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Attend festivals, performances, exhibits, workshops and more! Use simple filters to find specific types of events near you.

Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
PassinArt Theatre Company
Portland, OR

PassinArt: A Theatre Company presents Black Nativity by poet and playwright Langston Hughes. Based on the traditional Nativity story, the spirit-filled, inspiring gospel song play features traditional Christmas carols performed in a gospel style with a few new songs specifically for the show.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Unique Markets
Portland, OR

We’ve curated the best-of-the-best for you! Our diverse collection of 160 designers, emerging brands & artists has something for all – jewelry, housewares, gourmet artisanal gifts, art, fashion, leather goods and so much more!

View Event
Corvallis Multicultural Literacy Center
Corvallis, OR

We’re excited to invite you to the CMLC Winter Bazaar 2022, our closing event of the year! Come find international decor and textiles, jewelry, vintage items, and many more. Get your end-of-the-year shopping done with us, discover unique international pieces, and support a good cause!

View Event
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
German American Society of Portland
Portland, OR

The German American Society of Portland presents Weihnachtsmarkt 2022: A German Christmas Market! This year’s market will be held on December 3 from 11 a.m. to 6 p.m. at the Deutsches Haus on NE 57th and Sandy in Portland. The Weihnachtsmarkt will feature Glühwein (German mulled wine), German food, vendors selling Christmas gifts, baby goats, festive live music, and a real St. Nikolaus!

View Event
Native American Youth and Family Center
Portland, OR

Looking for some Native bling for the holidays? Visit our Winter Native Made Winter Marketplace each weekend through the month of December at the future site of our retail shop, right in the heart of Cully! Support Native artists and find the perfect gift for everyone in your life! There will be live music, refreshment

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Unique Markets
Portland, OR

We’ve curated the best-of-the-best for you! Our diverse collection of 160 designers, emerging brands & artists has something for all – jewelry, housewares, gourmet artisanal gifts, art, fashion, leather goods and so much more!

View Event
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Native American Youth and Family Center
Portland, OR

Looking for some Native bling for the holidays? Visit our Winter Native Made Winter Marketplace each weekend through the month of December at the future site of our retail shop, right in the heart of Cully! Support Native artists and find the perfect gift for everyone in your life! There will be live music, refreshment

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Portland Japanese Garden
Portland, OR

Enjoy a free koto harp performance by Oregon Koto-Kai at 1:15pm at the Cathy Rudd Cultural Corner in the Jordan Schnitzer Japanese Arts Learning Center. This family-friendly performance will also feature storytelling. Members will tell the story Mochi Mochi No Ki (The Tree of Courage). The moving story is about a young boy, raised by his grandfather, confronting and overcoming his fears.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Nordic Northwest
Portland, OR
ScanFair brings Scandinavia to Portland through traditional food and drink vendors; an entertainment program focused on cultural heritage; games, activities, and crafts; and welcoming local community organizations.
Tickets are valid for both days! Just keep your wristband to access the 2nd day of festivities.
Saturday December 10th: 10am – 5pm
Sunday December 11th: 10am – 4pm
View Event
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Native American Youth and Family Center
Portland, OR

Visit our Winter Native Made Winter Marketplace each weekend through the month of December at the future site of our retail shop, right in the heart of Cully! Support Native artists and find the perfect gift for everyone in your life! There will be live music, refreshments and food in the surrounding Cully neighborhood!

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Nordic Northwest
Portland, OR
ScanFair brings Scandinavia to Portland through traditional food and drink vendors; an entertainment program focused on cultural heritage; games, activities, and crafts; and welcoming local community organizations.
Tickets are valid for both days! Just keep your wristband to access the 2nd day of festivities.
Saturday December 10th: 10am – 5pm
Sunday December 11th: 10am – 4pm
View Event
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Native American Youth and Family Center
Portland, OR

Visit our Winter Native Made Winter Marketplace each weekend through the month of December at the future site of our retail shop, right in the heart of Cully! Support Native artists and find the perfect gift for everyone in your life! There will be live music, refreshments and food in the surrounding Cully neighborhood!

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Roots and Beats Project
Portland, OR

Our Winter Celebration will be a multimedia experience, alive with music, art, stories and stunning visuals! There will be delicious catering, a curated bar menu, silent auction and raffle as well as performances from local hip-hop and electronic musicians, Aztec dance, immersive video projection, and a chance to hear about our recent successes and exciting projects on the horizon.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
National Association of Minority Contractors (NAMC) Oregon
Portland, OR

We could not be more excited to welcome you to the Oregon Convention Center, where we will celebrate the accomplishments of the NAMC Family and the broader community! For more information or to purchase tickets for the 2022 NAMC-Oregon Holiday Celebration, Email: events@namc-oregon.org

View Event
Urban League of Portland
Portland, OR

We invite you to our 5th Urban League for All of Us Community Conversation in the Portland Metro area! Please save the date of December 15th 6:00 pm to 7:30 pm, this event will be virtual and in-person (location and final details to follow). Speakers will feature President and CEO, Nkenge Harmon Johnson, and other community members who will be our local hosts who will discuss the intersections of our public defense system and public safety. Please register for this event!

