Calendar

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

A night market highlight Black and BIPOC owned businesses.
Shop local and handmade clothes, candles, art, jewelry, massage therapy, healing tools, body care, hair care and more!
—————————————————————————————————————————–
– 100 vendors
– African drummers and dancers
– Fashion show
– Art Installations
– Cash bar
– Live Performers
– Food trucks

FREE ENTRY AND KID FRIENDLY!

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Celebrating its 20th annual festival, the Seattle Black Film Festival (SBFF) returns to Seattle for another year of Black Brilliance in film! After a pandemic, a name change, and a virtual festival, SBFF returns to bring local, national, and international films to the area, from April 22nd-30th.  SBFF is a program of LANGSTON and is held at the Langston Hughes Performing Arts Institute, which recently celebrated its 50th year as a Black cultural hub in the historic Central District.

SBFF (formerly known as the Langston Hughes African American Film Festival) will be a hybrid film festival held virtually and in person over nine days at LANGSTON. The festival will present screenings, workshops, and features Opening Night, Centerpiece, and Closing Night special events.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Celebrating its 20th annual festival, the Seattle Black Film Festival (SBFF) returns to Seattle for another year of Black Brilliance in film! After a pandemic, a name change, and a virtual festival, SBFF returns to bring local, national, and international films to the area, from April 22nd-30th.  SBFF is a program of LANGSTON and is held at the Langston Hughes Performing Arts Institute, which recently celebrated its 50th year as a Black cultural hub in the historic Central District.

SBFF (formerly known as the Langston Hughes African American Film Festival) will be a hybrid film festival held virtually and in person over nine days at LANGSTON. The festival will present screenings, workshops, and features Opening Night, Centerpiece, and Closing Night special events.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Celebrating its 20th annual festival, the Seattle Black Film Festival (SBFF) returns to Seattle for another year of Black Brilliance in film! After a pandemic, a name change, and a virtual festival, SBFF returns to bring local, national, and international films to the area, from April 22nd-30th.  SBFF is a program of LANGSTON and is held at the Langston Hughes Performing Arts Institute, which recently celebrated its 50th year as a Black cultural hub in the historic Central District.

SBFF (formerly known as the Langston Hughes African American Film Festival) will be a hybrid film festival held virtually and in person over nine days at LANGSTON. The festival will present screenings, workshops, and features Opening Night, Centerpiece, and Closing Night special events.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Celebrating its 20th annual festival, the Seattle Black Film Festival (SBFF) returns to Seattle for another year of Black Brilliance in film! After a pandemic, a name change, and a virtual festival, SBFF returns to bring local, national, and international films to the area, from April 22nd-30th.  SBFF is a program of LANGSTON and is held at the Langston Hughes Performing Arts Institute, which recently celebrated its 50th year as a Black cultural hub in the historic Central District.

SBFF (formerly known as the Langston Hughes African American Film Festival) will be a hybrid film festival held virtually and in person over nine days at LANGSTON. The festival will present screenings, workshops, and features Opening Night, Centerpiece, and Closing Night special events.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Celebrating its 20th annual festival, the Seattle Black Film Festival (SBFF) returns to Seattle for another year of Black Brilliance in film! After a pandemic, a name change, and a virtual festival, SBFF returns to bring local, national, and international films to the area, from April 22nd-30th.  SBFF is a program of LANGSTON and is held at the Langston Hughes Performing Arts Institute, which recently celebrated its 50th year as a Black cultural hub in the historic Central District.

SBFF (formerly known as the Langston Hughes African American Film Festival) will be a hybrid film festival held virtually and in person over nine days at LANGSTON. The festival will present screenings, workshops, and features Opening Night, Centerpiece, and Closing Night special events.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Celebrating its 20th annual festival, the Seattle Black Film Festival (SBFF) returns to Seattle for another year of Black Brilliance in film! After a pandemic, a name change, and a virtual festival, SBFF returns to bring local, national, and international films to the area, from April 22nd-30th.  SBFF is a program of LANGSTON and is held at the Langston Hughes Performing Arts Institute, which recently celebrated its 50th year as a Black cultural hub in the historic Central District.

