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The Slavonic Mutual and Benevolent Society was founded in San Francisco in 1857 by Croatian immigrants, primarily from the Dalmatian coast of Croatia. Until 1975 the Society was based on fraternal membership, a type of organization with a long tradition among Croatians from Slavonia, Dalmatia, Istria, Croatia Proper, Hercegovina and Bosnia. In 1979 the dream of a physical home was realized, and the Croatian American Cultural Center on Alemany Street opened its doors, as a center to share the rich cultural heritage Croatia. The scope of programs broadened and the Center has become an important gathering place for enthusiasts of Croatia and other Slavic music and dance, and recent immigrants as well as long time members. Croatian American Cultural Center opened its doors on March 24, 1979 on the corner of Alemany and Onondaga Avenues in San Francisco. The Center has become a focal point for the many cultural events and activities through the years.
At Crosscut, we believe that an informed public is essential to solving the challenges of our time. As the Pacific Northwest’s independent, reader-supported, nonprofit news site, Crosscut strives to provide readers with the facts and analysis they need to intelligently participate in civic discourse, and to create a more just, equitable and sustainable society. Crosscut is a service of Cascade Public Media.
Crumac arose, phoenix-like, from the ashes of The Suffering Gaels, the premiere Irish band in Seattle and the Pacific Northwest for two decades.
Crystal Rose Demientieff Worl is Tlingit Athabascan from Raven moiety, Sockeye Clan, from the Raven House. She is a child of a Thunderbird and from the Chilkat region in Southeast Alaska. From her mother’s side, she is Deg Hit’an Athabascan from Fairbanks Alaska. Raised between Fairbanks and Juneau, she was introduced at a young age to her traditional arts, practices, and storytelling. In 2013 Crystal earned a Bachelor’s of Fine Art in Jewelry Metals and an Associate’s of Fine Art in Moving Images from the Institute of American Indian Arts. In 2020 Crystal completed a 3-year apprenticeship in painting and formline design with BC Contemporary Haida artist Robert Davidson. Crystal experiments with kiln-cast glass, printmaking, painting, and silversmithing. She recently began working with fish skin, seal gut-skin, and furs. Crystal studies traditional Tlingit formline design and Athabascan beadwork patterns. She experiments applying her designs within mixed media and performance. She practices the recreation and modernization of her Clan’s stories and Raven stories from home. Her work explores the relationships and bonds between her people, the land, and the animals. Today Crystal lives in Juneau, Alaska working as a co-owner of Trickster Company with her brother Rico Worl. Trickster Company promotes innovative indigenous design focused on the Northwest Coast art and exploration of themes and issues in Native culture.
A state where Oregonians are able to access and engage in arts, culture, history, heritage, and humanities in their community without barriers; where students have equitable access to quality arts education throughout their academic careers; and arts and culture organizations are able to provide innovative, world-class programming that allows for the export of ideas, innovation, and creative work while contributing to Oregon’s economy and quality of life.
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