Calendar

Mukai Farm & Garden will host our fourth annual Haiku Festival in March, bringing the beauty of haiku, an ancient style of Japanese poetry, to Vashon Island residents once again. The festival has drawn hundreds of entries and fans annually from countries all over the world!

The Mukai Haiku Festival is a juried poetry competition for people of all ages. Contestants can submit up to three haikus. Each haiku will be divided into one of five categories: Nature, Social Justice, Heritage, Reflections, and Young Poets. Prizes will be awarded in each category, as well as for “People’s Choice.” Only original, unpublished haiku will be considered for awards.

Contest winners will be announced on Sunday, April 9th.

Mukai will print and display a selection of individually calligraphed haiku on the grounds of Mukai Farm & Garden throughout the month of April. We encourage visitors to Mukai Farm & Garden to vote for their favorite haikus, the People’s Choice award, online or at the kiosk.

No entry fee. Donations welcome.

A young woman, Yoko, travels with a small crew to Uzbekistan to shoot an episode of her reality TV travel show. In front of the camera her persona is carefree and happy-go-lucky, but behind the scenes she is cautious and introverted.  Despite her best efforts, all the shootings end unsuccessfully. Frustrated by the failed filming, she takes to the streets of this mysterious country on her own. Lost in the streets of Tashkent, she finds herself adrift and alone, confronting her deepest fears and hidden aspirations.

A brilliant mix of black comedy, travelogue, drama, and an adventure-imbued mockery of showbiz, TO THE ENDS OF THE EARTH is a young woman’s journey from displacement to a place of self-discovery.

3 day rental • NR • 120 min. • Japanese with subtitles

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

The Higo 10 Cents Store, owned by the Murakami family and a social hub in Seattle’s Japantown, has a long and fascinating community and family history. Meet Me at Higo welcomes younger generations to connect with and explore what it means to be Japanese American. Impressive personal photos, journals and artifacts are included in this traveling exhibition. Today, Higo 10 Cents Store (or Higo Variety Store) is KOBO at Higo and is still located at 604 South Jackson Street in Seattle’s Chinatown-International District.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Mukai Farm & Garden will host our fourth annual Haiku Festival in March, bringing the beauty of haiku, an ancient style of Japanese poetry, to Vashon Island residents once again. The festival has drawn hundreds of entries and fans annually from countries all over the world!

The Mukai Haiku Festival is a juried poetry competition for people of all ages. Contestants can submit up to three haikus. Each haiku will be divided into one of five categories: Nature, Social Justice, Heritage, Reflections, and Young Poets. Prizes will be awarded in each category, as well as for “People’s Choice.” Only original, unpublished haiku will be considered for awards.

Contest winners will be announced on Sunday, April 9th.

Mukai will print and display a selection of individually calligraphed haiku on the grounds of Mukai Farm & Garden throughout the month of April. We encourage visitors to Mukai Farm & Garden to vote for their favorite haikus, the People’s Choice award, online or at the kiosk.

No entry fee. Donations welcome.

A young woman, Yoko, travels with a small crew to Uzbekistan to shoot an episode of her reality TV travel show. In front of the camera her persona is carefree and happy-go-lucky, but behind the scenes she is cautious and introverted.  Despite her best efforts, all the shootings end unsuccessfully. Frustrated by the failed filming, she takes to the streets of this mysterious country on her own. Lost in the streets of Tashkent, she finds herself adrift and alone, confronting her deepest fears and hidden aspirations.

A brilliant mix of black comedy, travelogue, drama, and an adventure-imbued mockery of showbiz, TO THE ENDS OF THE EARTH is a young woman’s journey from displacement to a place of self-discovery.

3 day rental • NR • 120 min. • Japanese with subtitles

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Mukai Farm & Garden will host our fourth annual Haiku Festival in March, bringing the beauty of haiku, an ancient style of Japanese poetry, to Vashon Island residents once again. The festival has drawn hundreds of entries and fans annually from countries all over the world!

The Mukai Haiku Festival is a juried poetry competition for people of all ages. Contestants can submit up to three haikus. Each haiku will be divided into one of five categories: Nature, Social Justice, Heritage, Reflections, and Young Poets. Prizes will be awarded in each category, as well as for “People’s Choice.” Only original, unpublished haiku will be considered for awards.

Contest winners will be announced on Sunday, April 9th.

Mukai will print and display a selection of individually calligraphed haiku on the grounds of Mukai Farm & Garden throughout the month of April. We encourage visitors to Mukai Farm & Garden to vote for their favorite haikus, the People’s Choice award, online or at the kiosk.

No entry fee. Donations welcome.

