. Ceremonial Coast Salish weavings offer protection for the wearer and exist in both the spirit and human worlds. Weavers bring thoughts of care and devotion to the loom as they produce their works. This exhibition of Coast Salish weavings highlights the stories and kinship embedded in the art form focused on strengthening bonds and helping others.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Leonor R. Fuller Gallery
Olympia, WA

Gallery Hours: Monday – Friday 12:00 PM – 6:00 PM

Opening reception: Friday, November 11th 6:00 PM – 7:30 PM

Artist Talk: Saturday, November 19th 5:00 PM – 6:30 PM

Artist and Curator Selena Kearney, in collaboration with the Paimārire Studio on the Native Art Campus of The Evergreen State College, presents Coast Salish wool weavers and their processes. Ceremonial Coast Salish weavings offer protection for the wearer and exist in both the spirit and human worlds. Weavers bring thoughts of care and devotion to the loom as they produce their works. This exhibition of Coast Salish weavings highlights the stories and kinship embedded in the art form focused on strengthening bonds and helping others.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

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Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

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Join disability justice advocate, Kristie Cabrera, and Indigenous ethnobotanist Dr. Enrique Salmón around the virtual table to unearth ways we can grow a food culture that centers accessibility and leaps courageously into the vibrant potential of the “gray spaces” that lie beyond extractive relationships to food and land.
Hosted by Food Culture Collective (FC Cltv), this free event is the most recent in our ongoing Around the Table conversation series.

This conversation will touch on the relational harmony evoked through Indigenous ecology and plant wisdom, and what disability justice looks like in the context of a radically accessible food culture.

Together, we’ll dig into the question of who gets to belong to the land and why, as we reimagine a world where belonging means to care for the lands, waters and people that nourish us.

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Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

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Leonor R. Fuller Gallery
Olympia, WA

Gallery Hours: Monday – Friday 12:00 PM – 6:00 PM

Opening reception: Friday, November 11th 6:00 PM – 7:30 PM

Artist Talk: Saturday, November 19th 5:00 PM – 6:30 PM

Artist and Curator Selena Kearney, in collaboration with the Paimārire Studio on the Native Art Campus of The Evergreen State College, presents Coast Salish wool weavers and their processes. Ceremonial Coast Salish weavings offer protection for the wearer and exist in both the spirit and human worlds. Weavers bring thoughts of care and devotion to the loom as they produce their works. This exhibition of Coast Salish weavings highlights the stories and kinship embedded in the art form focused on strengthening bonds and helping others.

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Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Leonor R. Fuller Gallery
Olympia, WA

Gallery Hours: Monday – Friday 12:00 PM – 6:00 PM

Opening reception: Friday, November 11th 6:00 PM – 7:30 PM

Artist Talk: Saturday, November 19th 5:00 PM – 6:30 PM

Artist and Curator Selena Kearney, in collaboration with the Paimārire Studio on the Native Art Campus of The Evergreen State College, presents Coast Salish wool weavers and their processes. Ceremonial Coast Salish weavings offer protection for the wearer and exist in both the spirit and human worlds. Weavers bring thoughts of care and devotion to the loom as they produce their works. This exhibition of Coast Salish weavings highlights the stories and kinship embedded in the art form focused on strengthening bonds and helping others.

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In this immersive show, you turn the mic on while we take it off! Sing your favorite jams and you may get paired with a Candybox Revue burlesque performer dancing the art of the tease LIVE to your voice (or that of your reluctant friend)! This mashup has all the fun of karaoke mixed with burlesque performers improving!

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Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Native Art Market Tacoma
Tacoma , WA

We are excited once again to offer our handmade goods for our 2 day holiday market from 11-4 on December 10th & 11th at ALMA Tacoma. We will have a diverse variety of items perfect for your holiday shopping.

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Native American Youth and Family Center
Portland, OR

Visit our Winter Native Made Winter Marketplace each weekend through the month of December at the future site of our retail shop, right in the heart of Cully! Support Native artists and find the perfect gift for everyone in your life! There will be live music, refreshments and food in the surrounding Cully neighborhood!

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Native Art Market Tacoma
Tacoma , WA

We are excited once again to offer our handmade goods for our 2 day holiday market from 11-4 on December 10th & 11th at ALMA Tacoma. We will have a diverse variety of items perfect for your holiday shopping.

View Event
Native American Youth and Family Center
Portland, OR

Visit our Winter Native Made Winter Marketplace each weekend through the month of December at the future site of our retail shop, right in the heart of Cully! Support Native artists and find the perfect gift for everyone in your life! There will be live music, refreshments and food in the surrounding Cully neighborhood!

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
United Indians of All Tribes Foundation (UIATF)
Seattle, WA

Save the date for the annual holiday party for our United Indians of All Tribes families!

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Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Urban League of Portland
Portland, OR

We invite you to our 5th Urban League for All of Us Community Conversation in the Portland Metro area! Please save the date of December 15th 6:00 pm to 7:30 pm, this event will be virtual and in-person (location and final details to follow). Speakers will feature President and CEO, Nkenge Harmon Johnson, and other community members who will be our local hosts who will discuss the intersections of our public defense system and public safety. Please register for this event!

Registration for in-person attendance is capped at 75, please register as soon as possible.

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Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Suquamish Tribe
Suquamish, WA

Free admission. Local vendors. Handmade gifts.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Native American Youth and Family Center
Portland, OR

Visit our Winter Native Made Winter Marketplace each weekend through the month of December at the future site of our retail shop, right in the heart of Cully! Support Native artists and find the perfect gift for everyone in your life! There will be live music, refreshments and food in the surrounding Cully neighborhood!

View Event
Totem Star
Seattle, WA

Winter Magic is our annual youth music showcase that
happens every winter season! It’s a space where Totem
Star artists take their original work that they’ve
created and perform it live. It is a night filled with so
much authenticity, inspiration, and creativity.

View Event
Portland Mercado
Portland, OR

Join us at the Portland Mercado on December 17th for a community celebration of “Las Posadas”.
We will have live music, vendors, food and drinks!
Location: Portland Mercado – 7238 SE Foster Rd, Portland, OR 97206
We hope to see you and your family!

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Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Suquamish Tribe
Suquamish, WA

Free admission. Local vendors. Handmade gifts.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

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Native American Youth and Family Center
Portland, OR

Visit our Winter Native Made Winter Marketplace each weekend through the month of December at the future site of our retail shop, right in the heart of Cully! Support Native artists and find the perfect gift for everyone in your life! There will be live music, refreshments and food in the surrounding Cully neighborhood!

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Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

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Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

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White Center Community Development Association
Seattle, WA

Free Dinner Provided For Everyone! Thank you to Evergreen, Healthier Here, and the Na’ah Illahee Fund for this event series!

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Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event

Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies. Must be a member or donor to attened.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

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Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yankton