Registration for in-person attendance is capped at 75, please register as soon as possible.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Native American Youth and Family Center
Portland, OR

Visit our Winter Native Made Winter Marketplace each weekend through the month of December at the future site of our retail shop, right in the heart of Cully! Support Native artists and find the perfect gift for everyone in your life! There will be live music, refreshments and food in the surrounding Cully neighborhood!

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Portland Mercado
Portland, OR

Join us at the Portland Mercado on December 17th for a community celebration of “Las Posadas”.
We will have live music, vendors, food and drinks!
Location: Portland Mercado – 7238 SE Foster Rd, Portland, OR 97206
We hope to see you and your family!

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Native American Youth and Family Center
Portland, OR

Visit our Winter Native Made Winter Marketplace each weekend through the month of December at the future site of our retail shop, right in the heart of Cully! Support Native artists and find the perfect gift for everyone in your life! There will be live music, refreshments and food in the surrounding Cully neighborhood!

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Microenterprise Service of Oregon (MESO)
Portland, OR

With the generous support of Prosper Portland, MESO will be hosting our second annual MESO Makers Winter Market at Alberta Commons corner of MLK & Sumner St.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Shades of Light brings together ceramics, photography, printmaking, sculpture, and textiles from the Portland Art Museum’s permanent collection. Linking these objects is the subtle role of light across a broad range of Korean creative practices. A Buddhist sculpture by Jang Jin-ik uses light as its medium, while our appreciation of ceramics and textiles may be determined by how light reflects off the surface of an object, or even travels through it. In other cases the interplay of light and dark is precisely what gives an image form. The exhibition highlights the superlative celadon glazes of the Goryeo period (918–1392) and the later taste for white porcelain in the Joseon period (1392–1897). Alongside historical examples are recent works by contemporary women artists Kim Yikyung and Joo Jiwan, who investigate these ceramic traditions in their own practice.

View Event
Portland Art Museum
Portland, OR

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale.

Quaicoe’s portraits do not just invoke identity of the painful bonds tying two continents together, but they simultaneously break down these layers of history and draw us into a more intimate conversation that transcends nationalities and brightens the discourse of the African diaspora experience.

View Event
Portland Art Museum
Portland, OR

What is the relationship of humans to their environment? Japanese artists have considered this question in myriad ways, influenced as deeply by the tempestuous natural forces shaping life in this Pacific Rim island archipelago as by long-standing traditions of natural imagery in Japanese art, literature, and culture. The human connection to the natural world has taken on new meanings in the wake of March 11, 2011, when the Great East Japan Earthquake and tsunami, followed by the Fukushima nuclear disaster, struck the northeast coast of Japan. This exhibition explores artistic responses to the environmental forces–some benign, some terrifying–that regulate life on this planet. The works featured here consider the ecological relationship between humans and our environment, encompassing mundane moments of daily life, meditative abstractions, and dystopian visions of the future.

View Event
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

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Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

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Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

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Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

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Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

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Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

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Event
Organization
Location
Portland Art Museum
Portland, OR

An immersive, site-responsive installation by multimedia artist Jeffrey Gibson, They Come From Fire will transform the exterior windows on the facade of the museum’s main building as well as its two-story interior Schnitzer Sculpture Court. This dynamic work will celebrate Portland’s Indigenous history, presence and vitality through the use of suspended glass panels, text, and photographic imagery created with Indigenous, BIPOC, LGBTQ+ artists, and other community members on and around the empty monument pedestals in the Park blocks in front of the museum. Coinciding with a survey of Dakota modernist Oscar Howe, the installation will serve as a bridge between the museum’s contemporary and Native American art collections.

View Event
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Portland Art Museum
Portland, OR

Community, empowerment, and visibility are at the heart of the ongoing performance work To Name An Other, by multimedia artist Jeffrey Gibson (b. 1972), who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. The fifty pairs of matching tunics and drums in this large-scale installation are emblazoned with phrases that challenge the limiting ways we identify and interface with expectations surrounding race and gender. A video of past performances is also included in the gallery.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

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Event
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Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

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Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event
Event
Organization
Location
Portland Art Museum
Portland, OR

Dakota Modern: The Art of Oscar Howe introduces new generations to one of the twentieth century’s most innovative Native American painters. Howe (1915–1983) committed his artistic career to the preservation, relevance, and ongoing expression of his Yanktonai Dakota culture. He proved that art could be simultaneously modern and embedded in customary Očhéthi Šakówiŋ (Sioux) culture and aesthetics—to him there was no contradiction.Howe challenged the art establishment’s preconceptions and definitions of Native American painting. In doing so, he catalyzed a movement among Native artists to express their individuality rather than conforming to an established style. This legacy of innovation and advocacy continues to inspire generations of Native artists to take pride in their heritage and resist stereotypes.

Dakota Modern traces more than forty years of the artist’s career and development from early conventional work created while in high school in the 1930s through the emergence in the 1950s and 1960s of his innovative and abstract approach to painting.

View Event