A young woman, Yoko, travels with a small crew to Uzbekistan to shoot an episode of her reality TV travel show. In front of the camera her persona is carefree and happy-go-lucky, but behind the scenes she is cautious and introverted.  Despite her best efforts, all the shootings end unsuccessfully. Frustrated by the failed filming, she takes to the streets of this mysterious country on her own. Lost in the streets of Tashkent, she finds herself adrift and alone, confronting her deepest fears and hidden aspirations.

A brilliant mix of black comedy, travelogue, drama, and an adventure-imbued mockery of showbiz, TO THE ENDS OF THE EARTH is a young woman’s journey from displacement to a place of self-discovery.

3 day rental • NR • 120 min. • Japanese with subtitles

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Mukai Farm & Garden will host our fourth annual Haiku Festival in March, bringing the beauty of haiku, an ancient style of Japanese poetry, to Vashon Island residents once again. The festival has drawn hundreds of entries and fans annually from countries all over the world!

The Mukai Haiku Festival is a juried poetry competition for people of all ages. Contestants can submit up to three haikus. Each haiku will be divided into one of five categories: Nature, Social Justice, Heritage, Reflections, and Young Poets. Prizes will be awarded in each category, as well as for “People’s Choice.” Only original, unpublished haiku will be considered for awards.

Contest winners will be announced on Sunday, April 9th.

Mukai will print and display a selection of individually calligraphed haiku on the grounds of Mukai Farm & Garden throughout the month of April. We encourage visitors to Mukai Farm & Garden to vote for their favorite haikus, the People’s Choice award, online or at the kiosk.

No entry fee. Donations welcome.

A young woman, Yoko, travels with a small crew to Uzbekistan to shoot an episode of her reality TV travel show. In front of the camera her persona is carefree and happy-go-lucky, but behind the scenes she is cautious and introverted.  Despite her best efforts, all the shootings end unsuccessfully. Frustrated by the failed filming, she takes to the streets of this mysterious country on her own. Lost in the streets of Tashkent, she finds herself adrift and alone, confronting her deepest fears and hidden aspirations.

A brilliant mix of black comedy, travelogue, drama, and an adventure-imbued mockery of showbiz, TO THE ENDS OF THE EARTH is a young woman’s journey from displacement to a place of self-discovery.

3 day rental • NR • 120 min. • Japanese with subtitles

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

Mukai Farm & Garden will host our fourth annual Haiku Festival in March, bringing the beauty of haiku, an ancient style of Japanese poetry, to Vashon Island residents once again. The festival has drawn hundreds of entries and fans annually from countries all over the world!

The Mukai Haiku Festival is a juried poetry competition for people of all ages. Contestants can submit up to three haikus. Each haiku will be divided into one of five categories: Nature, Social Justice, Heritage, Reflections, and Young Poets. Prizes will be awarded in each category, as well as for “People’s Choice.” Only original, unpublished haiku will be considered for awards.

Contest winners will be announced on Sunday, April 9th.

Mukai will print and display a selection of individually calligraphed haiku on the grounds of Mukai Farm & Garden throughout the month of April. We encourage visitors to Mukai Farm & Garden to vote for their favorite haikus, the People’s Choice award, online or at the kiosk.

No entry fee. Donations welcome.

A young woman, Yoko, travels with a small crew to Uzbekistan to shoot an episode of her reality TV travel show. In front of the camera her persona is carefree and happy-go-lucky, but behind the scenes she is cautious and introverted.  Despite her best efforts, all the shootings end unsuccessfully. Frustrated by the failed filming, she takes to the streets of this mysterious country on her own. Lost in the streets of Tashkent, she finds herself adrift and alone, confronting her deepest fears and hidden aspirations.

A brilliant mix of black comedy, travelogue, drama, and an adventure-imbued mockery of showbiz, TO THE ENDS OF THE EARTH is a young woman’s journey from displacement to a place of self-discovery.

3 day rental • NR • 120 min. • Japanese with subtitles

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

From Michelle Zauner, the indie rock sensation known as Japanese Breakfast, Crying in H Mart is an unforgettable memoir about family, food, grief, love, and growing up Korean American. Join us for a special SAL Presents conversation with Michelle Zauner, celebrating the memoir’s paperback publication.

Create Your Own Series subscriptions, as well as Patron and Grand Patron single tickets, come with a copy of Crying in H Mart, shipped to the ticket holder’s door.

Mukai Farm & Garden will host our fourth annual Haiku Festival in March, bringing the beauty of haiku, an ancient style of Japanese poetry, to Vashon Island residents once again. The festival has drawn hundreds of entries and fans annually from countries all over the world!