SBFF (formerly known as the Langston Hughes African American Film Festival) will be a hybrid film festival held virtually and in person over nine days at LANGSTON. The festival will present screenings, workshops, and features Opening Night, Centerpiece, and Closing Night special events.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Celebrating its 20th annual festival, the Seattle Black Film Festival (SBFF) returns to Seattle for another year of Black Brilliance in film! After a pandemic, a name change, and a virtual festival, SBFF returns to bring local, national, and international films to the area, from April 22nd-30th.  SBFF is a program of LANGSTON and is held at the Langston Hughes Performing Arts Institute, which recently celebrated its 50th year as a Black cultural hub in the historic Central District.

SBFF (formerly known as the Langston Hughes African American Film Festival) will be a hybrid film festival held virtually and in person over nine days at LANGSTON. The festival will present screenings, workshops, and features Opening Night, Centerpiece, and Closing Night special events.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Celebrating its 20th annual festival, the Seattle Black Film Festival (SBFF) returns to Seattle for another year of Black Brilliance in film! After a pandemic, a name change, and a virtual festival, SBFF returns to bring local, national, and international films to the area, from April 22nd-30th.  SBFF is a program of LANGSTON and is held at the Langston Hughes Performing Arts Institute, which recently celebrated its 50th year as a Black cultural hub in the historic Central District.

SBFF (formerly known as the Langston Hughes African American Film Festival) will be a hybrid film festival held virtually and in person over nine days at LANGSTON. The festival will present screenings, workshops, and features Opening Night, Centerpiece, and Closing Night special events.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

From the Ground Up: Black Architects and Designers celebrates the enduring innovation and impact of Black architects across the United States. This traveling exhibit highlights individual architects and designers from the late 1800s to today who have broken barriers formed by racism and have created spaces and places that support communities and culture with projects ranging from public housing, to places of worship, museums and universities. Visitors will recognize iconic landmarks from across the country and experience stories of people who paved the way for future generations.

Visitors will also learn about historic and contemporary Black architects and designers from the Seattle-area who have had a local impact, such as Benjamin F. McAdoo Jr., the first Black architect registered in Washington.

Black architects continue to bring their designs to life as a creative response to ever-changing needs, and as a testimonial to a rich heritage. In this exhibit, learn about past and present influential Black architects, hear from Black leaders in the architecture and design fields in video interviews, and engage with tactile interactives. From the Ground Up: Black Architects and Designers encourages guests to discover how Black architects and designers respond to the ever-changing needs of humanity and not only make changes to their communities but the world.

Celebrating its 20th annual festival, the Seattle Black Film Festival (SBFF) returns to Seattle for another year of Black Brilliance in film! After a pandemic, a name change, and a virtual festival, SBFF returns to bring local, national, and international films to the area, from April 22nd-30th.  SBFF is a program of LANGSTON and is held at the Langston Hughes Performing Arts Institute, which recently celebrated its 50th year as a Black cultural hub in the historic Central District.

SBFF (formerly known as the Langston Hughes African American Film Festival) will be a hybrid film festival held virtually and in person over nine days at LANGSTON. The festival will present screenings, workshops, and features Opening Night, Centerpiece, and Closing Night special events.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the ndwango, developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The six artists featured in the exhibition call their paintings in beads ndwangos, which translates as “cloth” or “rag.” The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. By stretching this textile like a canvas, the artists transform the flat cloth into a contemporary art form colored with Czech glass beads.

Using skills handed down through generations and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Across multiple geographies and a range of aesthetic approaches—from figurative clay sculpture to audio recordings of the swamp—these artists engage mud as a material or subject that shapes personal and collective histories, memory, and imagination. Each artist brings a distinct perspective to the theme, conjuring dynamics embedded in the landscape that include colonial and racialized forms of dispossession, cultural reclamation, narratives of self-actualization, and ecological loss and adaptation.
Mud moves through the exhibition as a metaphor as well as a tangible material. Both water and earth, mud exists in an in-between state. A medium that dissolves binaries, mud invites a blurring of past and present, personal and political, bodies and landscape, feeling and knowing. In various ways, the artworks in Thick as Mud move across these porous boundaries, disrupting linear narratives and dominant hierarchies that shape which places and stories matter.
Across the artworks, mud becomes an agent of time and transformation and a medium of decomposition and creation. As such, Thick as Mud tracks the afterlives of violence against people and the environment while also evoking the potential for regeneration. The exhibition is an invitation to ask what lives in the mud and to reconnect with the possibilities that this material holds.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Showcasing abstract art featuring the works of Northwest artists: Vincent Keele, Shantell Jackson,Lo Mar Metoyer, and Yeggy Michael.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.