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Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
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Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Seattle Asian American Film Festival (SAAFF)
Seattle, WA

The Seattle Asian American Film Festival, in partnership with Seattle Parks and Recreation and InterIM CDA, hosts a month of Chinatown-International District outdoor movies at Hing Hay Park in the summertime.

Join us for free and family-friendly outdoor programming every Saturday evening in August, featuring performances by local musical acts, face painting, art making, and popcorn for all. Once the sun goes down, the movie begins!

View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Seattle Asian American Film Festival (SAAFF)
Seattle, WA

The Seattle Asian American Film Festival, in partnership with Seattle Parks and Recreation and InterIM CDA, hosts a month of Chinatown-International District outdoor movies at Hing Hay Park in the summertime.

Join us for free and family-friendly outdoor programming every Saturday evening in August, featuring performances by local musical acts, face painting, art making, and popcorn for all. Once the sun goes down, the movie begins!

View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Asia Pacific Cultural Center
Tacoma, WA

Welcome to Asia Pacific Cultural Center’s 25th Annual Polynesian Luau, Saturday, August 27th from 3 to 6 p.m.

As APCC’s only fundraiser of the year, the annual Polynesian Luau has always been an important way for us to connect with the community. We take pride in sharing with you what makes our organization special and worth supporting with your hearts and with your donations. Your support means that programs like our PLOT Youth Program, our Cultural Program, our Outreach Programs, and all our other wonderful programming will continue throughout the year.

We are excited to bring this year’s Luau with special performances to celebrate 25 years of delicious island foods, local vendors, and the gathering of our family and friends.

Beautiful Polynesian music and dance from the islands of Fiji, Tahiti, Tonga, Hawaii, New Zealand, Samoa, Guam

Fun and exciting door prizes. (Including an Alaska Airlines ticket voucher!)

And, of course, an APCC Luau spectacular fire knife dance.

Delicious Island Menu:

Roasted Pig

Sapasui -Chop Suey

Coconut Salmon

Teriyaki Chicken

Island Salad

Tropical Fruits

Please note: APCC will strictly adhere to the current Covid-19 restrictions of Pierce County and Washington state.

View Event
Seattle Asian American Film Festival (SAAFF)
Seattle, WA

The Seattle Asian American Film Festival, in partnership with Seattle Parks and Recreation and InterIM CDA, hosts a month of Chinatown-International District outdoor movies at Hing Hay Park in the summertime.

Join us for free and family-friendly outdoor programming every Saturday evening in August, featuring performances by local musical acts, face painting, art making, and popcorn for all. Once the sun goes down, the movie begins!

View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
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Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
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Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
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Seattle Center Festál
Seattle, WA

Seattle Center Festál presents Hmong New Year Celebration in partnership with Hmong Association of Washington (HAW). The festival celebrates the end of the harvest season with intricate clothing, dance, food, and more.

HISTORY

The Hmong people are an ethnic group who have maintained their own language, customs and ways of life, while adopting the ways of the country they live in, since the Hmong do not have a country of their own. The Hmong New Year Celebration was created to give thanks to ancestors and welcome a new beginning. This is the biggest festive holiday celebrated where Hmong communities exist. Traditionally, this celebration lasts for ten days, but has been shortened in the U.S. Everyone dresses in traditional Hmong clothing and enjoy traditional food, dance and music. One very popular part of the Hmong New Year is, ‘Pov Pob’ tossing ball between two people, a form of courtship.

 

View Event
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
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In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
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Event
Organization
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In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
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Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
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Event
Organization
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In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
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In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
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Organization
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In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
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In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
View Event
Event
Organization
Location
In Chinese art, the past is often a source of inspiration and sometimes also a means for expressing resistance to status quos. Works by the contemporary artists in this exhibition reanimate China’s material, visual, and linguistic legacies with contemplations on the social costs of modernity and globalization, of migrating from one place and culture to another, and the challenge that humans represent to the natural world. This exhibition was developed in collaboration with University of Washington students.
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