The Mukai Haiku Festival is a juried poetry competition for people of all ages. Contestants can submit up to three haikus. Each haiku will be divided into one of five categories: Nature, Social Justice, Heritage, Reflections, and Young Poets. Prizes will be awarded in each category, as well as for “People’s Choice.” Only original, unpublished haiku will be considered for awards.

Contest winners will be announced on Sunday, April 9th.

Mukai will print and display a selection of individually calligraphed haiku on the grounds of Mukai Farm & Garden throughout the month of April. We encourage visitors to Mukai Farm & Garden to vote for their favorite haikus, the People’s Choice award, online or at the kiosk.

No entry fee. Donations welcome.

A young woman, Yoko, travels with a small crew to Uzbekistan to shoot an episode of her reality TV travel show. In front of the camera her persona is carefree and happy-go-lucky, but behind the scenes she is cautious and introverted.  Despite her best efforts, all the shootings end unsuccessfully. Frustrated by the failed filming, she takes to the streets of this mysterious country on her own. Lost in the streets of Tashkent, she finds herself adrift and alone, confronting her deepest fears and hidden aspirations.

A brilliant mix of black comedy, travelogue, drama, and an adventure-imbued mockery of showbiz, TO THE ENDS OF THE EARTH is a young woman’s journey from displacement to a place of self-discovery.

3 day rental • NR • 120 min. • Japanese with subtitles

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

At the peak of the 19th century, the Tacoma Method was praised as an effective method to eradicate Chinese communities on the West Coast. This is the operatic retelling of Tacoma’s dark history.

Asia Pacific Cultural Center Presents the First Annual Khmer New Year

FREE ADMISSION • FUN FAMILY EVENT
————————————————————————————-
• Cultural Arts
• Religion (Monks Chanting)
• Games, Live Performances
• Singing Contest
• Bok La Hong (Papaya salad) Contest
• Dessert Dash
• Silence Aution
• Food Booths and Retail Vendors

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

At the peak of the 19th century, the Tacoma Method was praised as an effective method to eradicate Chinese communities on the West Coast. This is the operatic retelling of Tacoma’s dark history.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

At the peak of the 19th century, the Tacoma Method was praised as an effective method to eradicate Chinese communities on the West Coast. This is the operatic retelling of Tacoma’s dark history.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

Art and history come together to tell a multidimensional story about humanity. Art is a catalyst for healing cultural pain, both personal and collective. In this exhibition, four artists address stories of immigration where art is a sanctuary, resulting in regeneration and innovation. They speak through their works about histories and heritage, using non-traditional media and configuring materials in new ways. Through their practices, they unearth a life purpose and an empowered self.

When artist Victor Kai Wang arrived in the United States in 1980 from China, he felt alone and adrift, struggling to comprehend his new surroundings. Suchitra Mattai’s ancestors navigated a bewildering and dangerous journey across the Atlantic to the Caribbean. Balancing between two cultures unsettled Tuan Nguyen and Jean Nagai. In childhood, they felt a need to adapt to survive. Each of these artists turned to creative innovation to change their focus and direction.

We have all felt a sense of disorientation since the COVID-19 pandemic began. We have had to adjust and find our way to a new reality. What does it take to reorient yourself to joy? Creating art, of any kind, is an active meditation. Creative innovation leads to joy, and joy brings healing.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

This is the Future, by the film and new media artist Hito Steyerl, explores a vibrant, imagined garden through an immersive environment of video projection, sculpture, and architectural intervention. Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is explored in this exhibition.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.

Paradice Avenue Souf and the Wing Luke Museum join in collaboration to explore the intersection of Black and Brown communities in Seattle and across the globe, in the present day and through time immemorial.

This exhibition will feature the “Black and Brown Solidarity” mural by Paradice Avenue Souf along with new work and a video short documenting the story of Paradice Avenue Souf and their travels and connections throughout African and Southeast Asia.

China’s rich legacies in art, language, and culture are conceptualized by the artists in Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms as visual, auditory, and kinetic experiences to tackle urgent and complex issues facing our globalized world. They allude to Chinese tradition—from the materials of ink, brush, and paper to the time-honored genre of landscape painting—to depict present-day events, such as street protests and the ongoing COVID-19 pandemic. New works by Yang Yongliang and Lam Tung Pang join those by Ai Weiwei and Zhang Huan from SAM’s collection in contemplating the societal tolls of modernity and globalization and the challenge that humans create for the natural world. Developed in collaboration with University of Washington students, Beyond the Mountain is the second special exhibition presented in the newly renovated Seattle Asian Art Museum.